We have found 19,462 posts across 4 actor forums:
Technique to get you cast in more roles by launchmystar • last post Oct 6th
I have created a custom technique to help you raise your IMDB score which, regardless of what anyone else tells you, is extremely important in landing roles. Many people in the industry (actors, directors, producers) will confirm this. If you are an aspiring actor, reach out to me and we can set up a completely free consultation. NO payment until you start seeing improvements on your score AND decide that you want continue working together. PM me and we can have an intelligent conversation. Looking forward to hearing from you guys!
Help me out here! by haya_mohsin1 • last post Oct 6th
I wanna be an actor, I’m studying acting and practicing, and I honestly think I have a chance. I dunno if I’m pretty enough though. I’m 5’3 122 pounds, flat (ish) stomach and big thighs. I have black wavy hair and tan skin. I have some tiny scars on my face but they aren’t that noticeable with makeup on. I have big lips and an average nose, along with what people like to call “anime eyes” I also wear glasses. Ok now that I described myself, try to imagine how I look like. Do you think I’m pretty enough? If you still don’t know then message me and I’ll give u my snap or ig. Help me out here people :(
Acting by PraizmarC • last post Oct 6th
As a growing actor, how do I memorise my lines effectively in order for me not to forget any of them?
Looking for 2 Adult Male Voice-Actors for Vikings of the Interstate animation fight-scene short by Fleckogold • last post Oct 6th
Howdy! I'm Trever Barger, an underground multimedia animator creating cartoons; I'm looking for two male voice actors to fill the roles for my upcoming animation short to a series from writer, Doug Atkinson, called Vikings of the Interstate. You can watch the pilot and follow the storyline from here: [https://www.youtube.com/watch?v=RJb-INOCYk0](https://www.youtube.com/watch?v=RJb-INOCYk0) We're offering a bounty for each of the parts listed below to the VA selected. In this scene, a ninja-viking is facing off against a detective from a small police precinct. A fight scene ensues. **Role#1: ($75) Higgins** is the detective. Southern US accent. Mid-pitch. He's the scapegoat among his compatriots, but excels as a member of the force. After a frustrating set of events when emotions are at full throttle, Higgins gives up trying to contact the rest of his team over his dispatch at HQ. He then makes his way to the back of the station to find the ninja-viking from the pilot episode lurking around the munitions storage. Higgins draws his gun. (sample line 1) : (yelling into an a radio): "Is anyone there?! ... ... .... HEY!" (sample line 2): (walking to the back of the station, talking to himself) "I swear I'm the only competent one in this precinct..." (sample line 3): (seeing the viking, making the distinct connection between what witnesses had warned him about, and what is in front of him. Disbelief disappearing) "Vikings!" (sample line3): (committing to make an arrest on a suspect) "FREEZE!" This is a fight scene so the role demands a few grunts, sighs, and yells to fit the action going on. ​ **Role#2: ($40) Ninja-Viking** won't say much, or even make any grunts; has two lines, but will be speaking Russian. Low-pitch. Calm, cool, collected, balanced, zen-like. (sample line 1) : (after trapping the detective, and making his escape) Это для лучших - "Eto dlya luchshikh" (This is for the best) (sample line 2): (before leaving) Ты увидишь - "Ty uvidis'" (You will see.) ​ Send your sample lines to Doug ([doug@industrialzen.us](mailto:doug@industrialzen.us)) . Those chosen will be sent a copy of the short to sync the final recordings over. ​ Thank you!
Advanced question for the experts out there, regarding being verbatim with lines. by Signifying--Nothing • last post Oct 6th
I understand in well established plays in theater and Shakespeare you want to be 100% verbatim, but at what point in a film and tv can you just chuck out the idea of being word for word and just naturally let the character shine by making the lines your own and not placing them so neatly in order as it was written? I’ve gotten mixed responses for both positions. On one hand I can see how the writers want to see their work performed and on the other I can see how the lines are means to help the actor convey the underlying thoughts. So at what point can the professional actor take what’s written and make it their own without being word for word? Does this happen more often than not?
Actor's Fast Track by ActorBoi80 • last post Oct 5th
Has anyone used the Actor's Fast Track service? Curious about their various plans, what I'd be getting for my money, what anyone's thoughts are on Valerie, etc. Thanks!
Need to be casted (M13 can do a lot of voices) by DragonHost • last post Oct 5th
Hey so I'm a 13 M looking to start in the voice acting business and I was told to come here. Is anyone looking for voice actors in games or animations?
Reading people by stile03 • last post Oct 5th
Hey guys, so I’m very very new to acting, like I’ve never taking a class or been in any plays but I’m at the stage where I like to analyse acting in film and identify what good actors are doing and what bad actors are doing. Anyways I work in a kiosk where I serve like 5 people an hour so I have a lot of time to analyse the people walking past (nothing better to do and it gives me some acting practice). So my main question is what should I be looking for? Their motive? Their body language/movements? The way they interact with the environment/individuals around them? I’m basically asking for a check list on what to look for. Thanks in advance.
