Hey everyone! With spooky season coming up, myself and some of my fellow actor buddies have been auditioning for new “socially distant” haunts. In my area, these are mostly happening on a road, where cars drive through the attraction. Unfortunately, I’ve been finding some of these opportunities aren’t as cut and dry as they seem. I got cast in one of these attractions via virtual audition (YAY!) and another one I went to audition for in person seemed really... questionable. so I decided not to go through with that one. The attraction I’ve chosen to work with, however, also seems sorta questionable. My future coworkers and I attended a virtual orientation where we were left with more questions than answers- I mean. So. Many. Questions. I honestly have a long list in my notes app full of questions I hope will be answered at my in person orientation this weekend. My gut feeling is telling me they may not have answers to many of these questions and that’s never a good thing to feel before a production, however I’ve wanted to be a scareactor for a long time and this is the closest I can get during the pandemic, so I’m waiting until the orientation to make my mind up on this. My question to you fellow thespians; What are some questions you feel are important to have answered before you commit to a production? What is a deal breaker for you, when it comes to the answers to these questions? I just want to make sure I don’t forget to ask about anything before I fully commit. Thanks for taking the time to read and/or respond! TL;DR - Auditioned for a production that seems a little sketchy. Need help finding questions to ask them at my orientation to make sure they’re legit and know what they’re doing before I commit to the role. I’m asking what questions YOU personally feel are important to have answered before a production/what is a dealbreaker answer. Thanks!
I never use my real voice because it is good for nothing. I use heavy modulation at least 12-20 effect sits on my out put mixer channels where I have both parallel processing and bus side chain processing as well. So sometimes I have like 50-70 effects coming live when I start recording or practicing. When I tell I am a voice actor and showing demons robots dragons zombie's ghouls banshees ghosts and so on. I am being outcastes by other vo-s My voice is not good it is immature sounding weak and good for no roles. My videos, compositions had to get real vo-s so I began to experiment and by now I can produce astronauts and apache pilots or artificial intelligence voice, change gender and all these goodies. They aren't beneficial. No one ever asks in an advert I need someone with a voice that could play a heavy droid role because then I would b a millionaire. No. There is no such thing. But I also can't say ,hey do you need monsters to be heard? So I have like 140 clips and they lead me nowhere. My music is another thing that I go high with for certain. So that I have no issues with. So again how would you advertise if you were in my shoes?
I have a question concerning union actors working on non-union projects. I am aware of SAGs GLOBAL RULE ONE but I have been offered to work on a small film in a remote area. In the email, the producer/director/writer told me several actors are SAG-AFTRA (himself included) but he's shooting non-union because in this area "it doesn't make any sense to do a union movie". I am in no position to question him - I'm non-union, but this is his 5th movie in as many years (some are shorts) he's shot in the area. I don't know ethically if I should take the part offered. There is also a movie shooting nearby with B-List actors and I am 90% sure it is a non-union shoot. I realize actors can be FICORE and I would have no idea, but three of the actors were pretty popular back in their heyday (one from late 70s TV, another from 80s TV). Conversely, if a union actor works a nonunion production - say a voice-only role or a role where they aren't easily recognized ( low budget horror, prosthetics, etc), what happens to the production company if SAG finds out? Is production responsible for the union actor (that never disclosed that were union) and will they be fined? I haven't been doing this long but I want to do it right so any advice would be appreciated.
I saw a NOVA episode last night on Implicit Bias, and, of course, I thought about how relevant it is to acting. Of course implicit bias has been around for centuries, except Socrates, like so many since, have called it by many different names. Socrates said that "... an unexamined life is not worth living." Much later, Lee Stras'sberg berated and bullied actors in The Group Theatre during the 1930s to break down human defence mechanisms in an attempt to play as truthfully as possible. Of course, the NOVA segment presented the idea that because of our implicit bias we are at the mercy of corporations that farm big data. But I can't help turning everything into a discussion about theatre. I'm retired from teaching theatre and it took me a long time to recognize what I view as my central implit bias. I'm more than certain that I have many biases, but this is my Big Kahuna of defence mechanisms. Apart from the usual terror of failing on stage, I have discovered that I have an historical abhorrence of being found out. Found out of what , I'm not even really sure, but I know that I was raised to keep up appearances, so people would not think less of me. I'm sure it is a vestige of my parents being Irish Catholic in a very Protesant neighborhood and having to keep up the front that they were middle class since in those days many viewed Irish as dirty, drunk, superstitious and disgustingly reproductive. Once I found out that there were reasons for my holding back on stage, I started to let go a lot more. These days I'm just terrified. But I'm less terrified the more I'm prepared. So this is a long winded way of telling actors what they need to be good actors. One, know thyself, and two, be prepared. And, for Thespis' sake, start today. It took me half a lifetime to discover that one thing.
