Hello. First of all, Im sorry if this is the wrong place to post this (and please, excuse my english) My name is Max and Im a **screenwriter/filmmaker** from Argentina. As many around the globe Ive been self-isolated at my place for quite some time now. At this time Im **working on a collaborative project** with some fellow actors: a **horror feature** that each participant can shoot at home with their phones. (Think about something like "Unfriended", "Searching"...that kind of stuff). The end result is not intended for commercial purposes and will be distributed for free. The thing is, **I would love** to have some extra footage from **people around the world**. If any of you think that could be interested, please feel free to contact me. I can give some extra info about it and some proof of previous work if you need it. Again, sorry if this is not the place to post it.
I got offers from: - Johnson Talent Agency - Avant Artists - ABA Talent Agency - Chic Models - Mademoiselle Talent Agency Anyone signed with them or know of them? I’m currently a non-union actor in Los Angeles that’s looking for an agency to find work for me to become SAG-E.
I tries posting this on another sub but got removed. I may be ignorant but here are my thoughts on this. Portraying characters on screen is an entirely different matter and I seethe problem with it. I understand that there may be a problem with PoC getting less jobs from white people, however, shouldn't talent come first? I've read that they usually do blind testing and that should help the creators choose the right person for the role without thinking about race or color. If they strictly implement casting by race, PoCs may even get roles due to the abudance of white people in the media. If the game or animation does implement diversity, wouldn't this limit the pool of actors? Most children of immigrants in America doesn't sound "Asian" so hiring a white actor for a Japanese with Texan accent should not be a problem. Isn't it the same as casting Japanese for PoC and white roles for Japanese games? I hope you could shed me a light on this. Apologies for the bad English. Also, it's my first time asking so I hope I don't break any rules.
Idk if I can ask for advice on here, but I'll this post anyways. I want to become a professional theatre actor but my parents won't allow it out of concern that will be: A) Disappointed if I don't become successful B) Poor C) Become a drug addict and/or a Sex worker because I'm poor/I'm famous and corrupted I kinda see where they're coming from ( A lot of actors do burn out), but I don't want to act to become famous or anything and I don't care if I have to work at McDonald's for the rest of my life to support my acting career because I'm really passionate about acting and I want it to be my career. I just can't seem to get them to understand that if I don't get a callback for one audition, I won't start doing h*roin or something like that. Please answer if you have any advice at all. Thank you ❤️
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
I am a young actor trying to one day make it big or at least become a professional actor. I predominantly do community theater and do about six shows a year. I plan on continuing community theater but does that help in anyway? I plan on going to collage and getting a degree in computer engineering as a backup to acting. I feel that I have the will power and frankly stubbornness I need to persevere the “No’s” and continue auditioning for anything I can get. I just don’t know if my community theater will help “qualify “ in any other way to someone you hasn’t had any training. I’m just looking for some guidance. Sorry if this sounds confusing. It’s 3 in the morning.
I know that there are certain sought out height for acting and as a dude it will be much harder for u if ur on the shorter side. Im personally 5'11.
So our drama school is arranging a meeting with a relatively famous actor and they want us to come up with good questions to ask him. Could anyone give me a hand? I want something interesting and that could help us in our career :)
I have, for a long time, thought about getting into acting. The thing is, I feel too old now. Most actors are already established and experienced in the industry by the age I am now. Am I wrong about this? Is it possible to get roles after 30 when starting out in this industry?
