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We have found 19,978 posts across 4 actor forums:

How does your attachment styles affect your acting process? by Alexandra Stevens  •  last post Sep 2nd

Happy Tuesday! I've been considering the above question for a workshop proposal and got interested to see if you have a view on this too. It may of course not be of interest at all. As you likely know we can he securely attached, anxiously attached, anxiously and avoidantly attached or have a disorganised attachment style. This style affects how we relate not just romantically but with people in general including our scene partners, acting teachers, directors, crew etc. Do you have an awareness of how (if at all) your attachment style shows up in your acting process?

For me, having an avoidant attachment style, I notice there is a part of me that fears being 'submerged'/overwhelmed by the emotions of the character i'm playing. Just noticing this has helped and it's still a work in progress

What's the Difference Between an Actor's Residual and Foreign Royalty Checks by Aaron Marcus  •  last post Sep 1st

What's the Difference Between an Actor's Residual and Foreign Royalty Checks


Residuals VS Foreign Royalty Checks - they're not the same thing, and every working actor should know the difference. 

In this video, https://youtu.be/8gHEculmXCc I break down exactly how these payments work differently, when you get them, and what they mean for your acting income. 

Have you ever received a residual or a foreign royalty check? If so, let us know about the project and other details about the payment on the channel so we can learn from you.

#residualchecks

#residualchecksactors

#whatareforeignroyaltychecks 

#whatareresidualchecks 

#actingresidualchecks

Want an IMDb actor credit? by Randy Charach  •  last post Sep 1st

I have a limited number of credits to give away for a feature film. In return, I would like an honest Google review.

Once a Year Ritual by Brandon Keeton  •  last post Aug 30th

Hey everyone! 

  There is something that I do once a year.  It's usually like clockwork around Christmas vacation but I decided to knock it out a little early this year and share it with you as well.  
  
  Many of you have seen this before (as well you should, if you are a TV/Film Actor) so it's old hat, so to speak.  But those that are new to the platform, I'd like to share this class from the great Michael Caine.  
  
  Let me know what you think!

https://www.youtube.com/watch?v=bZPLVDwEr7Y&t=10s

What is you experience with different dialects or accents for a role? by Suzanne Bronson  •  last post Aug 29th

Actors- have you ever had to learn an accent for a role? If so, how did you learn it? I once had to learn a German accent for THE BEAMS ARE CREAKING. This was last century, so I had a cassette with a person teaching German accent, that I would listen to in my car during my commute. 

The Pitt: What Actors Can Learn from This Emmy-Nominated Series by Ashley Renee Smith  •  last post Aug 29th

If you haven’t been following The Pitt on HBO Max, now’s the time to catch up. This gritty, grounded medical drama just earned 13 Emmy nominations, and the behind-the-scenes process is a masterclass in actor collaboration, preparation, and presence under pressure.


In this Deadline article, the cast and creative team, including Noah Wyle, Shawn Hatosy, and Katherine LaNasa, open up about the emotional depth of the show, the power of being present on set, and how leadership, tone-setting, and intention impact every performance:
https://deadline.com/2025/08/the-pitt-noah-wyle-passion-series-success-1236490890

Highlights include:
 • Why emotional continuity and vulnerability matter more than stardom
 • How actors tackled intense prosthetic work and emotional trauma authentically
 • The importance of trusting your scene partner, even with minimal prep

Whether you’re early in your career or a seasoned actor, this article is full of gems about leadership, professionalism, and building a character in a high-stakes environment.

Question for the Lounge:
What’s the most impactful set experience you’ve had, where someone’s leadership or presence made a difference in your performance?

Alan Rickman's advice to young actors by Hannah Augenstine  •  last post Aug 28th

I am not an actor however, I will never not feel awed when listening to this man talk about the craft. I only wish I'd had the opportunity to pick his brilliant mind while he was still here.

(https://www.youtube.com/watch?v=kdQRdJsBc-A)

Join Us LIVE Today for the FREE Stage 32 Community Open House! by Ashley Renee Smith  •  last post Aug 27th

Have questions about how to get the most out of Stage 32?


TODAY at 12:00 pm PT / 3:00 pm ET, we’re hosting our FREE Community Open House Webcast—a live event designed to help you navigate everything Stage 32 has to offer.

Whether you’re looking to grow your creative network, explore education or script services, or figure out how to make the most of the Writer’s Room, contests, pitch sessions, or lounges—this is your chance to get answers in real time.

If you have questions you’d like answered live, post them at the below link:
https://www.stage32.com/lounge/screenwriting/Official-QandA-Thread-August-Stage-32-Live-Community-Open-House-Webcast 

And if you haven’t registered yet, it’s free to attend! If you can't make it live, registering will ensure that you get the full recording to watch in your own time:
https://www.stage32.com/education/products/stage-32-s-august-community-open-house  

Hope to see you there!

Denzel Washington, A$AP Rocky & Spike Lee Have an Epic Conversation by Pat Alexander  •  last post Aug 26th

What does Denzel Washington, A$AP Rocky and Spike Lee have in common? Aside from growing up in the big smoke of NYC, the trio star in Spike Lee’s latest film Highest 2 Lowest. Watch as they talk family roots, A$AP’s throwback with Denzel’s family Christmas and Denzel’s competitive riff from He Got Game.


