We have found 20,081 posts across 4 actor forums:
Voice Actors Wanted for Animated Prologue by Rextyl • last post Aug 26th
I've written a script for a prologue that's part of a bigger animated project. This prologue will be used as a basis for a trailer for a Kickstarter campaign to fund the rest of the project. The project falls under the fantasy-adventure genre, taking place in a world you'd commonly associate with fantasy, with creatures such as fairies, giants, goblins, etc. We have room for **3 more voice actors** to play three more characters, and the kinds of voices we need are as follows... * A **male voice** for an elderly character, should sound like he's in his late 70s, very forgetful and stubborn * A **female voice** for a cynical kind of character, showing a disinterested demeanor with a bit of an edge to her. * A **female voice** for an egotistical kind of character, thinks very highly of herself, is very greedy, and gives off that "if I want something I take it" kind of a vibe. But she shows signs of vulnerability. In regards to pay, it'd be at a rate based on finished minutes of voice acting work, for example... * 0-2 minutes/300 words or less would equal out to around $100 to $250 * 2-5 minutes/300 to 750 words would range out to $250 to $500 * 5-15 minutes/750 to 2250 words range out to $500 to $750 * 15-30 minutes/2250 to 4500 words range out to $750 to $1000 * 30-45 minutes/ 4500 to 6000 words range out to $1000 to $1250 * $45+ minutes/6000+ words range out to a custom quote agreed by the voice actor and director Payment can either be through PayPal or Venmo. If there are any questions please let me know and if you want to know a little bit more about the project I'd be happy to share more info with all potential voice actors. DM me if you are interested and link me to your *Discord* as that'd be the best place to contact me. Hope to hear from many who are interested and thanks for taking the time to read.
I need some help for an interview I'm going to in three hours by CashYT • last post Aug 26th
Hey so I'm going to an interview/audition at 5PM PST today, 3 hours and 15 minutes after I make this post, and it's to be an actor at a haunted corn maze in my city for a bit of extra money for a month or two. The problem is that the part I'm trying out for is supposed to be a scary clown who still has the mentality of a five year old, and I'm not sure how to do a voice for it. I've tried looking on youtube for help but it's all tips on how to sound like Jigsaw who basically just has a normal ass voice, or how to modulate your voice using programs like audacity. I don't know if a post like this is allowed, but I would really appreciate some help. Thanks :)
LA Agencies to get co and guests stars by goombanna • last post Aug 26th
Hey all, I'm currently on the agency hunt, and I'm specifically looking for an agency that has the weight to get co-star and guest star auditions and are willing to take on developing (but highly experienced) actors. I have casting director connections, a good resume, my own body of high-quality projects, great classes under my belt, a large social media following, and a manager, but I'm at the point where I need someone on my team who can get auditions for larger projects. I have seen other threads talking about scouring IMDb, but I'm hoping someone can personally recommend an agency they know that gets them or their friends co-star and guest-star auditions frequently. I'm not looking for a starter's agency that doesn't have the pull to get auditions for big projects, but a solid agency that's willing to take on the right developing actor. I really appreciate any leads! Thanks so much!
Script partner played mind games within the mind games written into the script by konzquenze • last post Aug 26th
My partner played mind games with me by changing the tone of the lines, made the meaning something completely different, made multiple gaslighting attempts, on the day of the performance and did nothing according to the rehearsals. Is this a common practice in the world of acting? do actors fuck with co actors like this?
Excellent on self tape, but horrible on set by AlphaMan69Poppers • last post Aug 26th
Hi everyone, how’s it going? I’m an actor who is trying to shift from theater acting to acting on camera, and I have been successfully cast on non-Union projects like featured films and shorts, and they say they loved my self-tape auditions. However then, when filming starts, I suck. I suck like the worst. I get nervous, I get shy and insecure, and I mispronounce words, etc.. I work with my acting coach and we rehearse a lot together, and I feel well prepared until I get to the set. I get so insecure that I cannot express on set what I rehearsed with my coach, and it feels sucks. I don’t want to disappoint anyone on set or from the production, but I can feel my energy get sucked up, and I feel like I’m a kindergarten kid on the first day. Does anyone have the same experience as me? Should I keep applying on projects, so should I take some classes now? I appreciate any advice. Thanks!
