We have found 20,219 posts across 4 actor forums:
1-year acting program by Ricardo Soto • last post May 9th
I just started a 1-year acting program with an acting teacher who is an MFA graduate of The Actors Studio Drama Program. According to Google AI, this is an elite club member I am learning under, so I have added it to my resume. I hope to become a good actor! So far, the acting sessions are very insightful.
Auditioning, Networking, and Talent Agencies by Jason Raymaker • last post May 8th
When it comes to booking acting work, what has been a tactic that has worked best for you? Are there any other ones than these three that you have done? I know for me it has been a combination of the three over the years. But Auditioning seems to be the one that works best for me.
I'd be happy to read and practice any scripts that people would have in development. by Jaela Miller • last post May 8th
I would love to read and practice any scripts that anyone would have available, if anyone needs actresses please do not hesitate to let me know!
Thanks in advance everyone
Passions (not the soap opera) by Suzanne Bronson • last post May 7th
We actors are passionate people. We throw overselves into our creative work sometimes to our own detrement. We are interested in a lot of things. I would like to know:
What are you passionate about outside of acting?
Me, I am passionate about history. Especially US History. I like to read historical fiction and watch documentaries. Then test my knowledge at trivia night. I am also passionate about nature. Living in the American Southwest, there are tons of outdoorsy things to do at any time of the year. And beer. Let us not forget about beer. I am very passionate about trying different beers everywhere I go. Haha
I need a little help by Faraj Jaballa • last post May 6th
Hi , I have audition and I need actress to do a reading script , we can do the reading on zoom , it is 11 lines that's all , I appreciate your consideration .
Discovering stage 32 really makes me happy by John Douglas • last post May 6th
am really happy to be here.wish I can connect to up coming actors to bring them up,and direct them on how to be a good actor and actresses, bring life into the movie industry.
Looking to Gain Production Experience by Jose Harmon • last post May 5th
Hey everyone,
My name is Jose Harmon. I’m based in Los Angeles and currently looking to gain more hands-on experience in production.
I have on-set experience as a Production Assistant along with acting work across television, streaming, and commercial projects. I’m looking to continue building by getting involved in production in any capacity, whether that’s PA work, assisting on shoots, or supporting a team where needed.
Long term, I’m working toward acting and directing, so I’m focused on learning production from the ground up and being consistently involved on set.
I bring a strong work ethic, adaptability, and a background in operations and team coordination, so I’m comfortable in fast-paced environments and ready to contribute.
If anyone has upcoming projects or opportunities, I’d appreciate the chance to connect.
Thank you,
Jose Harmon
Hoping to connect with up coming actors and actresses by John Douglas • last post May 5th
this is me officially, known as the rock,hope am welcomed to stage 32
The Long Game: What Career Longevity Actually Looks Like for Actors by Laura Hammer • last post May 5th
Every actor who has built a lasting career has one thing in common — they kept showing up after the moments that would have made most people stop. Not just the rejections, though there were plenty of those. The callbacks that went nowhere. The roles that went to someone else. The seasons where the auditions dried up entirely. Persistence in this industry is not a personality trait. It is a daily practice, and it looks different for everyone who does it.
Career longevity rarely comes from a single breakthrough moment. It comes from the accumulation of small, consistent actions over years — taking the class, building the relationship, saying yes to the smaller project that sharpens your craft, staying connected to the community even when you feel invisible in it. The actors who are still working twenty years from now are the ones who treat their career like a long-term investment rather than a lottery ticket. They develop their skills across formats. They build genuine relationships rather than transactional ones. And they find ways to stay creatively alive during the quiet periods rather than waiting for the industry to notice them.
The industry will test your commitment more than once. It will ask you whether you really mean it. The answer you give — not in words, but in how you spend your time and energy when nobody is watching — is what determines how long and how deeply you get to do this work.
What has kept you going during the hardest stretches of your career? We would love to hear it in the comments.
Great Acting in a Galaxy Far, Far Away... by Doug Kayne • last post May 4th
As you've no doubt heard, today is May the Fourth (be with you...), recognized as Star Wars Day. While the movies and TV shows are occasionally nitpicked (mostly unjustly so) for some of the acting choices and performances, there are some incredible performances as well.
George Lucas lobbied (unsuccessfully) for Frank Oz to receive a Best Supporting Actor Academy Award for Frank Oz, due to his nuanced performance as Yoda...but it was denied because "puppetry wasn't an art" (NOT my words!). And, I've mentioned previously about Joonas Suotamo's gut-wrenching reaction as Chewbacca to the death of Leia in Rise of Skywalker. And, Sam Witwer has been doing amazing work as Maul in his animated series.