(https://www.youtube.com/watch?v=WV2EpELLUuo)

What are your favorite books written by Actors atm? by Brittany Christine  •  last post Aug 26th

The last one I read was Mathew McConaughey's "Greenlights" but am looking for another to enjoy! Please comment with any rec's :)

The Best Audition Advice from Casting Directors by Amanda Toney - Next Level Education  •  last post Aug 26th

https://www.castingnetworks.com/news/the-ultimate-guide-to-audition-advice-from-casting-directors/

August Community Open House – This Wednesday, August 27th! by Leonardo Ramirez 2  •  last post Aug 25th

Our August Open House is happening this Wednesday, and it’s completely free for any new or current Stage 32 members to attend! This is a fantastic opportunity for you to learn how to get the most out of the platform, ask questions live, and take part in a posting challenge where one winner will receive a free Stage 32 webinar.

Even if you can’t attend live, you can register to receive the full recording on demand.

Here’s the link to sign up: https://www.stage32.com/education/products/stage-32-s-august-community-open-house

Just Traw a Rock for a.. for a Psychologic Horror idea by KiWilliam 13031996  •  last post Aug 25th

"A pragmatic farmer dismisses a bat bite, only to descend into a terrifying maelstrom of paranoia and rage when a visiting doctor identifies the early signs of rabies. Forced to confront a diagnosis that is a death sentence, he becomes the subject of an intimate and harrowing human drama. This is a psychological horror that charts one man's devastating descent into madness; a character study on fear, loss of control, and mortality.

The protagonist's performance would be essential. With the right lead (a Jake Gyllenhaal type for his intensity), this could really hit cult status.
Think the psychological breakdown of The Shining meets the visceral body horror of The Exorcist, but grounded in a terrifyingly real and clinical scenario.
The logline is solid, I'm weaving the web of the story. Right now, I'm just testing the waters with the core idea. What are your first thoughts?"

The Casting Director Said I Was Great But Didn't Book: Here's Why by Aaron Marcus  •  last post Aug 25th

The Casting Director Said I Was Great But Didn't Book: Here's Why

https://youtu.be/2GeDvaGppAY

Have you ever gotten great feedback after an audition and didn’t book the job? If so, share your story here and on the channel so we can learn from you.

You can get onto my special email list by signing up at: howtoactandmodel.com

Project Availability by Jennifer Ford 9  •  last post Aug 24th

I’ve been doing voice acting on and off for a few years, and I’m opening myself back up to projects.

If you’re looking for a voice actor for narration or character work, I’d love to collaborate. I’m excited to bring my range and creativity into new projects and connect with others in the community. :)

What do you do to prepare yourself before creative work? by Alexandra Stevens  •  last post Aug 24th

Just read this week's Coffee & Content and the fascinating short video interviews DPs about the tools, routines, and creative habits they rely on to prepare, shoot, and deliver their best work. It ranges from sugar to coffee, to meditation and reading to having an electric guitar at the ready with an. amp! Here is the link https://www.stage32.com/blog/coffee-content-the-tools-routines-and-relationships-that-drive-creative-success-4202


My question is what do you fellow artists do to prepare? For me it depends on what I am creating and it changes over time. Currently it's a 10-minute vocal warm up and body warm-up before acting.

Phoning it in... by Brandon Keeton  •  last post Aug 23rd

Ugh!  I'm telling on myself again.  There was an audition I did a while back where I just phoned it in.  I wasn't really interested in the material and I didn't mind letting it show.  I even went so far as to audition in my underwear.  Buuuuuuut.... that was exactly what they were looking for with the character and I ended up getting the part.  And yes, it actually ended up being a good time on set. 


Have any of you ever phoned in an audition and still gotten the part?  I'd love to hear your stories!

What Kind of Training Have you Had? by Suzanne Bronson  •  last post Aug 21st

We come from all over the world on this platform. We are in all different stages of our careers. Some of you are new to acting, some of you are veterans, some of you even do it for a living. I am curious what kind of training, if any, everyone has had. I went to a performing arts high school my senior year, then I majored in theater in college. (Didn't complete, so I stayed in Orange County) where, I went to the American Academy of Dramatic Arts. (Hated it!) Then private classes in OC. I have also taken private classes at Playhouse West with one Jeff Goldblum! and Mark Pellegrino. (loved it) I have had real life training about what a set is like when I worked as an extra for four years. Classes will teach you how to act, but theater is an entirely different animal from a movie set with a camera in your face.

What about the rest of you?

The Art of the Cameo: Which Ones Do You Love Most? by Ashley Renee Smith  •  last post Aug 20th

From Muhammad Ali in Diff’rent Strokes to Sting in Only Murders in the Building, a perfectly placed cameo can be unforgettable, and even iconic. Cameos like these don’t just break the fourth wall, they leave a lasting impression and often become fan-favorite moments.

This new article from Deadline highlights ten of the most memorable TV cameos of all time, and it’s a fascinating reminder of how much impact one brief appearance can have on both a story and an audience:

https://deadline.com/2025/08/from-muhammad-ali-to-al-gore-ten-memorable-...

So let’s start a conversation:

What’s your favorite cameo performance in TV or film and why did it stick with you?

And for the actors here: Would you ever want to play a fictional version of yourself on screen?

Some of my personal favorites are Prince in New Girl, basically every Stan Lee appearance in the Marvel movies, Bill Murray in Zombieland, and Peter Jackson in Entourage. And more recently, Scorsese in The Studio!

Heard Taylor Sheraton say... by Rebecca James  •  last post Aug 19th

Heard Taylor Sheraton say...  that Billy Bob Thornton 'doesn't give a fuck' before admitting that he had to write him a part. Do you find non-attachment the best approach when going for a role?