Im planning on becoming an actor when I’m older and decided to start by educating myself, I know you need an agent and they’ll be informed when a role is opened, but I also heard that you can record yourself and send it to whoever you’re auditioning to.
Looking for some opinions! I recently moved to LA and am excited to even get the opportunity to submit myself or audition for anything, but I haven’t had the money yet to subscribe to one of these sites. Now that I do/will soon, which one should I put my money into? I currently have a profile on Actor Access (the free version where you can only have one picture and like a short bio lol) and I think I have a couple of friends that use that form, but I’ve also always liked the way Backstage is set up. I’m a trained theatre actor but looking to do theatre AND film, more specifically comedy. What do you guys use and why? :) thank you!!
I'm an Asian girl, buy my voice doesn't sound "girly" or "pleasant". The -way- I talk kinda reminds me of the YouTuber IISuperwomanII and the actress Awkwafina, and the -tone- of my voice is lower than both of them. Also, I -look- very girly. I don't know what kind of roles would suit me when my voice and look are polar opposites. Sometimes I think about "reshaping my voice", like learning different speech styles or something. Any advice would be appreciated, because I'm always feeling frustrated whenever I hear my voice in self-recordings. EDIT: Now that I think about it, my voice sounds low and boyish like Miley Cyrus.
Has anyone ever been hired or hired someone to have a semi staged fight in a public forum before? I ready about something like this in a college advertising course called dynamic advertising but can’t find anything online about it. Does anyone have any personal experience with this? Like hiring some guy to pick a fight with you & using it to grab attention for any reason? Just wondering! Let me know!
i created a new product and i am now trying to hire some actors (~6) to both act and film a simple 2-3 minute commercial for me. really general question: what's a fair price to offer for something like that? $300, $500, $2,000? i tried to check craigslist, but don't see a lot about fair market value
I’m 14 years old. I’ve wanted to act since I was little. I don’t know what to do. What classes do I take at school and how do I apply for auditions?
I always wondered, are a lot of actors seriously traumatized people, that try desperately to keep normal in real life and let all the pain loose during acting. ​ Take Bryce Dallas Howard for example. ​ She can cry on queue and laugh hysterically after that, it is quite creepy and uncomfortable to watch. ​ Jim Carrey is another perfect example, since he has talked extensively about his personal life and we all know his serious acting, and comedy
So I moved to LA recently and started an Actors Access Plus account two days ago and have begun self submitting. I’ve gotten a few audition requests and two of them are self tapes. I’ve seen a few different peoples self taped auditions and would like to know what the normal criteria I should be submitting other than slating and any sides given. Is there anything else I should be aware about, like a little about myself? Or is there anything that I should out in there that would help me stand out?
I was insanely excited about this because for the last year I've been exclusively going out on voice over auditions through my agency and have finally started to break out into on-camera auditioning. I was through the moon when I found out I got the callback on my first ever on camera audition, and today during the callback things seemed to go incredibly well. The callback was myself and another actor reading 2 separate roles, after which I was asked to stick around and read my part again with another actor playing the opposite role. I basically got to audition twice in a row for the same part, how good of a sign is this? I know not to expect anything but I can't help but wonder, haha! EDIT: No one else was asked to stick around to re-read besides me.
Hello fellow actors! I just moved to North Hollywood and I was wondering what kind of jobs actors have in the valley, and if anybody can give me any ideas. I have been looking and researching myself but would like to hear some other peoples opinions as well. Any information is appreciated. (To preface if have about ten years in sales experience, I honestly do not want to do sales, but I am great with people incase their are other jobs out there that would translate to) Thanks!
Hey y’all. I used to work with ‘The Linicomn Agency’ until I fired the agent. If I could, I would have never signed with them. I was able to tape for all upcoming big streaming platforms on my own efforts, book commercials, and then stuff, on my own. I thought maybe the agent was busy until I found someone else who stated the agency was actually blacklisted because of how unprofessional the owner, Danette, in addition to being a liar, is. I will most likely delete this post but I really am curious to find out WTF is up as I am now interviewing with new franchised / established agencies in and out of the area. Just feel like I sacrificed way too much for such a selfish and disgusting person and want some more information.
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Hi! On my team, we are looking for a female voice actor for a game trailer, and in general a voice narration for all upcoming trailers that we will launch.
Hey curious if anyone has had experience with this, do actors on original Netflix content (movie or series) make residual payments outside the initial payment for the work? Since it won't likely move to a different format and Netflix doesn't seem to release viewing information.
I read articles regarding acting and whatnot, but very recently I was very strongly advised to read actor biographies in order to "help me learn how to get work". This recommendation came from someone who is fairly outside the industry. I don't want to be outright dismissive, but I am fairly dubious since I've been led to understand that a lot of it is about luck/persistence, by the time somebody is notable enough to have a biography written about them, the path they've taken is fairly antiquated, and generally, biographies are written for readers who are interested in the subject, not for people interested in emulating the subject's career. What I'm asking is if any of you have read an actor's biography and, if so, has it been helpful careerwise and also, if so, in what way? Thank you for any responses in advance.
Any recommendations? I’m looking for a place to sharpen skills in between projects. No crazy “my method is the only method” places or cult like workshops. Just honest acting work with professionals who’ve already got experience and skill.
It is no secret that consolidation from Netflix, Disney, YouTube, CBS-Viacom, and AT&T-HBO-Turner-CW are driving down our day rates. Hell, I have a friend who was on every episode of a Netflix show for 3 seasons straight and was never upgraded from a "Guest Star" credit. And before you ask: No, he's not at some Ma and Pa agency out of some guy's apartment in Studio City. He was represented at one of the "Big 4" agencies and cast onto the show as part of a package. What's a package, you ask? Well, you see, four predatory agencies control 87 percent of Hollywood's talent deals: Creative Artists Agency, United Talent Agency, William Morris Endeavor, and ICM Partners. This is a clear monopoly/oligopoly that is only now, for the first time in many years, being challenged in court by the Writers Guild of America. What keeps "The Big 4" in power is the ability to "package" talent when making deals with buyers. By collecting as many actors, writers, directors, and producers as possible, then pitting them against each other for the cheapest deals, these agencies do far more to serve studios and networks then they do their own clients. They get paid far, far more from "packaging fees" to bundle talent at discounts than they do actually representing their clients. The WGA maintains that this is illegal. SAG-AFTRA, a union I'm frequently embarrassed to be a part of due to corruption and incompetence, has been all but silent. Compounded onto this problem is that the agencies have started creating production hubs and planning IPOs. This is extra, extra illegal, and the WGA is determined to prove it. Which is just another reason why the silence of the actor's union has been so disappointing. Imagine, if you would, having your entire career determined by a mixture of competing with your other agent's clients and pressure from the stock market. This is a dark future that we must prevent. We've gotta stick with the writers if we want the middle and working class of the industry to not just thrive, but to also prevent the concentration of power that allowed those like Harvey Weinstein to rape and molest talent with impunity. I remember I was at an audition for some indie movie, sitting in the waiting room, when 10 women all dressed like Michelle Pfeiffer from Scarface all rolled in at once. As I watched them sign in, I saw that a huge chunk of them were signed with major agencies, not small ones. I was awestruck. "What is this?" I asked the receptionist. "A rich guy put a casting call out to the major agencies for two dates to a costume party. Weird, I know. Please don't judge us." I judged them, alright.