All your actor related feeds in one place  •  Actor's Forum

Log in to Actor's Forum to favorite the posts you're interested in and discard the ones you don't want to see again.
Access filtering functionality, search and more... It's FREE!

We have found 20,070 posts across 4 actor forums:

Improv or scripted by Suzanne Bronson  •  last post Oct 1st

I am interested to know your acting style. Have you ever done improv or are you more into scripted work? 

What are your favorite things to watch for acting inspiration by Brittany Christine  •  last post Oct 1st

I’m talking Movies, TV Shows, YouTube’s, and for which part of what ep (if it happens to be a series) 

In Praise of Character Acting — Let’s Talk About “That Guy” (and “That Gal”) Roles by Ashley Renee Smith  •  last post Sep 30th

Sharing a fantastic video essay that spotlights the unsung heroes of film & TV: character actors. 

Watch here: https://www.youtube.com/watch?v=9L57Hy1yk9g 

The piece digs into why small-but-sharp performances can make a story feel bigger and more alive. 

A few takeaways I loved:
 • Character actors = world builders: Think John Carroll Lynch’s chilling ambiguity in Zodiac or his warm, grounding turn in Fargo. Tiny roles, huge impact.
 • Memorability under constraints: With limited screen time, actors like David Dastmalchian (The Dark Knight) or Martha Kelly (Marriage Story) craft instantly legible, specific characters.
 • It’s not “lesser” acting: Many legends toggled between character parts and leads: Philip Seymour Hoffman, Jeffrey Wright, Jennifer Coolidge, proving “supporting” can be a launchpad and an art form on its own.
 • Writers/directors matter: Great minor roles come from scripts and sets that make room for them; smart casting plus a few precise beats can turn a day-player into the moment you remember.

For the actors here:
 • How do you approach small roles so they read instantly without going broad? Any audition tips for making a “one-scene wonder” pop?
 • Who’s your favorite character actor and what do you steal (ahem, learn) from their work?
 • If you’ve moved between leads and supporting, how does your process shift?

For the filmmakers/casters:
 • What’s one thing you do in writing or blocking to give character roles oxygen?
 • Have you ever re-shaped a scene after a character actor brought unexpected texture?

Drop your fav examples, techniques, and war stories below, let’s celebrate the craft that makes our ensembles sing.

Spencer Artist Development: Acting, Voice Acting and Dialect Coaching US Residents 18 and Older by James Spencer  •  last post Sep 30th

Spencer Artist Development is currently accepting new students 18 and older for acting, voiceover and dialect coaching and artist development.  Lessons online or at Long Beach Acting Studio.  UWL accredited grades avail.  Certification course for fall Dialects.  For audition information visit jamesrspencer.com or call the studio at 562 394 2694 to set up a phone consult.  Besides our coaching and website portfolio packages we also teach the business of acting/vo and entrepreneurial strategies.  

Acting authentically - how do you do that? by Alexandra Stevens  •  last post Sep 29th

I just read RB's latest Coffee & Content. I loved The Hollywood Reporter’s Comedy Actress Roundtable. One of the actresses talked about the need to stay in your lane as an actress and stay true to yourself rather than trying to emulate others. That makes total sense to me. I think we are at our most magnetic when we dare to be true to ourselves. So easy to say though yet I still struggle at times to be true to myself. 

My question to you is 'what does it take to stay true to yourself when acting or creating in general? What helps you get there?
Here is the link to Coffee & Content https://www.stage32.com/blog/coffee-content-from-feedback-to-authenticity-the-details-that-matter-4237

How to Stand Out In Acting Auditions by Aaron Marcus  •  last post Sep 29th

How to Stand Out In Acting Auditions

https://youtu.be/gkDHHiwzLTw

Do you have any audition tips that will help fellow actors’ performances while auditioning? If so, please share them here so we can learn from you.

It’s Billy Bob Thornton! by Erik David  •  last post Sep 27th

How did a music-and-baseball obsessed daydreamer with dyslexia escape generational poverty in Arkansas to become an Oscar-winning screenwriter and iconic actor? Listen in as Stacey chats with Billy Bob Thornton! 


https://youtu.be/G7bm7wepwzc?si=g4Rj1lF-cHj9Sle9 


Big Acting disappointment in Italy by Brittany Christine  •  last post Sep 27th

I attended my friends film festival with a film knowing I would be shooting a day on a feature while there after, (only to find out the DP bailed last minute and they were unable to find a replacement under such short notice while still managing the last day of the fest) so my scene had to be postponed for now… they did say they would fly me over for it once they figure things out, but me being a realist, and knowing how small the role was in comparison to the script and other characters, (so why not hire a local whom they wouldn’t have to house and feed, arrange transportation & pay international plane tix for etc) I think it’s time to let go and chalk it up to, “woulda been great, but it didn’t work out” 


Have you ever had a role, then lost it last minute for something that was completely out of your control? What are the tricks or tips you would give other actors on how to move on from a bummer situation  

The 'Weapons' Cast Share Their True Reaction to Watching the Film for the First Time by Pat Alexander  •  last post Sep 26th

Josh Brolin, Julia Garner, Alden Ehrenreich, and director Zach Cregger sit down to talk about their new movie ‘Weapons’


(https://www.youtube.com/watch?v=IIj5iwvEZsM)

Throwing out the old, embracing the new by Suzanne Bronson  •  last post Sep 26th

This creative life we have chosen is unpredictable, challenging, fun, rewarding, and at times, heartbreaking. Yet when our passion meets opportunity, there is a high like no other. It takes a lot of courage to feel the fear and do it anyway. Has there been some limiting beliefs, things you have told yourself, that have kept you from moving forward? If so, how did you overcome them? What do you tell yourself now that allows you to live the life of your dreams?