We have eleven (soon to be twelve) theatrically-released movies, quite a number of episodic shows (both live-action and animated), a couple of Ewok movies, and a holiday special that is usually ignored. Lots of stuff to choose from. What acting performances in any of these stood out to you as being stellar (pun intended) and why?
Your Audition Mindset Is Preventing You From Booking—Do This Instead by Aaron Marcus • last post May 4th
Your Audition Mindset Is Preventing You From Booking—Do This Instead
https://youtu.be/yDaAXBmZ0Bs
Many talented actors kill their audition because of the way they mentally prepare before their read. Watch this video: https://youtu.be/yDaAXBmZ0Bs
and learn how to best prepare so CD’s and directors can see your best performance.
Have you ever hurt your audition because you were thinking how great a booking could be for you and your career? If so, share your experiences with us – here and on the channel so we can learn from you.
Actors Thoughts by Cice Rivera • last post May 3rd
As a clinician and storyteller, I’m deeply interested in how film can portray the psychological realities behind addiction, anxiety, and human behavior.
Not just the surface-level struggle, but the internal conflict, the patterns, the “why” behind it all.
There’s a gap between clinical truth and what we often see on screen.
I’m here to help bridge that gap through writing and directing.
If you’re working on projects that explore mental health, human behavior, or complex character development—I’d love to connect. What are your thoughts on acting for these types of stories?
It’s Done! SAG-AFTRA & Studios Reach New (& Bigger) Deal by Amanda Toney • last post May 2nd
AI Actors Now Ineligible for Oscars. What This Means for YOU as Performers by Sandra Correia • last post May 1st
Big news from the Academy this week, and it directly affects actors more than anyone else.
The Academy has officially ruled that AI‑generated actors and AI‑generated performances are not eligible for Oscars. Only real human performers giving real, consented, on‑set performances can qualify for acting categories.
This comes after a wave of AI‑driven experiments in recreating actors’ likenesses, including a recent public demo of an AI version of Val Kilmer. The Academy clearly felt the need to draw a line.
What does this mean for actors?
1. Your craft is being protected.
The Academy is saying that acting is not just a “look” or a dataset, it’s a human experience. Emotion, presence, instinct, vulnerability… these can’t be replicated by a model.
2. Consent matters.
They were very clear: a performance must be given by a human with their consent. This is a huge step in safeguarding actors’ likenesses and preventing unauthorized digital doubles.
3. AI can be a tool, but not a replacement.
The ruling doesn’t ban AI from filmmaking. It just says AI cannot stand in for an actor. Motion capture, VFX, digital makeup, all still fine. But the core performance must come from a human being.
Read here:
https://www.france24.com/en/culture/20260501-ai-actors-and-writers-will-not-be-eligible-for-oscars-academy-rules
We’ve all seen the conversations about AI replacing background actors, scanning performers, or recreating faces without permission. This decision doesn’t solve everything, but it’s a strong signal that the industry still values the human heartbeat behind a performance.
I’m curious how this lands for everyone here:
Do you feel this ruling gives actors more security, or does it raise new questions about where AI fits into performance work?
Let’s talk about it. This is a big moment for your craft.
On-Set Support by Jordan Butler • last post May 1st
Happy to announce that the Steady Hands website is live for the summer! I’m based near Atlanta/Trilith and wanted to share
I offer on-set emotional support + wellness for film and production environments — something designed specifically for the pace and intensity of sets.
Think:
• grounding support during heavy scenes
• a reset space between takes
• help managing stress/overwhelm during long days
It’s something I felt was really missing in this space, especially with how much production is happening here now.
If you’re in the industry locally (or working on something upcoming), I’d love to connect or just be a resource!
steadyhandstherapy.com
Laura Dern replaces Helena Bonham Carter in The White Lotus by Amanda Toney • last post Apr 29th
Two totally different actors….what do we think?
Opposing Views by Suzanne Bronson • last post Apr 29th
How do you reconcile your personal beliefs with a charaacter who holds opposing views?
This is a good one for writers too. How do you write characters with a different value system than yours?
Great Performances Where You Wouldn't Expect Them by Doug Kayne • last post Apr 29th
Nicole Kidman...Al Pacino...Viola Davis...Robert De Niro...Harrison Ford...Denzel Washington...Gary Oldman... The list goes on and on of amazing actors and their stellar performances. So many performers have taken the craft to a higher level, encouraging many other actresses and actors to want to improve their skills.
And then there are those off the beaten path. Ones that don't get enough recognition. Ones where you watch them and you are blown away because they either transcend the material or you just didn't expect it from that performer.
A few examples I can think of off the top of my head:
- Bob Hoskins in WHO FRAMED ROGER RABBIT. Not only did he play it completely straight, but his performance showed tons of layers and emotional depth in what was, undoubtedly, a special effects-laden movie. I completely bought that he lived in a world where humans and toons lived side-by-side.
