Hey everyone!
What do you do on your free time when you're a billionaire movie mogul? You fly giant remote controlled passenger jets on your estate. Yes, Terry Perry has his own airstrip on his property for this hobby, and he seems to fly this massive jet over his Atlanta mansion. https://www.youtube.com/watch?v=81T7uZluhWc
Happy Wednesday, Mod Squad!
I lived in New York in 1991. I worked as an extra on Malcolm "X" and then "Boomerang". This opened the door for me to join SAG. I fondly recall seeing a cattle call announcement somewhere, probably in "Back Stage" for a Woody Allen picture. What made this cattle call special is that Woody meets everyone applying to be extras in his film. We were told to simply hand him our headshots. He will look over the 8x10 resume, may or may not make eye contact with you, and then you walk away. And don't start a conversation with him. No film director does this. Unfortunately, I relocated to San Francisco the day before the cattle call.
Movie studios, networks and streaming services are struggling after the strikes and pandemic; however, as an actor I am seeing many opportunities. So far, I've auditioned for two indie feature films, countless short films and vertical series. So... to any actors out there who have dreams of working in Hollywood, consider moving here. Kern County offers affordable housing. Yes, it is 128 miles north of Los Angeles; however, with self-taped auditions you don't need to be directly in Los Angeles. The only time you need to be here is if you're cast in a production. And in that situation you could rent an RV while you're down here filming--a home away from home. Below is a link to a Kern County promotional video: https://www.youtube.com/watch?v=RQlyHNT4geo
If you have a business, you need customers coming into your shop or store buying your products and through doing a very thorough job, word of mouth gets out and your store increases in business and one starts to see that the struggles and sacrifices they made to get to make their dreams come through, have paid off. That’s just business logic.
For many actors, working as an extra is the first on-set experience you get. It’s a chance to observe the flow of a professional production, pick up unspoken industry etiquette, and sometimes make connections that lead to future opportunities.
But it can also come with long hours, limited direction, and the challenge of staying motivated in the background while staying professional.
So let’s open it up:
Have you ever worked as an extra? What was the project, and what did you take away from the experience, good or bad?
Was it a stepping stone to something bigger? Did it help you understand what kind of actor or storyteller you want to be?
For anyone just getting started, what advice would you give about showing up, staying ready, and making the most of your time on set?
Let’s share stories, lessons, and tips, it’s all part of the journey! Looking forward to hearing your thoughts.
(And if you’re currently working background and looking to level up, Stage 32 has acting classes and resources to help you move toward your next role: https://www.stage32.com/education/collections/acting)
The #1 Acting Advice That DESTROYS Careers (Here’s Why To Avoid It)
I learned a valuable lesson today. Once you identify your castable look(s) as a day player actor, the next step is to identify your character's motivation(s) when auditioning. Day players may have a single line or a few lines, so there's nothing really there for you to draw upon, and that is why "motivation" is key.. Motivation Example: You're character is happy that day, because s/he is about to go on vacation. And once you know "motivation" you have creative options when auditioning. I think moving forward, I may provide casting directors 2 or 3 different readings based on unspoken motivation choices.
As I gear up for a performance in July I start to feel anxiety about line learning. I feel it is not my strong point and imagine others, especially younger others, find it a lot easier. I've tried just learning them mechanically, walking as I say the lines and changing direction once I get to a full stop. I've also used apps like Cold Read. I feel like i haven't found the way that works best for me. So interested in what works best for you in order to learn your lines. I'm very aware I need to know them inside out and back to front in my sleep to give my best performance so it's important for me to master the line learning. I will appreciate hearing from you on this.
A little article I wrote with useful tips for actors on how to get the most optimal and presentable headshot. I am a headshot photographer from London, specialising in acting headshot photography, and I thought I might share some of my expertise with you all.
What is your dream acting job? What Genre or Franchise would you love to be in? For me it's Star Trek. I love sci-fi. Star Trek The Next Generation was my favorite show when I was a child. The new iteration is awesome. I would full on nerd out if I got cast in Star Trek.
This is a first. I auditioned for a day player role this morning--self-tape. Later today, production announced a change in venue. The shoot will not take place in Los Angeles. It is moving to Atlanta. This means all the work I put into my audition is out the window. They will hire an Atlanta local hire. Sometimes you just have to say, "Oh well... I did my best."
Hi team! I just posted a job for actors in the ATL area for my screenplay Dumbbell. It's in the jobs tab. If you know anyone please send them my way! Mush love!
"If I had fifty-three minutes to spend as I liked, I should walk at my leisure toward a spring of fresh water."
I fell into a common trap back when I was a kid studying acting at the Maryland Academy of Dramatic Arts in Bethesda. I convinced myself that I was destined to be a star. But in late March, I made a significant course correction. I made the intentional decision to focus solely on day player roles.
That shift changed everything—especially my marketing strategy. Believe it or not, day players are marketed similarly to background actors. Casting directors want performers who physically resemble the characters they’ve envisioned. If you match that vision, you’re invited to audition.
Since adopting this new approach, I’ve had 10 auditions—two for feature films and the rest for short films and vertical series. Not bad for a couple of months.
The biggest challenge with day player roles is making the character believable, especially since these roles often come with little to no backstory. Day players are functional—they serve the narrative. However, the scripted dialogue often contains subtle clues about the character's motivation. Once you understand that motivation, you can build a backstory that adds depth to your performance—through stage business, vocal inflection, and other nuances.
I’m excited about what’s ahead. Letting go of the “Hollywood star” trap has helped me reconnect with the craft, and I’m really enjoying the process again. In fact, I’ve got a self-tape audition scheduled for tomorrow!
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Hello everyone.
2 Proven Tips That Get Actors Commercial Modeling Jobs