Hi all, I’m a professional voice coach specialising in developing the voices of speakers, presenters, and actors, and I’m also a VO artist. I’ve been receiving more enquiries lately from other VO artists who want specific voice coaching (not direction, but learning about their vocal anatomy and how to manipulate specific parts to achieve certain sounds e.g. a deeper voice, a higher voice, a more mature sound, a specific character quality etc.) I was hoping to hear from a few VO artists at all levels of experience re: what you wish you knew about your voice so I can identify what areas are of most interest as I work with more VO artists and design suitable resources and classes. Questions could be related to producing specific sound qualities VO artists may like to add to their reel or to fit a certain brief, or it could be a general voice question like “Why does my throat hurt after a long session?” or “How do I project more?” I’d greatly appreciate your feedback and queries! I’d also be happy to provide you with a brief answer to your query in exchange for your help :)
Hello, I have a question for those who were full time workers before quarantine. Is there a certain set of things that need to happen to accumulate before you start booking? What did you do? Thanks
This is probably going to make me sound like an idiot, or a spoiled brat, but I would like some help. Lately, I've been watching Stranger Things on Netflix (I know, I'm *very* late to the party.) I am about the same age the kid actors were when they started, and I can't help wishing that I could be on the show with them. I'm very into acting, and have been told I'm pretty good at it, but I know that there's no place for me or any other kids on the show. The kid actors are in their late teens now, while I'm still as old as them back when they started. I know that it's just a far-fetched dream and that it will never happen, and that's been getting me down. Does anyone here have any strategies on how to cope with things like this? Thank you.
Hey everybody. I'm just getting into VO and the sidebar isn't available right now. Please delete if not allowed. I see a lot of pictures of actors' creative methods of setting up a recording booth. I am also a gardener and I have a greenhouse thats 4' wide, 3' deep, and 7' tall. I feel like one of those greenhouses (~$90 on Amazon) would make a great little booth. I have ordered a second greenhouse to test this with. I will be lining the inside with moving blankets for sound dampening and adding a lamp and maybe a desk inside. The greenhouse already has shelves. If you're interested I can update after I get everything set up (around May 20th). Feedback/constructive criticism: welcome. Thanks in advance.
[https://www.youtube.com/watch?v=bFdGKPrYYmE&t=35s](https://www.youtube.com/watch?v=bFdGKPrYYmE&t=35s) ​ I know this is kind of an old video, but I feel it's worth bringing up. Now you might be familiar with Eric Vale from the various anime roles he's been in (including but not limited to Trunks, Sakyo, Sanji, etc.). And I agree with the basic message that in order to be a successful voice actor, you have to be an actor first. However, I feel like he came across as a bit elitist. He mentions how he was involved in theater since he was a child, and how he's had years of classical acting training. And the implication was that it's too late become a trained actor if you didn't start as a kid. I found that really off-putting and snobbish. I mean, not everyone discovers their passions as a kid. Some people discover them in college, or in their 20s, or 30s, etc. And it's really sad because, a lot of the people in the comments felt doubtful of themselves or even considered giving up on their dreams because of the implications of this video. I just started taking acting lessons (I'm in my 20s), and this video was very off-putting to me. It just seems like in every field, especially artistic fields, there's always people who started when they were children, and think they are superior because of it. Aside from that, he just comes off as condescending in his tone. Like seriously, what makes him so high and mighty? So yeah, I just wanted to see what everyone else thinks of this video.
The book has really good reviews and most said it really helped make them better actors compared to most books they've read. I want to know if the people that have read it on here feel the same way. What are your thoughts on the book?
Hi Folks, I'm a director and VR developer and I'm casting for an upcoming VR project. I am looking for experienced actors with their own VR rigs like the Rift-S, Vive, or Index (must be a PCVR, Quest will not work for this). This is a paid position, you can read about the project here: [www.themetamovie.com](https://www.themetamovie.com). Please PM me for details. Location is anywhere world wide, as we work in a social VR environment. Thanks!
Hey there. I'm a hobby voice actor, but I'm interested in trying my hand at small paid roles. As far as I can tell, USB mikes are pretty much a no go, and my Snowball is definitely not up to snuff. So, if I were to start budgeting for an XLR mike, interface and whatever else I'll need for a functional setup. I'm very much biased towards function over form, so if something works well and has a decent price point, I'll take it even if it looks like it was beaten with an ugly stick. I might be willing to dish out a little bit more for something that will last me as my skills improve, but again, still starting out here - hell, I still need to decently 'proof my room. Oh, and thanks in advance!