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Character Posters by Brandon Keeton  •  last post Oct 14th

Back in the day, I LOVED the film "Clue" with Tim Curry.  I remember going to the theatre and seeing not just the regular poster for the film, but each character got their own poster.  Mr. Green, Colonel Mustard, Mrs. White, the whole cast!


Fast forward 40 years and I'm acting, writing, directing and producing and I just finished a passion project short film entitled "Stories".  Feel free to follow us on IG @storiesshortfilm and take a look at my monthly blog about pre to post and festival run to distribution (maybe).  

Bottom line, we did an impromptu photo shoot while on set, of the main actors. I took a page from something I enjoyed as a kid and went ahead and spent some extra money on getting individual character posters.

My question is, as Actors, is this something you'd get a kick out of, something to maybe help in marketing yourself, or just something to feed the ego a little bit and not much more?  I'd love to hear your thoughts.

Great Video Essay by YouTuber by Vidal Ramirez  •  last post Oct 14th

Came across this recent video breaking down the acting in No Country for Old Men. It's pretty new --- was uploaded one month ago. 

The Anti-Method Acting of No Country for Old Men | Acting Breakdown
https://youtu.be/3o6OmgsLIjQ?si=0Aq56A3BVKGurO6Q

Fantastic editing. Overall, it's a pretty great video breaking down how grounded/normal everything was during filming. Generally speaking, with movies like this, you kind of assume it will be pretty serious and weird. 

There were a lot of interviews here that I hadn't seen before, particularly with Kelly MacDonald who talks about her character Carla Jean. If I had to guess, I believe this is from the extras on the DVD. 

The most striking thing for me was something Kelly MacDonald said about Carla Jean and Llewelyn: 

"They didn't even need the money --- they had everything already." 

Voice Flexibility by Adam Reiver  •  last post Oct 14th

I had an interesting conversation with a lit manager recently who suggested I lean into a thriller I’d been developing — even though my natural lane is dark comedy. His point was simple (and humbling): it’s an easier door to open right now than TV.


I took the note, refocused, and I’m now in final-draft territory. The project’s been scoring high in coverage, but what’s mattered most is seeing how quickly clarity and market awareness can reshape a script.

It’s been a reminder that flexibility doesn’t mean losing your voice — it just means letting the work find its best route to daylight.

Curious how others have navigated that pivot between passion projects and market reality.

Production is Hell - And I'm Not Quite Dead... Yet by Morgan Aitken Ipg  •  last post Oct 14th

I've gone dark for a while, but not forever. I guess it's called 'in production' in filmmaker-speak. So far, I've been through: contract breaches; lead talent jumping ship; at least 3 major re-writes on the fly; 9 timezones, equipment failures that would put Apollo 13 to shame; tropical storms; injuries; eye watering financial outlay; getting SWATed and footage seized; a police raid; getting arrested; ending up in the middle of NATO live-fire war games; geo-political posturing that's puts us in the cross-hairs; running out of food and fuel; and even a lightning strike. As I write this I'm flat on my back with with bruised kidneys (pissing blood), broken ribs, a black eye, at least 500 miles from any medical help; and so long without a shower, I can't stand my own stench. But, by Dog, we're gonna get this film in the can, even if it kills us!


And that, my friends, is 'production' - welcome to hell.

But, you know what? I've never felt so alive, or in-the-now.

Why Getting an Acting Audition Means You've Already Won by Aaron Marcus  •  last post Oct 13th

Why Getting an Acting Audition Means You've Already Won

https://youtu.be/1cK1VTLsva0

Have you ever felt frustrated by getting auditions but not booking? If so, share your thoughts here.

Where and how are you playing small in terms of your creative process ? by Alexandra Stevens  •  last post Oct 12th

Just finished reading @RB's blog,  "Coffee & Content" . Very pertinent to actors because it contains a link to a You Tube documentary about Charlize Theron's career. Admittedly I didn't know much about it other than Monster. It's illuminating and inspiring because it shows her to be an actress that is more interested in pushing herself (as an action movie actress) and stretching herself (as in Monster) than playing it safe and being the pretty girlfriend sidekick she had been typecast as in the earlier days of her career.

Here is a link to the blog:  https://www.stage32.com/blog/coffee-content-stop-playing-it-safe-taking-everything-so-personally-4251

So my question to you is, where and how are you playing it small as a creative? I think for me it is, although not currently acting but creating, it's about putting off certain things like reaching out to contacts, marketing, making myself more visible because I tell myself I don't have the time. It's true I really don't have much time but I also suspect this is a bit of playing it small. I plan to do all those things I keep putting off, this month. Anyone else care to join me? ;)

"Shot, Acted, and Edited by Me — My First Film Project by Sohwo Divine  •  last post Oct 12th

The shadow in my sleep by Dris Abdel-Rahim  •  last post Oct 10th

The shadow in my sleep 
Our independent film
The director: Richard Samson 
The screenwriter: Cynthia Samson 
Actors: 
Abdel-Rahim Dris 
Richard Samson 
Cynthia Samson 

Learning to Say “No” by Leonardo Ramirez 2  •  last post Oct 10th

This week, my daughter was cast in an indie film—but after reading the scene she’d be part of, she decided to pass. Without going into detail, the content was simply too dark, and she knew in her gut she’d regret it later.