How “legit” is Backstage? by Fun-Share-130 • last post Aug 26th
I know that Backstage is legit in the sense that there is definitely some good, real things on there. However, I know it’s pretty easy for people to post on there (vs actors access where you have to be a CD). I have OCD and I get very nervous on backstage because I’m always scared of ending up in a dangerous situation (I should definitely add I’m Non Union) and irrationally I sometimes convince myself someone is making a fake production to kidnap girls. What are some ways to make sure the production is dealing with are legit? Are there things to ask the person you’re messaging with, such as for the filmmakers previous work or resume? I hope this makes sense I’m not sure exactly how to word this lol! Also, please don’t try to give me advice as an actor and OCD. This is truly the only aspect of the career that my ocd affects lol so I’m actively working on changing that:) Further question: what are some basics that most film makers should be able to provide before filming to prove they are serious filmmakers (is it common for filmmakers to have a website, social media, resume, etc)
Good vs. Bad Acting? by justintimeforstuff • last post Aug 25th
Am I stupid lmao because for some reason I’m unable to differentiate good acting from bad acting. I’ve watched so many movies (those with “good” and “bad” acting alike) and still have trouble. I’m sure you guys don’t have to try very hard to distinguish the two, and I realize this is a strange question lol, but could you give me some pointers to how you distinguish good or bad acting? A lot of people say good acting makes them believe that person is the character but I always just see the actor (even when the acting is said to be really good)
Balancing Acting With a Job by gregieb429 • last post Aug 25th
I know early on you need another source of income but I was wondering how you navigate (or used to if you’re a working actor) having a job and acting. I only have a certain number of days off. I also don’t work in NYC anymore because I lost my job during the pandemic and had to settle for something in the suburbs so it’s not like I can slip out and go on an audition during my lunch hour. I’ve taken some stuff online (commercial classes/improv) but that’s mostly it right now.
Do you think stage actors transition to voice acting more easily than screen actors do? by Lowellia • last post Aug 25th
This is a thought I’ve had for a while but Ive been thinking about it more and more as I watch Marvel’s “What If..?” In “What If..?” almost all of the actors from the Marvel movies come back to reprise their roles and the performances most of them turn in is…underwhelming. Obviously theres a big difference between screen acting and voice acting; even if they gave a good performance on screen their voice performance can end up being unconvincing (especially Sebastian Stan as Bucky I swear all of his lines sounded like he didn't realize they'd already started rolling.) On the other hand I also listen to a lot of theater soundtracks. What I find interesting about the performances on these soundtracks is how genuine they are. They’re true to both the characters and their on stage performance. Two actors specifically that come to mind are Alex Brightman and Barrett Wilbert Weed, two actors who started in live theater and have transitioned seamlessly to voice acting (the former having voiced Beetlejuice in Teen Titans Go and RoboFizz in Helluva Boss and the latter voicing Octavia also in Helluva Boss). Obviously this isn’t a universal rule or anything, its just a trend I’ve noticed. The only thing I can imagine for an explanation is that theater actors are used to playing to an audience that might not be able to see them while screen actors are not. But I’m not a voice actor so the things I’m saying might sound insane. Please let me know what you think I’d like to hear feedback from actual voice actors on their opinions on this.
Any recommendation ? by ExcitingAd8915 • last post Aug 25th
I search podcasts, documentaries, books, websites, forums, youtubers… who talk about Acting and Actors in really technical level. I also search ones who talk about the culture, the psychologie, the industry and the history. Ones who are really loaded with information. ( Sorry for my bad English) Do you have any recommendation ?
Can a film director change an actor's role after contacts have been signed? And does an actor have to go along with it? by andybuxx • last post Aug 25th
For example, say an actor was hired to play a cynical loquacious Australian with bipolar who travels across America with his brother. But once on set the director decides the character is now a shy American who says very little and is travelling with his mother. Is there anything in the contract to let you walk away or stop them completely changing the role?
English vs American accents by MorningRadioGuy • last post Aug 25th
Just curious (especially from those in the acting community) which accent you feel is harder to do- American or English? I'm always amazed when you can have a Renee Zellweger doing a dead-on British accent or so many Brit actors who you'd never know were English. Feel free to comment beyond the poll. [View Poll](https://www.reddit.com/poll/pbbugl)
Should I give up before starting? by flamendous38 • last post Aug 25th
So 7 years ago a director wanted to cast me as a featured extra, and I was a no-show. Probably my biggest regret. Anyways, is this opinion piece accurate? https://www.cracked.com/blog/5-awful-things-nobody-tells-you-about-being-actor
Performance Studies Analysis of Political Actors? by Hypodra • last post Aug 25th
What are some good websites like LinkedIn on Indeed where one could upload their voice talents for clients to look to hire voice actors? by _ThePhilosarapper_ • last post Aug 24th
I'd love to upload a bunch of different voices I can do and send them off to different clients as if I'm send my resume off to jobs like one can on Indeed.com or careerbuilder.
