We have found 19,457 posts across 4 actor forums:
Headshot-Age Range-Character Type Post - Apr 30 by AutoModerator • last post Apr 30th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Do you hang out at DISCORD? by JoleaDragon • last post Apr 30th
Just wondering if voice actors are active in there. I don't really understand Discord, but whenever I get an invite for an animation VO-I always get invited there.
Canadian actors, have you heard of these talent agencies? by fuckthepatriarchy241 • last post Apr 29th
I got offers from: - Dorothy Management - Prestige Talent - KC Talent - Ignite Artists - Leo Management - Talent Picobello - Eagle Talent Agency I’m an American actor looking to expand my market into Canada and am hoping to find enough work to become UBCP/ACTRA.
If you are able to do Acting Work for any Company in the whole world, which Company would you work for and WHY? by dbowsmashbros • last post Apr 29th
This is for all the aspiring Actors/Actresses of Reddit
If you are able to do Voice Acting Work for any Company in the whole world, which Company would you work for and WHY? by dbowsmashbros • last post Apr 29th
This is for all the aspiring Voice-Actors/Actresses of Reddit!
Prompt-based weekly filmmaking festival for actors, writers, anybody! by ohnoilostmypassword • last post Apr 29th
Hey r/acting, I 'm an actor in lockdown and I've been going a little crazy. So, I created **The Sequestered: A Micro Short Online Film Festival** as a way to teach myself more about filmmaking, keep my brain and hands busy, and see inside other people's heads. It's been around for over a month, but I'm finally ready to share it with you all! We are a **free, non-competitive, weekly online film festival open to anyone** with time on their hands and an itch to create something during all this mess. We've been doing this for six weeks, and have gotten great feedback and support from amateur filmmakers, professionals, and press (I can't believe five weeks have passed already... part of the reason I created this was to help keep track of time during lockdown). ​ The Rules: * All films must be created in a week, * shot on a phone, * 1 - 5 minutes long * use the prompt * all without leaving the filmmaker's shelter-in-place location. ​ No fancy equipment, mobility or experience necessary. Some filmmakers have submitted every week but that's not a requirement- shit is crazy right now, and this should be an outlet for your stress and general existential dread, not add to it. ​ Prompts are announced Saturdays at noon ET, and films are due / screened the following Friday. This week's prompt: "familiar" If you're interested, check us out on Facebook/Instagram (/sequesteredfest), or [www.sequesteredfest.com](http://www.sequesteredfest.com/) Everything up on the site was created in lockdown, in a week, and this project has done the unthinkable- made me optimistic about the future. If anyone's interested, please keep in touch!
Hello by rex-shadow • last post Apr 29th
Hello I am 12 and I am an actor I have gotten medals for it and have even been on tv and I am new here but I really love all of you guys quality content best of wishes to us all
Open Casting call for Native: Japanese - Mandarin - Russian - Mexican Spanish Speakers by Memrise_Casting • last post Apr 29th
**Memrise - Self Shoot** We are looking for native speaking actors who are confident with self-shooting on their mobile phone. We are looking for someone who is confident, very expressive and quirky. You will be filming videos in your home on your phone. Filming will not take place with our crew. **The rate** is £150 for filming up to 30 items. **Examples** You can see some examples of the kind of videos we require here **Video Self Tape** Please can you record yourself introducing yourself and telling us a little about you in your native language in no more than 30seconds. Please email your recording to [castings@memrise.com](mailto:castings@memrise.com) . Please ensure the email subject or wetransfer message says: The name of language that you are applying for. **For example:** MANDARIN SPEAKER SELF TAPE JAPANESE SPEAKER SELF TAPE SPANISH SPEAKER SELF TAPE MEXICAN SPANISH SPEAKER SELF TAPE USA SPEAKER SELF TAPE GERMAN SPEAKER SELF TAPE **CASTING DEADLINE:** Open casting call **Please note** You should be able to also speak english.
Moving to Santa Barbara by kcirtap93 • last post Apr 29th
I am a relatively new actor based in NYC. I was wondering if it was reasonable to move to Santa Barbara and still be able to take advantage of the acting world in Los Angeles. I realize last minute casting calls would be impossible, but, with just a couple hours between the cities (and a train) as well as the shift to some digital processes in the industry (self tapes, Zoom, etc.), is it reasonable to think it would be doable? Thoughts?