It reminded me how important it is, as creatives, to know our boundaries and trust our instincts. Saying “no” isn’t always easy—but sometimes it’s the most empowering thing we can do for ourselves and our craft.

So I’m curious:
Have you ever had to say no to a part, a job, or an opportunity because it didn’t feel right? How did you handle it—and did it turn out to be the right choice?

Actor and Writer Here by Alicia McClendon  •  last post Oct 9th

As a writer and actor taking an acting class, I’ve learned a lot about the craft, and I’d love to share it with other actors. See what you should do to evolve as an actor. 


I’m on Patreon! Check it out there.

https://www.patreon.com/posts/140629711?utm_campaign=postshare_creator

How to get jobs by Janeen Stokes  •  last post Oct 8th

I was just wondering for a person just starting out in acting & as a model, how do I go about get more jobs? I live in Jacksonville,  FL and there not many opportunities here for models or actresses. 

If you could get your hands on any iconic prop or wardrobe piece used by your favorite character, what would it be? by Ashley Renee Smith  •  last post Oct 7th

From Daryl Dixon’s crossbow to Negan’s infamous “Lucille,” some of the most recognizable pieces from The Walking Dead universe are officially going up for auction.


Read more here:
https://deadline.com/gallery/the-walking-dead-universe-memorabilia-auction-props-photos/

For eleven seasons, The Walking Dead redefined television, giving us unforgettable characters, brutal emotional arcs, and world-class practical effects. Now, fans have a chance to own a piece of that legacy, with more than 1,000 lots of on-screen props, hero costumes, vehicles, weapons, and prosthetics available through Heritage Auctions.

Among the standout pieces:
 • Daryl Dixon’s hero crossbow (Seasons 1–3)
 • Rick Grimes’ Sheriff hat and .357 Magnum (Season 1)
 • Michonne’s katana and sheath (Season 3)
 • Negan’s barbed-wire bat, “Lucille” (Seasons 6–10)
 • Daryl’s Custom Triumph Bonneville chopper (Seasons 1–4)

As Greg Nicotero said, “These aren’t just props and costumes, they’re touchstones of a show that redefined modern television.”

It’s amazing to think how much power an iconic prop or costume can hold, not just as a collectible, but as a piece of storytelling history.

So here’s my question for you:
If you could get your hands on any iconic prop or wardrobe piece from your favorite film, show, or character, what would it be and why does it resonate with you?

Memorable Moments by Suzanne Bronson  •  last post Oct 6th

I'm wondering if the working actors out there have any scenes that were particularly challenging or memorable to shoot?


Do you have any favorite memories from the set or the stage that you would share with us? If you are just starting out, have you had a scene that you found challenging; either tested your acting skills or for technical purposes?

Unique Acting/Voice Acting Technique by Maurice Vaughan 5  •  last post Oct 6th

What's a unique acting/voice acting technique you've used in a movie, show, video game, etc.?

Devil in Disguise by Ryker Baloun  •  last post Oct 6th

Please review and critique me.  This drops on Peacock October 16th. I play Robert Piest. Here is the trailer. I am the first person you see and hear in the trailer.

https://youtu.be/0GN0aALClVA?si=lbBiDKcC_wSXLS3d

Acting Work Slow? Say These 8 Words to Your Agent (They Actually Work) by Aaron Marcus  •  last post Oct 6th

Acting Work Slow? Say These 8 Words to Your Agent (They Actually Work)

https://youtu.be/MSbN3X3huk4
Let us know what you did when acting work was slow. Share it here.

How do you trust you're having an impact ........even when there is no immediate evidence? by Alexandra Stevens  •  last post Oct 6th

I have just finished reading this week's Coffee & Content in which RB talks about the film War Games and how it got President Reagan to sit up and  get his national security team to improve defence against cyber attacks. I agree with RB that the researchers, writers and film-makers were lucky that their topic was so culturally aligned and therefore had such a massive impact. 

It made me think, how do I/we hold the faith that our work is having an impact, even if there is no immediate evidence to suggest that? Whilst I"m not acting at the moment, i think of other writing projects that I'm preparing. Sometimes it feels like  I might as well be throwing stones into an abyss as I type each word. But then someone will contact me about something I wrote 2 months ago. So there was an impact. This helps me to keep the faith that if I write something that holds energy for me it will serve someone else at some point. Obviously writing articles is not the same as acting but it's still a creative process.
So how do you hold the faith that your creative work has impact......even when it feels you are creating in the dark? 
Here is RB's blog, let him know your views by commenting on his blog too https://www.stage32.com/blog/coffee-content-what-hollywood-hackers-the-market-have-in-common-4244

Looking for a female dancer for a short video recreation (non-commercial / personal project) by Rit Manio  •  last post Oct 5th

Hello everyone! I’m working on a personal creative project and I’m looking for a female dancer or performer who would like to recreate a short dance video I originally made.


The video is light, expressive, and purely for personal use — not for commercial distribution.

No payment is involved, but this could be a fun artistic collaboration or practice piece.

I can share the reference privately.

Thank you!