Hey all I'm a New York City Photographer and just bought a couple Kino Flo lights (Peter Hurley uses these) and would like to play around with them a bit while I refine my look. I'm looking for one female and one male actor local to NYC and in exchange for about 90 minutes of your time, you'll get a free set of headshots. My portfolio can be found at [www.joejenkinsphoto.com](https://www.joejenkinsphoto.com) Also, apologies to the moderators of this board for writing head/shots. It looks like your bots auto-removed my post because they thought it was headshot feedback spam, or some such thing. Anyway, this is a legitimate request with no strings attached. Just a comped set of headshots for two people while I test out my lighting. Thanks Joe
I’m auditioning this next audition cycle with my wife. We’re both solid actors with decent resumes and reels. Some background: We both got called back to “top 5” universities (according to Hollywood Reporter... whatever that means lol) our first time auditioning a couple years ago. We didn’t end up following through with the schools due to familial issues but here’s my question, are the chances of getting into a reputable acting university together* as a married couple extremely low? I’m talking big schools: UCSD and UCI specifically tbh. We got into about 5 schools together the first time but they weren’t what we were looking for. I’m aware both of us have to mesh well with the cohort and be strong actors but I’m asking this question apart from that. I would love to hear from people currently enrolled or graduated from MFA Acting Programs. TL;DR: Can anyone shed some light on how these reputable schools view accepting married couples into their programs? Is it seen as a liability, a non-issue, or does it fall somewhere in the middle?
Does anyone know where to find/currently have resources regarding visas (not to the US) for actors? If I signed up for an acting course and get accepted on an international student visa, would I be able to work? I read here that talent agencies in Toronto are hesitant to represent non-resident actors since most productions get a tax break by hiring local talent. I'd really like to know what my options are...if I have any. I'm interested in leaving the US for a little bit. Thanks for any help, I appreciate it.
Hi! I last minute signed up for my first acting class which starts tomorrow and need to find an online copy or pdf of Challenge for the Actor by Uta Hagen. I have already purchased a print version, arriving next week, but would like to find one online if I can so I can have it for tomorrow as we are supposed to have read a few pages before the start of class. If anyone knows where I can find a copy online it'd be greatly appreciated. Thank you!
I don't know what my problem is. The context is a lot, and not very coherent. I'm in my last year of my acting BFA. I'm planning on becoming a dialect coach after graduation (and have plans in motion to do so). I \*like\* acting. It's what I'm good at, though I'm not part of the "special" ones in class (you may know what I'm talking about). All through the past three years, we've been doing scenes and all to explore what kinds of things we can do--where we fit and what we like. I have wasted my time, I feel. The classes were taught by allistic people, for allistic people. I was always made to play a man because we had no scripts for enough women, and if somebody had to end up playing a man, oh, well, naturally that will be u/crowlieb. Very little has fit, and very little has been useful. What I do connect with is mask work, theatre of the absurd, objective, wild, dream world stuff like that. Where characters never tell you everything they know. If they're surprised, they have chosen to be surprised. I \*like\* that, I can do that. I can put on a mask and "be a certain way." I am, in every way, the Green Other. I suck at realism. I'm not convincing, I'm not gripping, I'm boring to watch. To top it off, my cohorts in conservatory have never liked acting with me, so I don't what it's like to act with someone who doesn't look like a brick wall to me. Maybe I could never learn how to give enough, I don't know in the end, and I may never know. So it's my last year. I've wasted my time. I have one more chance, and it's big--it's going to be recorded, and sent to all the major theatremakers in the big city. My scene partner is not a friend by any means, but we're so similar. We both love absurdism. We both love playing the cold, distant, clinical (and often supernatural) Other and we both do it very well. This is our chance and we're running out of time. I've looked EVERYWHERE and all I see is work that's too sexual or too realist or too boring or too out there to even have a point if I sit down and \*really\* think about it. Am I bad at being in theatre? Am I a bad actor? Don't people who thrive in this world get "thrilled" by a play, want to see more? I feel frustrated that no one has been able to see me do what I know I could do best, but everything else is so damn.... mundane. That's not to say I don't like any shows. I love Our Town, and Fen, and Delirium Palace, and Silent Sky. Godot is a little bit too far. (I connect to a piece when the language makes sense, but the people don't.) I didn't want this to be a rant post, I respect this community. I don't know if I'm asking for help, or if anybody else feels this way, I don't know. I just had to \*tell somebody who does theatre.\*
Apart from jack nicholson and sean connery can someone tell me a list of the major actors and actresses who are retired atm.
First and foremost, I'm grateful to have found an agent and sign with them on my own. I was very lucky to sign after showcase but realized I wasn't quite ready for the move. I got dropped after a year and was just lost. After a short break, I got new headshots, dusted myself off, and got back in the game. Fast forward to late 2019 and I finally land an interview with a small agency. My first agency was mid to high and this time I was looking for something more personable. I interviewed in December and signed in January. Things were looking great. She got me an audition after my interview and another after I signed. Then the pandemic hit... I called her to ask how she was and how the industry would react. At that point she said she'd be working from home and while most productions stopped, some CDs will hold meetings/auditions over Skype/Zoom. I was too busy being depressed and scared by the pandemic so I wasn't as proactive as I should've been for my career. That's on me. She hasn't contacted me for anything, let alone an audition. A few weeks ago, I decided to use a short self-tape audition I was really proud of as my "reel." I sent it to her, asking for feedback but she didn't respond. It's September. I have about 4 months left of my contract and I had only 2 auditions. Now I know there was a pandemic and there is no normal anymore but I've been seeing actors getting cast/auditioning. Should I expect to be dropped? I updated my materials and added a reel, how else can I best set up my agent? How are you guys connecting with CDs right now? Mail? Email? How do you guys communicate with your agent?? tl;dr - Maybe I got unlucky signing with an agent right before the pandemic. How do I make sure it wasn't for naught?