I'm a computer science and physics student in my college in Britain and I'm afraid that when I begin acting, I'll be too old to get to where I would like to be. It's probably ridiculous but it's a thought that I haven't been able to shake. Also, my acting experience would be from a drama school I went to for 4 years when I was a bit younger, and whatever classes I take when I move to America. Would that leave me too inexperienced? I'd love to be a screen actor but I feel like going from little acting experience to getting an agent etc would take years. Hopefully someone can tell me I'm wrong
Hello, I’m an 18 y/o M whose started to notice my hair thinning or receding, I’m not really sure but either way I feel like I’m probably going to become bald soon. I have a passion for acting/film/theatre and as a quite skinny guy with no facial hair, I’m terrified that my balding head is going to affect my chances of getting roles. I could just be really paranoid but normally when you think of young actors, you picture actors with amazing hair and actors like those gets leading roles all the time. Not a balding 18 year old. I hope I’m just being paranoid. Anyone who has experience, I’d love to hear your feedback. Thank you.
Not sure if this is the right sub - PLEASE redirect me if it isn’t!! Just needing a little advice!! (i know in the FAQ you guys say it’s never too late - but I feel like musical theater is a little bit different of a beast...?) I’m 19F currently. I’m currently going to school for neuroscience in Philadelphia, but (cliche i know) I’ve always wanted to be on Broadway. I’ve never done musical theater. Quarantine has made me realize that, although 1% of actors ever ‘make it’ in the industry, life is too short and unpredictable not to at least try. i’m also a very realistic person. i planned to go into the healthcare field. i know i would do well there and i would probably enjoy myself. but i still cant shake this feeling that i need to just give this acting thing a go. my plan is to finish my neuro degree (while doing a little bit of acting in college) then move to new york (or stay in philly) and do acting, singing, and dancing classes once i get there for a few years and maybe audition after that. i even started a savings fund for when i go. if it doesn’t work out or i don’t like it then i’ll go into medicine but at least i’ll have tried. someone be honest with me - is it even worth a try or should i just go straight into medicine? i’m not super talented or anything - so i’d be starting from 0 at 23 years old. i know you don’t know me - but what would you do if you were me? i don’t want to waste years of my life and tons of money doing something that’s not worth it. But i also don’t want to die with regrets. How difficult would it be for me to just get to a point where i can provide for myself comfortably as an theater actor?
Ive been lurking on this forum and reading everything i possibly could, so thank you so much for sharing your expertise! Im still reeling at how fast this all happened. I started taking a bunch of zoom acting classes in July. Watched interviews with casting directors, audited classes, bought a masterclass sub, attended webinars, self submitted to student films etc. I had been holding off looking for an agent as i felt like i needed some credits (all i have are high school plays) but an acting friend told me i needed an agent asap cuz things were opening up so i panicked, wrote and self taped my own monologue and submitted to a bunch of reputable local agencies last month, not expecting to hear anything back. Surprisingly I heard back from a medium sized agency in two days and signed the next week. My agent is super nice, gets my goals and i feel super lucky to have him. Ive gotten around 3 auditions since signing and its been pretty chill as my agent said he wanted to start me off small and i was totally fine with that! But today i got an audition for a supporting role in a film and he said he doesn’t usually submit new actors for big parts like this but he really thinks i have a shot. The casting director is a well known one so this is essentially my first foray into the local scene, even if i don’t get cast i know how important first impressions are. Im excited for the opportunity but feeling a lot of pressure and am suffering from a fair bit of imposter syndrome. I feel like any second someone is going to find out i only started acting two months ago and i dread anyone asking about my acting background... I don’t think im some naturally gifted actor but i do have a unique look (im alternative/mixed race) and i think that may be whats getting me in the room. (I feel guilty about that too??) Tl;dr i got a big audition and am shitting my pants
We are looking for an american actor, age 35 to 45, ideally from L.A. Type: Flash Gordon (muscular) Union Gig Mail to: chreberle@gmail.com
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Hello, So I've recently been submitting for new representation and submitted to a pretty large one (not the biggest dogs but probably just a step down as they represent both actors, writers and directors). I was very surprised to even hear back but was informed by the agent that he could not offer me acting representation at the moment in time but would love to meet to discuss commercial representation. I'm a recent drama grad so my professional credits aren't extensive so I'm shocked to have even heard back from them but would like to hear what others think. I am trying to leave my current agent as for a boutique they represent both minors and adults so I feel I may be falling to the wayside a bit (sometimes he does not respond to my emails, my submission report since march was around 35 submissions (2 actual auditions from him) and he is the sole agent at the agency (it is the agency counterpart to small drama school). I was also wondering if location of agents matrer as my current agent is located outside of London where as the potential new one is in the heart of it. Essentially is it worth leaving full representation from a small boutique agency outside of london for commercial representation from a large agency in the heart of London? If it was an offer of full representation I would have jumped immediately at the chance.