Ghetto Recording Booth by Sam__Seed • last post Oct 5th
Hi all, Not a voice actor here, just a dad looking to do something nice for his daughter. Story time is our thing but I’ve started working away from home more than I would like to so haven’t been able to hold up my end of the bargain. Sooo I’ve decided to record some stories. I have a mic that isn’t designed for this purpose (Zoom H1) but it’s the best thing I’ve got and I’ve no cash to fork out on one that is. The “booth” however is an issue. All I have are household items, again with no budget for anything else. What could I throw together to get the best possible recording out of this mic?
"Too crazy" for acting hair colors? by throwawaynosejobxoxo • last post Oct 5th
Do you think that a very cool toned, wine-ish red hair color like [this](https://www.styleinterest.com/wp-content/uploads/2018/02/49150218-red-hair-with-highlights-.jpg) one or [this](https://cdn.westkiss.com/media/catalog/product/cache/1/image/9df78eab33525d08d6e5fb8d27136e95/9/9/99j-stw-3pcs_5_.jpg) one is "too much"/"too crazy" for acting? I've been thinking about dying my hair that color since i have a veeery pale skin with cool undertones and the only colors that truly suit my skin are very dark brown (almost black), platinum ash blonde and the red color that i'm talking about. Everything else makes me look sick/off. The very dark brown hair looks too harsh on my facial features sometimes, whereas platinum blonde looks waay too cookie cutter on me. I have an attractive face with distinctive features but the blonde hair really makes me look like 1000s of other female actresses in LA. The red compliments both my skin and facial features a lot and makes me look even more interesting and marketable (very Jessica Rabbit-y) but I'm not sure whether dying it that color would be a bad idea. HONESTLY speaking - is one of said two colors natural enough to book gigs? Because at the end of the day most movies/shows' characters need to have a bit more natural hair colors (with a very few exceptions). Krysten Ritter had no problem getting roles with her extremely pale skin and unnaturally jet black hair but i feel like these red colors are even crazier than her skin color+hair color combo.
Is actor’s access down for anyone else? by asyouwish17 • last post Oct 4th
Acting-life balance by finnegan7 • last post Oct 4th
I recently started studying acting full time at Vancouver Film School and somewhat have struggled with striking a good balance between personal life and actor training. I am very happy being 100% immersed in the craft but I can see how it may be unhealthy in the long run. Any advice?
Audition with no sides given, but needed to improv? by momthinksimpurdy • last post Oct 4th
I’m pretty decent with improv. I had classes and everything, and do improv shows. I was like, “ I can do this” I auditioned for a TV show, but they brought in 4 actors at a time, and they wanted us to improv some scenes. This girl did scenes with the others, while I observed. Then it was my turn to improv with her. I could tell she didn’t know how to improv, because it started with a question first, then started offering a lot of information lightning fast, still in question form (how am I supposed to process all her offers, and add on to it?) I paused, tried to process it, then offered more. I guess she didn’t like the silence, so she started answering all HER questions/offers. She started getting really loud (to the point it’s overacting and yelling), and hogged all the potential lines we could’ve said, because she was not letting us speak. Not to mention, everytime I tried to answer, she would not let me (or any of us) finish.
Had my first play last week, need a bit of help. by StevieSF • last post Oct 4th
Title pretty much. Had my first stage play last week and I loved it! Bit of background: I’m a 20 year old male from Belgium. I’m a Communication student and don’t have an immense amount of time. I got into acting one year ago, when I joined an amateur theatre group. I never acted before and was supposed to play a small role, but the actor for the main role quit. The stage director then asked me to play the main role and I said yes. Back to the play, it was a success and the people enjoyed it a lot, which was the most important thing to me. People congratulated me with my performance and I must say that I felt very proud of myself at that moment. I met a lot of great people during the past year and made a lot of new friends, something I’m very grateful for. The stage director also told me I’m talented and that he will definitely consider me in the future. Now comes the problem: our theatre group consists of a couple of hobbyists mixed with film/theatre school students. A lot of these students don’t have the time for future plays and are gonna leave the group. As it stands now there are only three people staying in the group. That’s not enough for the future so I’m afraid the group just ceases to exist. My question: what the hell do I do now? I loved theatre, but I’m playing with the idea of trying TV/film. I know that for that I would need (a lot) more experience so I’m thinking more theatre first? I’d already love it if I could be an extra in a series, and then maybe I can build from there? I have no clue how the industry works so any info would be greatly appreciated. Just to be clear: I don’t have the ambition to become a Hollywood star, I just want to continue my hobby and see what I’m capable of. And meeting a lot of people along the way would be really nice too. All answers are appreciated! Thanks in advance.
