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We have found 20,193 posts across 4 actor forums:

Motivation by Jason Raymaker  •  last post Jul 2nd

What is one thing that keeps you motivated in this crazy and competitive industry?

Casting Director Anthony J. Kraus Shares His Top Audition Tips for Actors by Amanda Toney  •  last post Jul 2nd

https://www.castingnetworks.com/news/casting-director-anthony-j-kraus-audition-tips-for-actors/

What Keke Palmer's Career Retrospective Taught Me About Longevity by Ashley Smith  •  last post Jul 2nd

I just watched Keke Palmer's Vanity Fair rewatch of her career, and it's such a beautiful reflection on what it actually means to grow up in this industry and build a career that lasts: https://www.youtube.com/watch?v=jSG3d7dNmZA 


She walks through Akeelah and the Bee, True Jackson VP, Hustlers, Nope, One of Them Days, I Love Boosters, and the infamous "Sorry to this man" moment, and I couldn't stop taking notes about the craft, mentorship, and mindset that has kept her working for over 20 years.

Here are the takeaways that stood out to me most:
On mentorship and connecting to emotion: She talks about how Angela Bassett helped her cry in a scene as a child by drawing a parallel between the character's life and Keke's own relationship with her mom. She calls Angela and Laurence Fishburne "my first teachers in the industry," and you can hear how deeply that shaped her approach to acting.

On growing up on set: She's honest about how hard it was to have kid feelings suppressed in a professional workplace as a child actor. "As a kid you are supposed to be able to be unreasonably angry, unreasonably sad, but because it was so much at stake, I just couldn't do it." It's such a raw, vulnerable admission about the cost of the career.

On listening as an actor: She says she hears lines as music and always tries to serve the scene by listening to what instrument her scene partner is playing, then supporting it. That framework alone is worth the whole video.

On reinventing across career stages: Hustlers was a full "reintroduction" for her as an adult, and she's honest about how difficult the transition from kid star to adult actor really is. The auditions get harder, the feedback slows down, and you have to rebuild everything.

Which brings me to my question for all of you actors out there: Which working actor's career retrospective, interview, or masterclass has taught you the most about your craft? 

What did they say that stuck with you? Whether it's Meryl at the Actors Studio, Denzel talking about faith and preparation, Viola talking about vulnerability, or a Keke Palmer sit-down like this one, share the moments that shaped how you approach your work. And drop a link or clip in the comments! 

Community Zoom? by Bliss Ganza  •  last post Jul 1st

What do you all think about having a free weekly community Zoom where filmmakers can simply connect, share ideas, get honest feedback, and learn from one another?


No pressure. No pitching. Just a space where writers, directors, actors, producers, and anyone passionate about film making can be heard, collaborate, and grow together.

Would this be something you'd join?

 I'd love to hear your thoughts and ideas before taking it any further.

SuperGirl by David P Perlmutter  •  last post Jul 1st

I had a blast for three weeks on the set of SuperGirl. 


Make up at 3.30am every week day. 
10 hours or so on set. 
Took an hour every night to remove make up. 

All worth it to see the creation on the big screen. 

Here I am in the background behind Milly Alcock. 

Typecasting by Suzanne Bronson  •  last post Jun 30th

Do you think 'typecasting' is a helpful tool to get your foot in the door, or a trap that limits your artistic growth?"

Entertainment and education by Asiimwe Yvonne  •  last post Jun 29th

i believe in a community of education and entertainment because it really gives me the confidence to believe in my self

The good ol' days...question mark? by Doug Kayne  •  last post Jun 29th

A friend and fellow performer and I were reminiscing last night, agreeing that in some way we miss the days where we actually had to print out resumes, order copies of black-and-white pictures, scour the physical copy of BackStage for casting notices, physically send copies of pics and resumes to the casting offices, and go audition in person.