- Michael Caine in A MUPPET CHRISTMAS CAROL. This is definitely my favorite adaptation of Dickens' classic tale, and that is in no small part due to Caine. He treated the Muppets as actors, and gave 100% in his portrayal of Scrooge.
And, in one definitely off-the-beaten-path...
- Joonas Suotamo as Chewbacca in STAR WARS: THE RISE OF SKYWALKER. This is my least favorite Star Wars movie (and I am a big Star Wars fan), but the moment when Chewbacca learns that Leia has died is truly heartbreaking. His anguish is felt strongly without a single utterance of dialogue, only his growls and physical reaction. It's a highlight that was unfortunately shoved into the background.
Who would you add to the list?
The "Tap on the Shoulder" that lead me to my passion by Aleisha Moore • last post Apr 28th
Hello everyone,
I’ve been part of this incredible community for a while now, and I’m always struck by how much "movie magic" is hidden in the history of our craft. For instance, did you know that in my favourite film, Jurassic Park, the iconic water-in-the-cup ripple scene was created using practical effects, specifically by a guitar string attached to the car and plucked from underneath? It’s a perfect reminder that in this industry, we are all about layering different elements to create one believable truth.
That philosophy is exactly how I approach my work.
I never actually intended to be an actor. Growing up quite shy, I was more comfortable in the background (but I did perform some jazz dances to close family members) - until a literal "tap on the shoulder" changed everything. While walking through a convention in Auckland at 17, a talent agency director spotted me and asked if I’d ever thought about being on screen.
That one moment of serendipity turned into a career spanning New Zealand and Australia. I started in commercials and local TV, eventually finding my way to Brisbane in 2011. Since then, I’ve been fortunate enough to work on a variety of film projects, including a career highlight: playing a lead role in an ensemble cast in a feature film opposite the legendary John Jarratt.
The "Analyst" Edge:
When I’m not on set, I work as a Business Analyst / Implementation Specialist in computer software. While some might see IT and Acting as opposites, I see them as two sides of the same coin: one is about the integrity of data, and the other is about the integrity of human emotion. My BA background means I bring a high level of preparation, punctuality, and "whole-product" thinking to every production I join.
The Vision & Influences
I have a deep passion for high-stakes storytelling - the kind of "grit and heart" found in procedural and sprawling dramas. My North Star is often found in shows like The Pitt, Silo, Sons of Anarchy, and Yellowstone, or the epic scale of Game of Thrones.
When it comes to film, I’m drawn to the immersive, "big-screen" experience. My tastes range from the technical genius of Jurassic Park and Inception to the raw emotional stakes of Saving Private Ryan, The Shawshank Redemption, and Parasite. I love projects that aren't afraid to be bold, intense, and deeply human.
If you are working on a project that needs a dedicated actor who can blend vulnerability with professional precision, I would love to collaborate. You can find my reel and credits here on my profile, and on IMDB: https://www.imdb.com/name/nm4101656/
A Quick Recommendation:
If you're looking for inspiration on your own journey, I highly recommend the Masterclass series - it’s been a fantastic tool for me to keep my craft sharp between roles.
I wish you all immense success in your upcoming projects. As the great Steven Spielberg says, "Every time I go to a movie, it's magic, no matter what the movie's about."
Let's make some magic together.
Choosing audition monologues--my longtime strategy by Colin Hussey • last post Apr 28th
Since I got into acting after college and started auditioning, over 35 years ago, my strategy was to avoid the monolgue books and seek out material that I could be pretty sure no one else was going to bring to an audition. These included monologues from less produced plays, like Shakespeare's Troilus & Cressida, Richard II and Coriolanus, Lorca's Blood Wedding, O'Neill's The Great God Brown, Georg Büchner's Danton's Death, Don DeLillo's The Day Room, Tom Stoppard's The Real Inspector Hound, a couple from David Mamet's Goldberg Street and one from a Plautus comedy, whose name escapes me. Additionally, I gleaned material from New Yorker articles and a couple of books by Connie Fletcher that were a collection of anonymous comments from police officers she interviewed, like Studs Terkel did with American workers, titled What Cops Know and Pure Cop. And finally, there was one of the Devil's monologues from Dostoevsky's massive novel, The Brothers Karamozov. (A friend of mine shot it in the hallway of the building where I was living at the time, in 2010: https://www.youtube.com/watch?v=K7i5pvIsfaU )
Later, in the 2000s, when I got more involved with new play development, meeting many playwrights and reading a plethora of scripts, I would use monologues by local writers I befriended, showcasing their work as well as mine. Again, it's something different from the parade of done-to-death monologues I'm sure casting directors are tired of hearing. Here's one that's under two minutes that I shot in my apartment, a few years ago: https://www.youtube.com/watch?v=emJBsyoiXr8