I am an Indian and I am trying to learn voice acting and almost everyone suggests saying the OM. Which is a part of their prayers. You have to say it for a prolonged period of time and it is also a form of praising few god's. And I really don't want to say that. Is there any alternative or anything which any voice actors or people who are training their voice use?
Atlanta working actors: What has been your experience with auditions during Covid up to now? Are things picking up dramatically? I decided not to return to drama school this year and had been planning to move to Los Angeles as soon as things opened up. However, I have some connections in ATL and interest from two of the good agencies. One has already offered to sign me and I could pick up and be there by next week. Is there really enough going on for it to be worth it to sign a year long lease on one of the many available apartments I see in nice neighborhoods and buy furniture or would I mostly be spending money to sit around like I would in LA? I could afford to do that, but I am at my Mom's house about four hours away and can crank out as many self tapes as needed right here. I also have relatives in Lilburn I could stay with overnight if necessary.
Not sure if this really exists as most actors don’t go into details about their process. But I’m looking for specifics. I know some actors have a coach and so they can develop and bounce their choices off of them, but I’m sure that isn’t everybody. In a world where actors often don’t rehearse, is the first time Gary Oldman, for example, speaks to someone in character when he gets on set? Has his whole character development been self-assessing and feeling it out?
Hello, I'm a Junior, who is interested in acting as a future profession. I was wondering if there is an actor who could participate in a short school project video interview. If someone is willing to participate please suggest a day and time that suits you.
I want to preface this by saying: I have absolutely ransacked the internet for years for this info and now that I'm actually trying to do it, I still can't find the information I'm looking for - hope you can help steer me in the right direction, reddit! My life goal is to live abroad (I'm American) and I'm looking into post-grad theatre and acting programs as a way to start towards residency in the EU - however, the bulk of programs I can find anything about are mostly UK and English-speaking countries. The UK schools aren't so hard to research, but holy crow is it difficult to find info about formal post-grad classes in other countries, even if they are in English. I may be able to find schools, but no information or way to gauge the programs (and they aren't cheap, so I really need to know more before I apply). Especially when it comes to France (I'm learning French, mais mon francais n'est pas assez bon pour le subreddit pour la France). None of the official French acting universities even seem to \*have\* post grad programs for people like me (I'm 33 and have a BFA already). I'm having a really hard time finding information about this, and the expat communities don't have enough experience with actors to not just give me well-intended but uninformed opinions about it. Does anyone on here hail from an EU country that could point me in the right direction? What is post-grad acting like in your country? I'm also 100% open to just getting a student visa for a language degree while I take acting classes, but it's even harder to find information on non-degree acting classes. If you have experience to share, I would be so appreciative of anything you can tell me!
I’m trying to develop a regular routine with self taping to get better and sharper for my next audition, unfortunately my “actor” friends don’t really care enough to do this stuff so, yeah, I need to meet new people. In Bushwick here, hit me up if you’re interested
I know with coronavirus some people are doing things remotely. I think table reads of scripts are especially interesting but I haven't done a whole lot of those since I last took classes. ​ Does anyone know of any facebook groups, websites, etc. where I might find some people looking for actors to do table reads?