Yes, I can definitely appreciate that it is much easier (and cheaper) now that things are done electronically, but there is something to be said for actually reading for a part in front of the person, instead of recording the audition at home.  Yes, I know the latter grants more access to more performers (which is a good thing!), but the thrill of pounding the pavement and going sides in the same room as other actors all going out for Bartender #3 does have its charm.

Don't get me wrong...I like the ease of attaching JPGs and PDFs and hitting SEND when submitting.  But, it also feels a bit less personal.  This same accessible technology has also made it easier to make our own movies and shorts, giving us greater opportunities to be seen by those who are looking for people to be in their next projects.  

But, again, there is something about the in-person experience that tends to give us more grit.  More drive. More hunger.

Or is it just my old man persona saying, "Back in my day..."?

7 Apps Every Actor Must Use Right Now by Aaron Marcus  •  last post Jun 29th

7 Apps Every Actor Must Use Right Now


https://youtu.be/asx_vsCTXJU

Learn about 7 apps and free programs that could completely change the way you run your acting career.

Let us know if you use any of them or what apps have helped your acting career.

Your information will be invaluable to fellow actors. I'll read and respond to each one.

Acting by حسن الزهراني  •  last post Jun 28th

Hello everyone,

My name is Hassan Al-Zahrani, and I’m a screenwriter and aspiring actor from Saudi Arabia.

I have completed an original feature film trilogy titled The Last Promise. It is a character-driven action thriller with emotional depth, suspense, and cinematic storytelling, designed for an international audience.

I am currently looking to connect with producers, directors, managers, or production companies interested in reviewing the project. I would also love the opportunity to be involved as an actor if the film moves into production.

If you’re interested in learning more, I’d be happy to share the pitch package or screenplay.

Thank you for your time, and I look forward to connecting with fellow filmmakers.


Howdy All, :)) by Cylinda McAlister  •  last post Jun 27th

Been a little while since I posted, but kind of took a break last year but getting back into getting more work with my acting this year, so far so good. Went to ICFF Film Festival and a few days in Jacksonville Florida to see my family there. Got some work lined up for later this year and really looking forward to it. Hope everyone is doing well. Have a great day. :))

Acting advice by Jason Raymaker  •  last post Jun 27th

What is one piece of acting advice you have received that has helped you in your journey?

Dubai casting 40-55 male/females by Pauline Johnson  •  last post Jun 27th

Hi, looking for Dubai based actors. 2 male, 1 female, age ranging 40-55, for a short psychological drama filming next week (evenings).
Any ethnicity, English speaking roles. Established production company, IMDB credit and international festivals to follow.
Please dm with details and experience if interested and I will forward to the Director and casting department.

Vertical Microdrama Is Reshaping How Actors Get Cast — Here Is What You Need to Know by Laura Hammer  •  last post Jun 26th

The casting process for vertical microdrama has split into two distinct tracks, and understanding both is essential for any actor working in this space. On one end, platforms are operating like swipe-to-match apps — casting directors browse talent and connect within minutes for shoots that move from offer to wrap in seven days or less. On the other end, generative AI is replacing human actors entirely on budget-constrained productions, bringing costs down from six figures to a few thousand dollars. The actors who are winning work in this space are the ones positioning themselves clearly for the prestige tier — the high-budget vertical productions from platforms like Peacock and celebrity-backed companies actively seeking union talent and recognizable faces who can anchor a series.

Building a vertical casting portfolio starts with thinking mobile-first from the ground up. Every self-tape, reel, and headshot should be framed vertically in a 9:16 ratio — composed for height, not width. Casting directors in this space are moving fast, so your strongest, most emotionally impactful material needs to be front and center within the first three seconds of anything you submit. Your demo reel should run no longer than one to two minutes and lead with scenes that demonstrate immediate, clear emotional presence. Subtle naturalism can get lost on a mobile screen — expressive, direct, and energetic performances read best in the vertical format.

