I missed it. I'm considering going Monday. Is it worthwhile? Thanks
Hey there voice actors! I did some theatre in highschool, and some during college, and then the pandemic hit. I miss doing shows, and after recording some vocals for a few songs, I realized I miss acting too. I can do a decent British accent (for an American
In the last one, it was Matthew Mercer won won between him, Steve Blum and Nolan North. Now who is the best between these three? [View Poll](https://www.reddit.com/poll/isbco1)
Hey Actors and Actresses! I am dipping my toes into Voice Acting and have put together four small scripts that show a small range of my ability. If you could have a listen and provide any feedback, it would be greatly appreciated! [Thanks for listening!](https://soundcloud.com/user-761352748/demo-reel)
A quick question about contracts I'm currently doing with my actors for an upcoming SAG-approved project. Does anyone know if it is necessary to put the complete number in the contract? On the form, it looks like it - no mention of "only last four digits" or something? Thanks
That’s a big misconception that a lot of aspiring voice actors have about the work - you use a unique voice for every single role you take on. The best voice actors - Laura Bailey, Nolan North, John DiMaggio, Mark Hamill etc, are all innately recognisable actors who are all definitely capable of shows of extreme voice range, but for the most part, you’d hear them speaking as they regularly do for the majority of their characters. THAT is what makes them instantly recognisable. For the majority of the time, perhaps 50% or 60% of the time, you won’t be changing your voice, or if you do, they’ll be superficial changes such as accent, pace of speech, tempo or tone. You will need to hone your normal speaking range to suit as many characters as possible and make sure it is a tool for many, *many* occasions. Trust me, ALL voice actors, or rather, all humans, have the capacity of creating millions of unique voices based on a number of factors for any character they wish to portray. You’re not looking to become a Dungeon Master or comedian or impressionist in this industry with all these unique voices you’ve got in your disposal. You’re looking to become a performer, and the normal voice you wield is much more attractive to casting callers and VO directors than anything in your higher or lower octaves. Of course, it varies from animation to games to adverts and so on where versatility is rewarded differently (for example, if you’re looking to work on cartoons, expect to change your voice around a bit more than you would in video games), but for the most part, expect to see a one or two people BORED with your voice. It means you’ve made it in the industry.
So I’m planning on moving from a 3rd world country to become and actor and just gathering information about it so I do this smartly. I’m planning on moving to Toronto and go to a public film college so I can apply eventually after going through the whole immigration process to a permanent residency, ask for a work permit after studying a Diploma for 2 years in acting and just try to make it like we all want to. Now, is this a smart move? I’m not considering moving to LA or Chicago or ATL or New York because pandemic and money and everything that implies but I also think maybe I should just take the risk? Even if the whole immigration process there is a mess and way harder. I am already making a big decision so should I just go all the way?
I read on YouTube, a comment in a video of the movie that said the following: «When you watch a movie you see them act emotionally and it makes sense because XYZ just happened in the movie. But in reality XYZ didn’t happen at all. The actor just came from breakfast and when someone yells "Action" he makes the character look seamless and real.» And unless DiCaprio used real drugs during the movie, which, well, who knows? I'm curious to know what his preparation was for playing such a character, and play it so well as he did.
Hey! New actor here. What's the order that you guys typically do for a self tape? Does the slate usually go before the scenes, or after? And do you guys include a title card only in the beginning, or in both the beginning and end?
I am a young actor who still hasn't gotten a foot in the door. I have no questions of ability as I have worked with top tier actors and more than held my own. I have an opportunity on a film but the film is something I would not necessarily take pride in. It is a sci-fi type b horror movie with what seems like actors who once did porn. But it's an opportunity to to work with other actors who do get work a lot and gain traction. Is this something I would regret?
Hey, I hope this isn't a silly question, but what should you consider when looking for your "type." Should it be based only around the age I look, or should I consider my height and race? I've been having a bit of trouble fullying understanding everything I should look for. I've been told by an acting coach that I resembled Gabrielle Union and should look at her work. But I'm not even sure what her type is either since she's been working for like twenty years.
Hi all! After lurking on this sub for about a year, I finally decided to just make an account and join lol. Basically, I am nearly 21 years old and will be graduating college with a theatre degree in the next year and a half. I’m currently based in Philadelphia but am stuck on what my next steps should be. I have a good amount of theatre credits and a handful of student film credits that I plan on building on while I’m still in school. I do have some specific questions (I’d love to hear from anyone, especially my fellow black actors): - As a Black/mixed race woman who typically plays characters between the ages of 16-22, what market would yield the most work for me: Atlanta or LA? - What is it like maneuvering this industry as a Black actor? - Would wearing my natural (curly) hair limit the kind of roles I would be called in for? - Would it be naive of me to go straight to LA with such little experience on my resume? Should I instead focus on building in a smaller market before heading out west? Any sort of guidance on what sort of path to take would be greatly appreciated! :)
Hello! How much crap is the “norm” that actors have to deal with, especially new actors? I’ve heard this industry is hard, but is there a line drawn somewhere....? I’ve been trying to grin and bear with the treatment from my unpaid project (roughly 6 month commitment), but I am at my wit’s end and am curious if what I am experiencing is just the tip of the iceberg for this industry and is something I should just grit my teeth through and trudge along. My time is not respected and the project was once canceled out of whim because of some drama within the team. I got “demoted” to a smaller role for missing a rehearsal even though I had a legitimate reason and was informed about the demotion by another actor rather than my project lead. The lead ignores my texts while responding in the group chat and never follows up when she says she’ll call me later. Even last week, she said she would call the team, but it seems like everyone else received a call but me. She is also passive aggressive. Unless it’s on her own terms, it’s difficult to get in touch with her yet it seems like an unspoken rule that she expects a response within a few hours. I’m not being asked for sexual favors or being pushed for nudity and have been told I can quit at any time so perhaps I do not have it bad at all...I just don’t know and would appreciate input from those who have been in the industry for longer. I wouldn’t take this treatment in my day job but considering this is an entirely different industry, maybe this is nothing.
This is for my recreation coaster called "Hollywood Rip Ride Rockit" and the characters are called "Video DJs". I need voice actors for this. Everybody is welcome to sign up. Email me lomcgill14@gmail.com if you want to join or click the link Character description. Celeste- she loves country music and her father is a country star that she want to be like him. Aki- she love pop and disco music, when she dance and sings I will survive by Gloria Gaynor, she know that she will do it. Raven- She loves to listen to hardcore rock n roll music that she jams of making a music video. Rodriguez- He is a sensational Dj of Club and Electronica music that he plays the best club and electronica music like Busy Child by The Crystal Method. Tiny- he was born to rap and hip-hop and his sick beats and words that he wins everytime on the rap battle
Hello there everyone! As the title suggests, I am a new aspiring actor, with a bit of experience in theatre and an education in on camera acting. I would love to get an agent but unfortunately, I have no demo reel to show but I am considering making a self tape as my demo reel. Now, I know some agents doesn’t really require a reel but I believe that slims down a chance of getting accepted. But I’m worried if I make a reel, it may also be a reason to be rejected. And if I make a reel, is it better to do a monologue or have a reader? I just want peoples honest opinion and recommendation on this dilemma I have. I totally appreciate it!
I feel like nowadays acting and social media go together hand-in-hand, a good social media presence can really be an important boost. I act in a local TV show from my country (you probably haven’t heard of it
My last name is is hard to pronounce and my first name is unique (something like Zendaya or Normani) and I have always wanted to go by just go by first name because it seems more marketable. Can I only include a first name on my actor access page and casting network page, even though it is still early on in my career?