I (21F) am in my last quarter of college in Chicago in a major unrelated to acting. I've always been more of a creative type, did a lot of arts stuff in HS, but I dropped everything at a certain point to focus solely on voice lessons and the theatre department at school. Nothing made me happier than being in spring musicals and one-act plays, though favoritism was a major issue in the small department we had. Even with my vocal training, it became clear it was all about looks and whoever had become the director's 'favorite'. I had only ever been a lead once (in the MS fall play, I was a freshman), though I played a significant character in a one-act/competition play we did later on. Admittedly, the favoritism left me disheartened and a little angry by my senior year—especially because the summer prior I had managed to land a major role in a summer musical theatre program for ASM, against dozens of applicants/auditions compared to my tiny HS program. This isn't at all to say that I think I'm insanely talented, and I know not every role is made for me—but that was the first time in a long time I actually felt appreciated and like someone saw something in me. So I skipped out on the musical senior year, over the favoritism. (I know you have to have a thick skin for this line of work, but I think it felt more personal because our department was so tiny and we were so close with our director.) I think that made it hard for me to get back into acting for a long time, and I've considered it a lot while in college, but have never actually made the move. Anyway, right before COVID, I finally decided to stop putting it off and throw myself back into it. I have no real career goals in mind with my degree, but I went with it to please my parents and have a 'backup'. But I still dream about acting, and aside from being a writer, it's one of the only jobs I could see myself being happy doing. Even if I end up realizing I'm not talented enough to do it professionally/seriously compared to as a hobby, I desperately want to get back into it. I was starting to research how to do that and then BAM, COVID. The industry has been hit hard, of course, leaving even some professionals reeling. So I have no idea, as a novice, how to even begin to get back into it with what's going on in the US. I would really appreciate ANY advice or insight on what it's like for actors right now, how you're navigating work with COVID, how I might get back into this even with things being different right now. For more info, I would rather try to get into regular stage acting or film/TV. I just don't see myself as a triple threat or feel like my singing/dancing skills are good enough for Broadway, lol. Thanks in advance for anything you can offer!!
I’m auditioning this next audition cycle with my wife. We’re both solid actors with decent resumes and reels. Some background: We both got called back to “top 5” universities (according to Hollywood Reporter... whatever that means lol) our first time auditioning a couple years ago. We didn’t end up following through with the schools due to familial issues but here’s my question, are the chances of getting into a reputable acting university together* as a married couple extremely low? I’m talking big schools: UCSD and UCI specifically tbh. We got into about 5 schools together the first time but they weren’t what we were looking for. I’m aware we both of us have to mesh well with the cohort and be strong actors but I’m asking this question apart from that. TL;DR: Can anyone shed some light on how these reputable schools view accepting married couples into their programs? Is it seen as a liability, a non-issue, or does it fall somewhere in the middle?
The translations are derivative works, so should come under the same copyright restrictions as the original. The only thing I could find was this: https://archive.org/details/2015.126189.AnActorPrepares/page/n1/mode/2up If anyone has any other sources, I'd appreciate it.
All of my footage is from student films. They’re high quality just not sure what length to condense them too
How might someone who goes to school verses someone who opts out of acting school and decides to move to LA to become an actor be more successful? Does getting a degree raise your chances of being more successful than someone who just graduated high school?
Looking to read some stories for some research I'm doing. Be as specific as you can if possible.
Leaving aside the world-changing events that will change everything, including acting work... Where are some cities or even towns to live as an actor (perhaps if you're a VO actor as well) that you've seen personally or anecdotally which are workable? I don't mean markets where you can definitely make a living, but markets where you might be able to make a partial living while juggling a day job? Markets where you like the theatre or improv scene and you see actors get a lot of satisfaction even if they don't make a ton of money? Thanks!
all my actor friends are extremely flakey and unreliable, it really sucks. My auditions are starting to pick up and I'd love to link up with some dedicated actors to help each other out with self tapes. I have a recurring guest star tape due Friday, my reader just pooped out, this is too important to do with a regular Joe, if anybody happens to be available anytime on Thursday to shoot. I'm in Flatbush and can tape here or can travel to you. Let me know! Thanks guys.
Hey Everyone, first time posting and also panicking a bit so I apologize if this has been posted before! I’m an actor in Toronto and I just got a self tape request for a part that involves dancing and surprise surprise it’s due Friday. Nothing too complicated, I have to lip sync a song at the same time so it’s not supposed to be Step Up level moves thankfully. I’m not an avid dance class student and so I know nothing about the Toronto dance scene. I was wondering if anyone knows where I could potentially film a dance self tape anywhere in Toronto? All suggestions are appreciated - thanks so so much everyone!
Sorry if this doesn’t make much sense. I’m not even sure if this is the right place to post. I’m an aspiring actor and model and started my professional account a few weeks ago. Over the past few days, as I now have a few hundred followers, I’ve gotten DMs from big companies with thousands of followers to be a brand ambassador or something like that. I’m sure this will not be close to the last time this happens. So my questions are: Are these spam? If they don’t dm with the actual account for the brand, is it spam? If I reply, how do I do it and what do these actually mean? It might be important to note I’m a teenager.