Your digital footprint matters as much as your portfolio in this environment. Optimize your profiles online specifically for mobile viewing, and make sure your headshots are current and unedited. Personal branding carries real weight now because casting professionals are using social media to evaluate personality and potential reach alongside performance ability. 

What have you learned from navigating the transition to vertical casting — and how has the format changed the way you approach performance?

Screenwriter. Actor by حسن الزهراني  •  last post Jun 26th

Hello,

My name is Hassan Al-Zahrani, and I am an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film screenplay titled The Last Promise. It is a cinematic action thriller with strong emotional stakes, suspense, and character-driven storytelling. The story is planned as a trilogy, with each installment expanding the world and raising the stakes.

I truly believe this project has the potential to connect with international audiences, and I would be honored if you would consider reading the screenplay or the pitch package.

I am also passionate about acting and would love the opportunity to be involved in the film as part of the cast if the project were ever developed.

Thank you for your time and consideration. I appreciate any opportunity to share my work, and I look forward to hearing from you.

Best regards,

Hassan Al-Zahrani
Screenwriter & Actor


Screenwriter. Acter by حسن الزهراني  •  last post Jun 26th

Hello,

My name is Hassan Al-Zahrani, and I am an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film screenplay titled The Last Promise. It is a cinematic action thriller with strong emotional stakes, suspense, and character-driven storytelling. The story is planned as a trilogy, with each installment expanding the world and raising the stakes.

I truly believe this project has the potential to connect with international audiences, and I would be honored if you would consider reading the screenplay or the pitch package.

I am also passionate about acting and would love the opportunity to be involved in the film as part of the cast if the project were ever developed.

Thank you for your time and consideration. I appreciate any opportunity to share my work, and I look forward to hearing from you.

Best regards,

Hassan Al-Zahrani
Screenwriter & Actor


Screenwriter and actor by حسن الزهراني  •  last post Jun 25th

Hello,

My name is Hassan Al-Zahrani, an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film trilogy titled The Last Promise, a high-concept action thriller with strong emotional drama, cinematic action, and franchise potential.

I am currently looking for producers, managers, or industry professionals who are interested in reviewing the project and helping bring it to an international audience. I would also love the opportunity to be involved as an actor in the film if it moves into production.

I truly believe this story has the potential to become a successful international franchise, and I would be honored to share the pitch package or full screenplay with you if you’re interested.

Thank you for your time and consideration. I look forward to hearing from you.

Best regards,
Hassan Al-Zahrani


Voice Acting 101: How to Launch Your Voice Acting Career and Build the Skills to Book Work. Webinar with Rama by James Lagrimas  •  last post Jun 25th

The voiceover industry is expanding faster than ever, with demand for voice talent spanning commercials, audiobooks, animation, video games, podcasts, and digital content. That means real opportunities exist right now for people willing to learn the craft.

Rama is going to walk you through the full landscape of what voice acting actually requires. You'll explore what the voiceover world really looks like and where the opportunities are. 
You'll have a concrete understanding of what it takes to launch a voice acting career—and a clear, actionable plan for how to move forward.

Email edu@stage32.com with any questions!


To learn more about the webinar and to register, click here:
https://www.stage32.com/education/products/voice-acting-101-how-to-launch-your-voice-acting-career-and-build-the-skills-to-book-work

Acting Thought: It’s the Small Actions by Timothy Miller  •  last post Jun 24th

 


Something I’ve been thinking about lately:

Acting isn’t just about lines—it’s about what you do between them.

The smallest actions:
- a glance  
- a shift in posture  
- a pause  
- a breath  

…can say more than dialogue ever could.

Body language and subtle movement carry the inner life of the character. In fact, much of what audiences understand comes from nonverbal communication—how you move, react, and exist in the moment

The more subtle and intentional the action, the more truthful it feels.

Big acting shows emotion.  
Great acting lets it slip out in small, honest moments.

Curious—how much do you guys focus on subtle physical choices in your process?