LA acting Class recommendations for a UK trained actor by baylor4 • last post Oct 4th
I've recently graduated from a top drama school in the UK and I'm now moving to LA (I'm an american). I know that there are so many BS classes over there and culty teachers to avoid. I was wondering if anyone knows of any really good on camera or scene study acting classes. I 'm looking for a continuation of training rather than beginner level. (also if anyone has any recs for Voice and Speech teachers out there as well)
My manager's reaction after I left him. by CuspChaser111 • last post Oct 4th
Hello, I had a manager of a year that got me into one room (I know it's not a manager's job to get you into rooms but still.) He found me after I got 9 credits on a Netflix show as a recurring guest star and I feel like I lost a lot of momentum this past year since I booked it unfortunately because I trusted him and I am now kicking myself (20/20 hindsight lesson learned) - he would call me before auditions to make sure I was prepared, if I learned my lines, how I was feeling, but the anxiety and tension in his voice did not help and I let him know I like to chill and meditate before auditions to go in and throw down and yet he kept calling - look I booked the show without him and I am by nature a pretty studious and hardworking person - my local agent is awesome and got me into many rooms and I got to network for a Greenberg pilot last year. When we didn't get pilot my manager called me up freaking out like "WE DIDN'T GET IT THIS FUCKING SUCKS!" I was like aren't you the one that is supposed to be talking me off a ledge? I felt it was the other way around. The fact that I got that far and caught the office's eye off a tape means I am on the right track and they will remember me. Though I may look 'dramatic' and can do it comedy is the calling and that tape proved it. Anyway I made the move to LA recently. I let him know that I wanted to explore LA agents here and he kept saying he'd be reaching out but never seemed to. Last week I let him know that it's probably best for a fresh start as I leave for LA for both parties and thanked him for his help and work but I am thinking it's best to move on. He was usually very responsive and always expected me to respond immediately but after that e-mail I sent I have heard nothing from him. When I called my agent she said he e-mailed her (he didn't cc me or anything) and is really upset. Can I just say when I was a youngin' in this industry and my first mgr dropped me I had the courtesy to get on the phone with them, stay classy, and wish them luck? Of course I was disappointed but I did not ghost like an insecure child. This is your reputation we are talking about. I'm talking to my actor friends and it's like if WE treated our rep. that way WE would be seen as the 'crazy' one. It upsets me greatly and I find it wildly unprofessional and very much man-baby. Anyway the positive for this is that I did learn my lesson and I got a direct ref. from the casting director that booked me on the show for a new mgr that she loves. Anyway thanks for reading. I guess I wanted to vent and if you have ANY advice for me from mistakes you've made or seen others make I'd love to hear it so I can prevent more like this because I feel stupid, stupid, stupid. Thanks.
Crazy "fired/blacklisted for no good reason" stories? by Butfartter420 • last post Oct 4th
Why does it seem so INCREDIBLY easy to get fired for the most minor mistake? It feels like everyone has a story in which they were fired from a set basically because the director was having a bad day. Stories I know of: - A friend from gradschool was doing an animated porn voiceover. They asked to know more about the character's history and was immediately fired and told to leave. He wanted moans and "yes senpai", not some annoying artist trying to feel their character, and replaced him with someone else in minutes. - Half-way into rehearsals of an Off-Broadway show I was in, a fellow actor accidentally exited stage right instead of left. Fired. - I used a shitty printing company to print left minute headshots. They were great quality, but weren't 8x10's like I asked, but maybe an inch too big. I was told I wasn't going to get a call back because of how unprofessional the print looked and that I better get the right 8x10 prints because it makes you look unprofessional. But at least they were honest.
NYC or LA? by CaptainMarvellous_98 • last post Oct 3rd
Hey fellow Backstage peeps! I'll be finishing university soon (May 2020) and would like to buckle down on my acting career after graduation. I enjoy theatre, but really love (and prefer) film and TV. I've heard some people say that you should move to LA if you want to break...
How do you think actors are able to become famous? by wingsith19 • last post Oct 3rd
Now I know there’s a lot of actors who were born into the industry (had famous parents) or started off as child actors, but it seems for the majority of relevant actors today, they were neither born into the industry nor were they child actors. For a lot of them it seemed as if they were born to a family that had no connection to the show business and had to work their way up and get to where they are by themselves. How do you think this is possible? Does it really boil down to just pure luck? Does it boil down to just being a really good actor? Is it a little bit of both?
I have twice the ammount of lines to memorize and I'm lost by Whelsey • last post Oct 3rd
Our director decided to give me a role that was previously assigned to another actor, knowing I'm not prepared and I have a hard time memorizing lines. I'm lost and I don't know if I can memorize everything in time! I'm fairly good at improv. Please, give me tips on how to do it! I won't be able to improv an entire character