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  2. Stage 32 by Rashcell Mercer Mar 30th

    Computer Lov3

    She didn’t build a machine…she built something that chose her.COMPUTER LOV3Would you watch this? I also took this movie idea and turned it into a brand

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  6. Stage 32 by Timothy Miller Mar 25th

    The fine line between actor and character

    Who is playing who?" is a question many of us grapple with in our craft. While losing yourself in a role is often seen as the ultimate goal, it’s vital to maintain a professional boundary. Immersing yourself in a character’s psyche is powerful, but we must be...

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  7. Stage 32 by Suzanne Bronson Mar 24th

    The Director Relationship

    The actor/director relationship is probably THE most important relationship on the set, It most definately is in the theater. Some directors are considered actors' directors as they used to be actors or they really work to understand what an actor is going...

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  9. Stage 32 by Laura Hammer Mar 24th

    On-Set Etiquette: Understanding set protocols

    Which aspect of on-set etiquette do you find most challenging to master? Walking onto a film or television set for the first time can feel like stepping into a foreign country — a language you don't yet speak, a hierarchy you can't quite map, and an urgency...

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  11. Stage 32 by Timothy Miller Mar 22nd

    How would you act

    if you were given a role as lead actor/actress for a franchise film with +2 films following it but the role played against you. their are many ways a character plays against you that you should be aware of.In acting, when a character plays against you, it...

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  13. Stage 32 by Rodgers Wilson Mar 21st

    Conflicting Consultation Notes

    I acquired screenplay consultations from a few executives with two scripts.  The consultations were in conflict. I came to the realization that you have accept advice that makes sense to you as a writer and ignore what doesn't.  After making edits based on...

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  15. Stage 32 by Andrew Horvitz Mar 20th

    Pitch Actor

    I would like some advice on how to get into Hollywood acting career, I’m autistic, but want to be able to pitch projects that are either original and based on existing ip that I want to act in.Any simple tips for me.

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  16. Stage 32 by Suzanne Bronson Mar 19th

    Managing Repetition

    As someone who comes from the theater, acting in film is new to me. Multiple takes always fascinate me. I am used to rehearsing and a run through, then that's it. You got one shot to do the scene live (may be multiple days but there are no do overs if you...

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  19. Stage 32 by Ana Rodrigues Mar 18th

    Transformando Palavras em Emoções

    Publicação:Atuar não é só falar linhas… é criar momentos que vivem na memória.Cada gesto, olhar e silêncio é uma decisão estratégica que conta história e emociona. Procurando conectar com diretores e produtores que valorizam atuação que transforma roteiros em...

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  20. Stage 32 by Tracey Collis Mar 18th

    The Actors Copilot

    The Actors CopilotActors are under more pressure than ever. Self-tapes arrive fast, often with little context, yet you are still expected to deliver something truthful, specific, and fully alive. That is why we built The Actors Copilot. It is not generic AI...

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