ARMENIAN Voice Actress Needed ($80) by chwippy • last post Aug 24th
Our team is working on the pilot episode for an animated series and are seeking a voice actress of Armenian ethnicity to play the character. She is an Armenian student in an American high school. Speaking Armenian is NOT necessary for the role, though fluency in English is. There are a total of 16 lines in the script, so we are offering a rate of $5 per line for $80 total, paid through PayPal. To emphasize: Please do not respond unless you are of Armenian background. Thank you!
Hiring Voice Actors for Star Wars fan parody by DonDonahue • last post Aug 24th
Hi all, I'm developing a 40 second Star Wars animated parody. There are 8 total characters, each with a single line: \-- Darth Vader \-- Luke Skywalker \-- Obi Wan Kenobi (old) \-- Emperor Palpatine \-- Chewbacca \-- Padme \-- Rey \-- Empress Palpatine (female) I can't offer much, but I can pay $15 USD per character if chosen. This would be paid via Paypal once the voice recording is finalized and sent over. You will also receive credit in the post and/or at the end of the video. If you are interested, please send me a DM and let me know which character(s) you are interested in trying out for. I will then send you the specific lines for audition. I'm hoping to make a decision by the end of this week, Sunday 8/29. I'll then contact everyone regarding their status. Those who are chosen will be contacted in regards to payment and next steps to finalizing the voice recording. Thanks, \-- Don
What should a manager provide? by curtisclone • last post Aug 24th
Like the title says, but furthermore… What do you expect an average agent to do? And if someone were to present themselves as a “managing agent”, what would you expect them to provide you as a theatrical and commercial actor?
Buying my first mic/interface set up by Reddisnt • last post Aug 24th
Hi guys, I'm getting ready to buy my first microphone and interface after lurking here for a while. I'm an actor without too much experience in the V.O world. Lately I've been doing a handful of V.O. auditions/jobs for serial podcasts and Netflix dubbing that I get off of Actors Access or LA Casting. I've been recording on my phone so far and I'm looking mainly to get my audition sound quality better and potentially maybe getting to the point where I could record a job from home...but I'm mostly focused on auditions for now. Interface-wise I'm mainly looking at the Focusrite Scarlett Solo as it seems fairly user friendly and well regarded and it seems to be what most folks recommend for newbies. Since I'm a novice with this equipment my preference is for the simplest , easiest option. If anyone has recs for more user friendly interfaces please let me know. ​ Mic- What I've gathered from reading here is that most folks recommend starting with the AT2020 or Rode NT! with the AT2020 being cheaper, and the Rode being pricer, but potentially being something you might keep longer if it is a good fit for your voice. Since I'm mostly just doing auditions right now and don't have a treated room yet, I'm also looking at dynamic options that my be more forgiving like Shure SM57/58. or Samson q2u(xlr &usb). My plan is to continuing audition for stuff on Actors Access and LA Casting and working towards making a demo. My experience with V.O. so far is- A couple of non-union tV commercial voice overs 20 years ago that I randomly got. More recently some Netflix dubbing and last week I did my first serial drama podcast. I'm in LA so if anyone has coaching recs I'd love to hear those too. ​ Thanks in advance.
I really could use help with finding a monologue by Iceycat1234 • last post Aug 24th
I’ve been doing about a weeks worth of research for a monologue, however, I’m not finding any that speak to me. I’ve read the side bar many times and I know it’s frowned upon but I feel I could really use this subs help here. I’ll provide as much information as needed to make it easier. First off I’m male and 19 years old. I’m Caucasian. The age range I could play is 16-24 give or take. The subject really doesn’t matter to me all that much. I just need a comedic monologue and a dramatic monologue. I just want one of each that can show my range as an actor. Nothing too hard but enough to challenge me and give the playwrights some remembrance. Any advice is appreciated! Feel free to ask me to provide more information and I’ll gladly do so!