5 Tips for Actors in Isolation by ActorPlaybook • last post Apr 29th
If our career choice was a roller coaster before it now feels like the coaster has come to a screeching halt at the top of a loop leaving us dangling and unsure of how we are going to end up. First and foremost, you are not alone. As a collective, we are all in this together. So, how do we manage? How do we stay connected to our craft? How do we focus amidst all the challenges we now face? Step by step. One by one. Bad days are bound to come, but more productive days and joyful moments are out there, too. #### 1. Put down the whip and pick up the feather. If you're like me sometimes you are your own worst critic and are exceptionally hard on yourself. This is uncharted territory and we can't expect ourselves to simply "carry on" unaffected. Sometimes there are days I don't even want to get out of bed. Being one of those people who is brave enough to experience all of these feelings can be OVERWHELMING. This is why we do what we do. **We feel things. Deeply.** If you don't feel motivated. It's okay. It's more than okay. The only way out is through, so rest. Do what you can. When I feel sad, overwhelmed, etc. sometimes I pick a sad piece, an angry monologue or scene to "get it out". I create a self-tape and let the emotion that is right there simmering under the surface due me justice in my art. #### 2. Master your self-tape set-up. None of us can say for sure how this pandemic will shape our industry. What we can do is be prepared for the potential changes ahead. One of those changes might be casting leaning towards more self-tape submissions in lieu of in-person auditions. These offices might not want the additional new health risks a daily influx of actors coming and going could potentially bring. **Now is the time to perfect your self-tape set-up at home.** Practice with your lighting, audio, and backdrop. Create a pool of potential readers. Do everything that is within your power to ensure that when productions start rolling again, your tapes are industry-standard, elevated and are the best representation of you as a professional actor. #### 3. Connect with other actors. Zoom and social media have both made this incredibly easy. Like anything, there are pros and cons of both, but as actors we need feedback. **We need connection for our craft.** There are numerous online groups for actors. Do your research. #### 4. Create your own playbook. Do you have a role prep technique? Have you tried various memorization techniques for getting off-book quicker? Do you know your own emotional triggers or emotionally specific physicality? As actors, we have to be constantly learning and growing in our craft. **Our minds and our bodies are our instrument.** Honing it is a lifelong journey. Get crackin'. #### 5. Expand your mind. There are so many great books on creativity, acting and technique. Utilize this time to read some! Here is a list of recommendations to get you started: *The Art of Acting* by Stella Adler *The Intent to Live* by Larry Moss *A Challenge for the Actor* by Uta Hagen *Truth* by Susan Batson *The Artist's Way* by Julia Cameron If you ever need support in your craft, another actor to connect with or have questions about the industry, please don't hesitate to reach out. My community of actors have been a saving grace to connect with, to focus on the craft we all share a love for and to develop our skill-sets for when the industry starts to roll again. **Stay safe. Stay healthy. Do your art.** \~Jami xo
youth actors ! by suckiara • last post Apr 29th
hii ! does anyone ages 12-17 wanna be in a Instagram gc? its strictly to talk about acting. we can speak on our own experiences, and tips. acting for youth is a bit different than for adults so i figured it'll be a good idea :). if you wanna be in it, comment your age and Instagram username! (also im hoping this isnt considered self promo lol) <3 :) .
Help me I’m stupid. by moderndaymusicals • last post Apr 28th
Hi. I’m an actor and need help with getting the technical stuff set up. I want an easy preset for auditions. I just downloaded rx elements 7 and am pulling my hair out because I’m stupid. I was using audacity, but it’s not working with Catalina on my Mac now and I’m over it. I’m looking for a DAW I can use rx 7 elements with, and I want a de-Esser plugin that is good and will work with the daw. I would also like help with my levels. Trying my best here but I’m an actor and I’m stupid with technical stuff. Don’t want to sound overly edited as my room is pretty quiet. Anyone offer affordable lessons to create me something to run my audio through and help me set it up. Or do you recommend anyone. I’m not money bojangles so I’m looking for someone affordable. Know anyone?
Beginning actor and potential moves by MajorFish3 • last post Apr 28th
I'm currently based in Orange County outside LA. I have minimal university training in theatre and am looking for an opportunity to practice, gain professional training and grow. Would it be useful to stay in my area or look elsewhere (such as NYC) to build a resume and credits? I have heard about smaller markets i.e. Atlanta, Chicago etc. And I also have an opportunity to move to Orlando for cheap. I would like experience in all areas including stage although my main focus is film & TV. My boss has connections to Disney entertainment (non acting) that I could consider as a day job. My main question is, what would be the best path moving forward to start my career? How would I begin the process of gaining experience and would moving out of CA give me a better shot? I am a woman of Asian descent (20s) if that gives more information about role availability. My classmates of similar backgrounds have been using experience as an extra to get their foot in the door.