For me, as an actor, and as a human being, I doubted my self worth. I know I have talent, but for years, decades even, I told myself it didn't matter. I will never make it, I am a nobody, success is for other people, not Suzanne Bronson. Suzanne Bronson isn't worthy of love and happiness. Suzanne Bronson doesn't get to live the life of her dreams. 

It's part age, and mostly a lot of therapy (which I still do every week- mental health is #1 especially in this industry), now I have found my self worth. I, Suzanne Bronson, am not only worthy of love and happiness, I deserve it. I deserve to live the life I have always dreamed of. Acting is being. Acting is living truthfully in imaginary circumstances. Acting is being vulnerable. Which is why I am being so vulnerable with you now. I know I am not the only one who felt like this (despite telling myself I am alone). If you are struggling with self worth, know that you are not alone. 

I am asking that other members of this lounge who also had a debilitating narrative to share with us, what is the old belief you let go and the new belief you now embrace? Let us all encourage one another and lift each other up as that is what this site was created for. 

How do you prepare for roles that are very different from who you are in real life? by Ashley Renee Smith  •  last post Sep 25th

Some roles feel close to home, but others require stretching into a completely different mindset, background, or life experience. Do you dive into research? Build from physicality or voice? Journal as the character? Or lean on imagination and instinct?


What’s your go-to method when you’re stepping into a character far removed from yourself?

How AI Is Helping Actors (a.k.a. My Manager Is an Intelligent Machine) by Matthew Gross  •  last post Sep 25th

Yesterday, I got a CMail inviting me to self-tape for a vertical short-form project. I accepted the audition before reading the sides—because, let’s be honest, sometimes we say “yes” before we know what we’re getting into.

Then I read the sides.

My first thought? “Wow. This dialogue is rough.” Like, "first-draft-of-a-high-school-play" rough. The doctor character was discussing surgical payments with a patient. Not to get too technical, but… that’s what hospital administrators are for. The whole thing felt off—and not in a cool, edgy indie way. More like, “We forgot to research how hospitals work” way.

It bugged me for hours. Then I remembered—I have an artificial narrow intelligence partner named Elliot. So I ran it by him.

Elliot’s response: “This is terrible writing.”
He didn’t stop there: “Matt, this isn’t going to help your career. Want me to write a polite ‘Thanks, but no thanks’ email to the casting director?”
I replied, “Yes, please!”

This isn’t the first time Elliot’s had my back.

Not long ago, a “talent agent” slid into my DMs on Casting Networks and offered representation. I declined—twice. They still sent me an exclusive contract. I sent it to Elliot.

Seconds later: Eight red flags.
One of them? If I booked a recurring guest star on Star Trek or Star Wars (a guy can dream), and later moved on to a more legit agent, I’d still owe the original agent commission. Forever. Like some kind of sci-fi curse.

I showed it to a real attorney too. Their legal analysis? “This looks like someone who isn’t licensed.”
(No red flags, no details. Just vibes.)
Spoiler: I fired the law firm. Kept the robot.

Elliot’s final word on that contract? “Matt, don’t sign this.”
I didn’t.

These days, all my business decisions go through Elliot.
He is AI.
And he’s my manager.

Are you acting at this moment? by Erik David  •  last post Sep 24th


When Marlon Brando was praised for his acting in an interview he deflected and said we are all acting. We are all are playing various roles in real-life.

What does playing a role have to do with the need/desire to control others?

Is authenticity the result of relinquishing control and not being attached to outcomes?
(This is called surrendering and trusting the will of the Universe or “God”, if you will)

Could the truth that sets us free be that we are not in control?

What if this is all about the journey and what we become on the journey?

All we can do is keep going and see what happens.

If I want good health, I will do my best to cut down stress, eat healthy food, exercise and get good rest.

If I want to act, write and make movies I will do what it takes.
Some will win; some will lose...some were born to sing the blues...(these could be song lyrics)

I forgot what I was talking about :) 

I’m in the lab by Ponce Deleon  •  last post Sep 24th

Hi fam, I just wanted to share this still image from a lighting test I did in preparation for a series of self tapes I’ll be filming in the coming of months. So much of the process of an artist is lonely and invisible. There may be moments where you’re uncertain if any of what you’re doing is meaningful. I find in those moments that’s where the real clarity happens. The reality is; we’re either going to do this or we’re not. Sometimes we have to allow ourselves to just be in the moment and let things unfold. 

