**I am just a TV/Film actor only, I do not ever want to be a singer. but I found a type of contract that I thought to be a bit scary/risky that is offered to singers, and I wanted to know if any such contract exist for TV/Film actors?** In the music industry there are 360 contract deals. *Below is an example of a 360 deal :* *Danny Goldberg, President of Gold Village Entertainment-- which represents artists -- is quick to say, "a 360 deal is not something that has a precise definition. But in general, what it means is usually a deal with a record company in which the record company also participates in the income of all of the other aspects of the artist's work, such as songwriting and merchandise, in addition to making money off the records."* *Below is my understanding of this deal:* *Basically anything you do (that has your name attached to it), they get a cut. ANYTHING YOU DO,lol (ex, Youtube profits )* ​ **So, do any actors know of, or have come across, or even worse signed a deal/contract similar this ?**
Hey, so I’ve told my parents before about wanting to become an professional actor and my family knows but I think they think that it’s just one of those dream jobs that’ll go away soon ( like a 7 year old boy with a dream to be a famous footballer) but I don’t think it’ll go away soon. Can anyone help me ? 13 yr old from London btw and sorry for the long question that’s not really linked to the title
Hey everyone, I am writing this because I am in a very conflicted mind space. For the past month or so I’ve been rehearsing a small local theatre production and we open in 2 weeks. It appears to be that an opportunity has risen to work as one of the leads in a known director’s new independent film. My goal is to be a film/tv actor and this opportunity would both a bigger pay day and more networking opportunities. With the theatre show opening in 2 weeks, I feel conflicted whether to stick with my obligation or take a leap that would potentially get my name out there more. I know I need to make the final decision, but hearing from this wonderful community would be great :)
Hey Reddit family! As we all hear (all the time), “Every actor needs to have a monologue in their pocket!” Well, I would love to update my pocket monologue but am having trouble finding material that I feel connected to. Does anyone here have a good monologue resource? As always, I appreciate the feedback!
Who would be good examples of this type?
Recommend websites
Hey! I am surveying for a class that I'm in and will be posting a few polls just to get a little more insight into our industry. [View Poll](https://www.reddit.com/poll/onreq2)
I'm an actor and a technician. I've been a PM for the past few years and I got cast in a show and I'm coming out from being behind the scenes again! We open this week and (other than my lines, blocking and costume changes
Hi all! I am a recent graduate of a BFA program (F, 22 years old) and an EMC. With work booked in the upcoming year, as well as past summerstock shows, I will have 50 weeks by the end of 2021. I've been extremely lucky, and feel incredibly shocked that I've had so much success right out of the gate. My question is – would it be career suicide to join equity right now? Should I forfeit my $400 and go back to zero weeks? Right now, I am not really based anywhere, and I realize that some cities are more equity friendly than others. I also don't do musical theater, and have mainly gotten work doing Shakespeare and period pieces. This was a position I never thought I'd be in when I joined the EMC program a few years ago. I thought it would take many years to accrue 50 points, and by then I'd be very eager to join equity. Another question: I recently got an offer for a role at a major regional theater, but haven't received the contract yet, and I was wondering – is it standard for LORT/URTA/other equity theaters to pay non-union actors the equity minimum? Is there any regulation or standardization in regards to non eq contracts at equity theaters?
ACX Audition Link: [https://www.acx.com/titleview/A2GLJV5TTLRFL5](https://www.acx.com/titleview/A2GLJV5TTLRFL5) Rates & Terms: 50% of Author Royalties (Author Royalties are 80% of total royalties for audio); contract to be offered by publisher (Crowsnest Books). Release date to be discussed. The Gatewatch (Crowsnest Books) is a troll-hunting saga inspired by the Norse myths and Icelandic sagas. The book has been met with critical acclaim and has sold well in its first year in print; reviewers have compared it to The Hobbit and Lewis' world of Narnia. As Crowsnest Books (the publisher) prepares for a second print run, I (the author) am helping to organize the audiobook narration. As the first in a trilogy, there may be opportunities to narrate the two following books. The release of the audiobook will coincide with the release of The Everspring, the second book in the series, in November 2021. Find out more about the book and read reviews at [https://www.crowsnestbooks.com/product/the-gatewatch/](https://www.crowsnestbooks.com/product/the-gatewatch/). Update: Found an amazing voice actor through ACX! Contract is set and production is underway. Thanks to everyone who responded :)
I want to get into RADA, LAMDA, LSTFI This year. I have some questions. ​ 1) How about Lee Strasberg Institute for being an actor? Is it good or not? ​ 2) If I fail to RADA, LAMDA, I hope to apply for AA course in Lee Strasberg Institute. Where can I get BA degree with this AA degree? (universities)
To the Actor: On the Technique of Acting - Michael Chekhov I noticed a few version of this book on Amazon from different years: 2014 "Reprint of 1952 Edition"; 2002 "Revised and expanded edition"; 1991 "First complete edition". Due to varying prices it made me hesitate before buying. Does anyone happen to have a suggestion for a preferred version. I assume the "revised" edition would be the most modern or appropriate version, but it's significantly more expensive.