Has IMDb Rejected Your Indie Film? I Can Help You Get It Approved In Just A Few Hours. by Michael Johnson • last post Apr 28th
If you're having trouble getting your independent film, documentary, or student film added to IMDb, I can help. Guaranteed approval to IMDb for all short and feature films, documentaries, and even older films which are no longer available to watch or stream anywhere. Please feel free to drop me a message via Skype or WhatsApp. WhatsApp: 213-262-3874 Skype: live:.cid.e794eb07a5aeb1a3
Becoming a better actor! by actordownunder • last post Apr 28th
Don’t get me wrong, I completely understand that to become a better actor you go to acting lessons, you analyse film and then the other 90% is actually ACTING a scene or whatever. However I would now like to ask a question with the comparison of acting to sport, when you are for example playing basketball, you will train a couple days in the week (acting class) and you will play a real game on the weekend (actually acting) and maybe you will watch the game after yours to see what the better players are doing ( analysing film) however a good basketballer will also train 10 hours a day doing drills and all of that to improve himself if he wants to be successful and maybe go pro. So my question is what’s the equivalent in acting? What can I do 10 hours a day to be better than my peers and actually book a gig?
Producers looking for content? by Kyle Paul • last post Apr 28th
I've had projects optioned but never actually talked to a producer directly about picking up content. Does anyone have a good resource to find producers or production companies looking for content?
I've Created a Cartoon Show... but Where to Go from Here? by FAVPresents • last post Apr 28th
Hey all, it seems I’ve ended up in a very peculiar situation and would appreciate some down-to-earth advice on the matter. What I have in front of me is a gag dub of a flop animated program from 1987. Not an abridged skit but a full season of twenty-minute-long episodes rewritten, reordered and cut up quite literally down to the frame to create an entirely new show – new plot, new characterisations – with the aim of continuing for three more seasons. Not only that, it’s a legal creation too. Wildbrain CPLG was contacted before production as the original company, DIC Animation City, folded into Cookie Jar which was subsumed by DHXMedia which later became Wildbrain. Supposedly, they no longer have access to the rights of the series and, as the former companies have since then dissolved, no presently existing body does. While most would rely on Fair Use, this series would be a lawful appropriation akin to recreating a fairy tale or Shakespearean play, as none of the creators are around to maintain or sell licensing permissions. Now, that’s all great news, however, as the advert suggests, I’m in need of voice actors for 14 main characters as well as minors and extras. For one season alone, that’s a total of $3650-6370 USD – and I’m Australian so that’s a whole lot more – but at least there’s a manageable figure. So, this is where things get tricky. As a show designed to be wacky, sex-positive and LGBTIQA+ inclusive, focusing on absurdism rather than offensive satire, some have suggested a Kickstarter. However, this is not a game, the product is not purchased but freely distributed online and I can’t quite see there being many backers when that feeling of being rewarded isn’t present, regardless of the show’s content. Others have put forward approaching indie developers to collaborate with but, again, the concept of “here’s a free show now pay the expenses” isn't exactly too desirable a pitch if there isn’t enough foreseeable profit. Though, if well-known, they may have far better odds at crowdfunding. Then, of course, there is the other answer here involving a whole lot of people with a whole lot of altruism, but we all know that’s unethical and a lot to ask of strangers in a time when the world is financially strained. To put this all as a question, I’d say what avenue would you recommend as a suitable course of action to fund voice actors? It’s rather embarrassing not being able to afford your own show, but I’m still hopeful a bizarrely progressive *Ghost Stories* has a place in the world and only needs some attention in the right places to get there. In any case, thanks for reading this whole thing and any input is greatly appreciated!
Do agents invest in actresses who’ve gone through full-time undergraduate acting programs more than ones who’ve only done short courses? by morganacauli • last post Apr 28th
I need some insight because I want to apply to drama schools in the future for 2-3 year programs but is it worth it? And which programs do you recommend (which schools in the world have good programs?) Is it better to go with the 2-3 year course or will having gone through short courses be enough? Would appreciate your insight.
Being an artist is really complicated by StrobeRogers • last post Apr 28th
I've recently come to the conclusion there are two types of actors. One that discover acting at an early age, and they then pursue it, and it gives them hope and direction for the rest of their lives in some fashion...and if they don't listen, they end up rudderless and have to scrape everything together in an unorthodox manner, if it comes together at all. The other type, discover it later in life, and make it happen because their life is already organized, can make it an 'add on'. Thoughts?