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Stage 32 by Glenn Axelrod Feb 9th

Breaking the Ice: A True Story of Love & Courage

The intent of this monologue was to bring emotional depth and realism to a moment many people have experienced—the uncertainty of turning a friendship into something more. While the name Colonel Steve Wilkinson is fictitious, the story is based on real...
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Stage 32 by Maurice Vaughan Feb 9th

Coffee & Content: Are You Ready to Get Sh*t Done This Week?

Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog. In the first video, The Take explores how seemingly small roles in The Substance, Mean Girls, The Avengers, Twin Peaks, Stranger Things, and more have played pivotal roles in...
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Stage 32 by Tammy Hunt Feb 9th

Accents for Actors Skillset

To make yourself more cast-worthy, consider your voice. Speak with different accents. In Hollywood, everyone is always striving to look the best they can.For some roles, the decision makers will have so many good-looking actors that they might start making...
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Stage 32 by Maurice Vaughan Feb 8th

Less Woo & More Do: The Four P’s To Achieve Results In Your Entertainment Career

In today’s blog, Ava Paloma shares four practical habits to help creatives stay grounded and achieve consistent results in their careers. www.stage32.com/blog/less-woo-more-do-the-four-ps-to-achieve-results-in-your-entertainment-career-4004
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Stage 32 by Geoff Hall Feb 8th

Bafta-nominated casting directors talk process, self-tapes and why availability has become an “insane problem”

Here’s a little insight into the various processes and approaches of casting directors.What do you see as some of the challenges of casting right now, especially in the digital era?“Martin Ware: In a world where self-tapes are quite a large part of the...
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Stage 32 by Ashley Renee Smith Feb 6th

Tomorrow's Stage 32 Community Wrap-Up – LIVE on Instagram!

Join us this Friday at 10:00 am PT / 1:00 pm ET for another exciting Stage 32 Community Wrap-Up with Head of Community, Ashley Smith, and Community Manager / Writer’s Room Producer, Kay Ross!We’ll be covering all the latest happenings on Stage 32...
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Stage 32 by Maurice Vaughan Feb 6th

Tips to Keep from Overacting

I’ve seen some movies where actors overacted. The overacting took me out of the movies. What are some tips actors can use to keep from overacting?
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Stage 32 by Jed Power Feb 6th

Trace Adkins?

Is that the real Trace Adkins that keeps asking to join my S32 network?
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Stage 32 by Bryan Michael Stoller Feb 5th

Free virtual reality seminar from Author of Filmmaking for Dummies and Harry Potter Imagining Hogwarts!

If you have a VR headset ie: Meta Quest 2 or 3 there is a FREE seminar Q&A with the author of FILMMAKING FOR DUMMIES. If interested, please sign up as there are only 30 spaces in the VR theatre.
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Stage 32 by Maurice Vaughan Feb 4th

Why Emotion Regulation In Acting Is Important

In today's blog, Alan Powell talks about why emotion regulation is essential in acting, how trauma-informed approaches can enhance performances, and the importance of Actor Care in developing characters safely...
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Stage 32 by Maurice Vaughan Feb 4th

TODAY’S BLOG – Why Emotion Regulation In Acting Is Important

“*There is no shortage of acting techniques for the actor in training… There is a shortage however on methods for safely accessing and regulating emotion in the process of using these acting techniques when developing a Character.*” — Alan...
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Stage 32 by Pat Alexander Feb 4th

Fernanda Torres explains why I'm Still Here is resonating with audiences outside of Brazil

The Brazilian actor has received an Oscar nod for her performance as Eunice Paiva(https://www.cbc.ca/arts/q/fernanda-torres-explains-why-i-m-still-here-is-resonating-with-audiences-outside-of-brazil-1.7444728)
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Stage 32 by Aaron Marcus Feb 3rd

You'll Be Shocked About My Acting Journey: Surprise

You'll Be Shocked About My Acting Journey: Surprisehttps://youtu.be/vLPTnRJJL1ELet your fellow actors know how and why you began your acting journey. Any surprising acting stories? Share your information here and on the Acting and Modeling Quick Tips Channel...
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Stage 32 by Maurice Vaughan Feb 1st

How To Learn Audio Engineering & Voiceover The Hard Way

Kris Keppeler walks you through how to learn audio engineering the hard way in today’s blog. But don’t despair! Your engineering and voiceover skills will benefit you in the end. www.stage32.com/blog/how-to-learn-audio-engineering-voiceover-the-hard-way-3997
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Stage 32 by Geoff Hall Feb 1st

Isabella Rossellini on working with David Lynch

I loved this clip of Isabella Rossellini and her work with David Lynch on ‘Blue Velvet’ and her problem of working with agents! What do you think about her role in Blue Velvet and the problems of finding a good agent?https://youtu.be/HSfbgQs0xhU
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Stage 32 by Alan Powell Jan 31st

Why Some Characters Ae Like Burs!

Some thoughts on boundaries when working long term with characters. Have you ever experienced this?
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Stage 32 by Ashley Renee Smith Jan 30th

Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET!

Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!We'll be covering all the amazing things happening...
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Stage 32 by Tammy Hunt Jan 30th

Actor Website Checklist

- Professional name visible at the top of the page- Current headshots prominently featured- Union affiliations clearly stated- Media, including audio and video reels- A properly formatted and updated résumé- Links to all of your online casting profiles- Links...
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Stage 32 by Maurice Vaughan Jan 30th

Stage 32’s February 2025 Education Schedule!

The February Education schedule is up! Check out today’s blog to see the incredible webinar, classes, and labs available to the community. Don’t wait for all the spots to fill up! www.stage32.com/blog/stage-32s-february-2025-education-schedule-3994
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Stage 32 by Philip David Lee Jan 29th

What the "F" is Schedule F?

I brought this up in another post of mine. Not sure why anybody wishes to address this but I could use some guidance since SAG is a necessary evil in the world of independent film.So SAG has a scale base pay for films of $2M and above. Why is the low $2M when...
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