I'm at party in Downtown LA celebrating the premiere of this new show on Comedy Central. I'm no actor but my friend's friend was able to get in to this event and I went with him. I go in and while the actors and people of the show are all there receiving their attention, I also see a lot of young people, teenagers practically. These young actors are those who work in networks like Nickelodeon and Disney Channel. They're smart professional young people. They know how to talk and comport themselves very well and are thrilled to be in this event. I speak to one Disney Channel actor and although she has many fans and admirers; I can tell that she wishes she could do other things. Perhaps with a distinguished director or work with a whole different set of actors. Now, I dont know how these contracts work but why is it that so many of these Disney Channel and Nickelodeon actors have such a difficult time breaking out of this type of business and doing something else? Most frequently with young women but, at any rate, with many men too. Is it because other producers don't take them seriously? Is it a particular exclusivity contract they have? What is it? Thanks!
And it works pretty dang well, i've gotten a lot of auditions! If anyone wants to use it just hit me up. I would say it's more for the beginning to moderately-experienced actor, intended to maximize auditions, to build a reel, to get an agent, etc. If you already have an agent and/or manager submitting for you then this probably isn't for you. It works for whatever location you're in; New York, Vancouver, LA, etc. Would love to get peoples feedback! Random questions and DMs welcome!
I’m a young teenager from England and I wondered what the steps would be in becoming a good working actor
I am a freelance videographer/photographer based in NYC. I’m not sure if this is the best place for this, but I was interested in finding individuals of any level to collaborate with. Looking to improve my cinematography and story development skills by creating interesting short films, sketches, and etc… If you have any ideas on communities that might be interested in this type of indie production/collaboration, would be extremely helpful. Sorry if this isn’t formatted well, on mobile.
Hi everyone, I’m writing and directing a short film next week where I hope to add some voiceovers to the footage that I shoot. This film would probably range anywhere from 5 to 7 minutes long where I would love to hire a female voice actor to read over a few sentences of dialogue that I’ve written. Unfortunately, the most that I can offer is $25 since I don’t have the biggest budget but you will be credited. I’m putting my heart into this project as this is my very first time ever directing so any help would be greatly appreciated. Thank you!
I quit my agent a few years ago because I felt like he was keeping me from moving forward in my career. He was mostly representing beginners (I swear he accepted anyone in his agency) so it made me look less advanced than I was even though he was giving me a lot of work. When the makeup artists and the ADs told me that he was representing “cheap girls” I knew I had to leave him. I am now self-represented (in Quebec, self-represented actors in actors collective can have access to all the breakdowns) got a good reputation and did get many gigs, but I still feel stuck recently. And today, I just found out that he told a casting director to hire me for a role that was perfect for me (even though he does not represent me anymore) and the casting director directly called me. I think that’s a sign I should get back with him. I feel like I should try to find an agreement that if he gets me work, he can get his 15% on that, but I can also find stuff on my own and I won’t owe him anything. That’s similar to the previous agreement we had. However, I think it might be more difficult to deal with my schedule in case he wants to book me on something and I already booked something else. But at the same time, he has access to even more roles than only the breakdowns thanks to his contacts. Edit: Oh, and I think it would be nice to have someone to talk to for feedback and advice. Do you think I should give him a chance?
If you've had an experience with any of the photogs belows or have a recommendation for a different one, please let me know, thanks! Budget: Preferably $300 or less for at least 2 looks. Ones I've found that seem decent: - [The Light Committee](https://headshots.thelightcommittee.com/actor-los-angeles/) - [Marc Cartwright](https://www.marccartwrightheadshots.com/men) - [Headshots LA](https://headshotsla.com/theatrical-headshots-los-angeles/) - [Todd Tyler](https://www.laphotospot.com/men-headshots) - [Sunshine Headshots](https://www.sunshineheadshots.com/men-headshots) - [Studio 24](https://www.studio24.com/headshot-gallery) Lastly, I'm aware of the Headshot Truck, it's one I was suggested a while ago, but most of the ones above seem better and are similarly priced.