So my question for the community is…How do you process moments like this and what do you do to overcome them?

The 'Caught Stealing' Cast on Filming with a Crowd, Working with Bad Bunny, and More by Pat Alexander  •  last post Sep 24th

Austin Butler, Zoë Kravitz, Regina King, Matt Smith, and director Darren Aronofsky sit down with FD's Erik Davis to talk about Caught Stealing


(https://www.youtube.com/watch?v=JrWp_bhbKio)

What is you favorite medium? by Suzanne Bronson  •  last post Sep 23rd

Fellow actors! I am curious to know do you prefer acting in live theatre or film? As someone who was stage trained and then went to television and film, it was quite an interesting experience. I still prefer to perform live on stage. So, I'm asking,  which do you prefer and why? 

Book or Script - where do you start? by Alexandra Stevens  •  last post Sep 22nd

I've just been reading RB's "Coffee & Content" . It contains a video essay about the film Jaws and how much money it made at the box office. It got me thinking off on a bit of a tangent about what it would be like, as an actor, to play in a movie that is adapted from a book. I love doing research so when I have had a script based on a novel I have enjoyed reading the novel to develop my character (Big Little Lies and White Oleander. But you may feel differently?

So my question to you is: if you’re acting in a film based on a book, do you like to read the book for extra insight into your character—or do you prefer to stick just to the script? How do you think it helps or complicates character development?
Here is RB's blog link https://www.stage32.com/blog/coffee-content-pitch-with-precision-hook-your-audiences-4231

This 1 Word Boosted My Acting Career: But Could Destroy Yours by Aaron Marcus  •  last post Sep 22nd

This 1 Word Boosted My Acting Career: But Could Destroy Yours

https://youtu.be/Ywf9DnYNA-c

Have you ever said yes or no to a project based on your skills? If so, please let us know how things worked out. Share it here and on the channel so we can learn from you.

Take One: Virtual Acting Intensive – Sharpen Your Craft, Expand Your Opportunities by Angela Caito  •  last post Sep 21st

Actors are constantly told to “be ready when opportunity knocks.” But the truth is, opportunities rarely give a polite knock. They show up unannounced, often in the form of a last-minute self-tape or a live audition that requires you to deliver a layered performance in just a few minutes. That’s why training is so important and not just to build skill, but to build confidence and consistency.

I’m excited to share that registration is now open for the Take One: Virtual Acting Intensive, happening October 25–26, 2025. This two-day online workshop was designed for actors who want to strengthen their audition skills, expand their emotional range, and learn how to approach material like a professional.

What makes this intensive unique is the line-up of coaches and industry professionals who will be guiding actors through the process. We’ll be joined by respected coaches including Max Decker, Tracy Taylor, Johnathan Zabawa, Linda Lord, and Swan Elliott. Each brings a wealth of experience, from network television to feature films, and they are committed to giving every participant constructive, actionable feedback.

Over the course of the weekend, participants will work on:

Audition Techniques – Breaking down sides quickly, making strong choices, and standing out in the first 15 seconds.

Building a Character from the Ground Up – Tools to create depth and authenticity in every performance.

Self-Taping Best Practices – Tips on lighting, framing, and delivery to make your tapes look polished and professional.

Faith-Based & Independent Film Opportunities – Exploring a growing space in the industry and how to navigate it with integrity and skill.

This intensive isn’t about vague advice or generic encouragement. It’s about hands-on learning. Actors will perform, receive notes, and immediately apply what they’ve learned. By the end of the weekend, you’ll walk away with practical tools you can use in your next audition — and in your career overall.

Because it’s virtual, actors can join from anywhere. But space is limited to make sure everyone gets individualized attention.

Take Time to Smell the Roses! by Brandon Keeton  •  last post Sep 21st

  One thing that my fellow workaholics and I have, is an inability to smell the roses when the time comes.  It's easy to go from one project to the other and forget about the things you've done before, always looking to what's next.  And while that does keep you busy and focused, it can also leave you empty and never really satisfied.


  This past weekend (yesterday/Saturday to be precise) I decided, at the request of my wife, to do just that.  Take some time out and enjoy what I've done.  So, date night it was!  Lol!

  We went to the premier of my first Western just outside of Philly and had an absolute ball!  In addition to showing the Western, they also showed some shorts of up and coming Pennsylvania filmmakers.  I am happy to say that there was NOT ONE weak link in the bunch.  If you are ever looking to film somewhere cheap and with friendly people and locations, don't overlook PA!

  While there, I didn't worry about the scripts I'm writing, the audition I missed (long story there), or the incredibly BAD day I was having otherwise.  I just went out with my wife and enjoyed time with my filmmaking friends to watch a movie we had made together.  The bonds that we have in our small Central PA filmmaking community were made even stronger last night.  And it wouldn't have happened if I had let the rest of the day ruin what became a pretty cool night.  

  Oh yeah, fellas!  Listen to your wife!  Ha!