Hey all -- I'm an L.A. actor trying to decide between LA Casting, Backstage, Actors Access, or something else. My primary goal will be getting local and equity theatre auditions for plays and musicals. Does anyone know the best way to go about finding these auditions?
I'm not in the business myself, but I've often wondered why a reasonably well-known actor A reaches a certain respectable level of fame, but doesn't get to the point of starring in big-budget movies. I often wonder why Actor A never gets cast in those spots. Sarah Chalke (cast member of 'Roseanne', recurring character on 'How I Met Your Mother', voice actor on 'Rick and Morty' and 'Paradise PD', co-star of recent successful Netflix show 'Firefly Lane') is someone that really comes to mind for this one. I looked around on Wikipedia to find someone that had a similar start to their career as Sarah Chalke, and Amber Heard came to mind. Ms. Heard went from being a moderately successful TV actress to being cast as the seventh bill in the very successful 'Magic Mike XXL' (2015) and also in 'The Danish Girl' (2015), to being cast as friggin' Mera in multiple DC Comics' movies. So when you look at their two careers, is there any reason that you think that Amber Heard has achieved way more at the box office than someone like Sarah Chalke? In the opinion of everyone here, what do you think are the differences between having a solid working career versus being a leading cinema star?
what’s the difference between acting classes and acting workshops? and what’s the best option for a beginner actor with no experience (besides a few fundamentals classes)?
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it was my first day ever on a movie set today. i got the position to shadow the director, and also be an extra in some scenes. i originally auditioned for a main role, but didn’t hear back. in the presence of the set, i felt almost sick to my stomach. all the other background actors were talking about how they didn’t have much to do today, so they signed up as backgrounds. in the middle of scenes, the directer would ask us to talk casually. however, my scene partner would smile and nod awkwardly as i was talking to her, have absolutely zero engagement. then after the scene she would just leave. at lunch time, i got to eat with the main characters (all my age, 17), and absolutely none of them want any future in acting. the character i tried out for, and the person who did get the role is almost a complete opposite to me (which i find rather comforting as opposed to upset for not being cast). however, it was just so difficult to feel such a burning passion to be an actress, and be ready to commit to it for life, and pursue film school. but when i’m in these environments, i can’t help but feel less than ordinary, and out of my mind. i guess what im trying to say is that i’m terrified that these experiences of feeling invisible will discourage from believing there’s a chance for me to make it in the acting world. and when i’ve put so much energy into believing this path is the one i should pursue, not having things work out is scary. it’s so disheartening to know how prevalent a hierarchy exists on set. being an extra basically made me non-existent.
You'll all pardon me if I sound like a giddy little school girl, but I got accepted to study under Larry Moss!!
The episode of Evil Lives Here that I filmed will be airing on Discovery on Sunday, August 22. If you are in the western part of the US, this week I took over the role of Lawrence in the regional professional premier School of Rock at Tuachan Ampitheatre. The show runs thru October 22!
Just curious as to what the community thinks of this personal website: https://jeremydmcgowan.com/
As of now, I am focused on internalizing my choices so they show throw my eyes/facial expressions. But what’s with the bold choices?
Hello! Hello! Given lockdown and the time spent cooped up indoors, it's enkindled my inner creativity on several fronts! Which, sadly, life and its business tends to quash. But, I'm looking to get back into doing some projects! What I'm trying to focus on, is an idea I had many many moons back of using video/recording - where natural expression is to be seen - and to take from them still shots, as opposed to sole photography where everything is 'set up'. If you're a Brit (Hello!) you are more than likely familiar (to a degree) with the old Thunderbirds show, and of one of its chief characters, Lady Penelope. I would like to look to re-envision a re-enactment of her scenes using the style mentioned above. If one is interested, please feel free to message! \^\_\^ But, if simply reading, I am grateful for your doing so too! =\]
The vast majority aren't screenwriters so why would they need a literary agent? Just curious.
I am a beginner actor. I only started to pursue it within the last couple years and have been in class training on and off. Prior to COVID, it was with relative consistency. I’m in Toronto and its still kind of a shitshow. I haven’t been able to find any in person classes for like eight months. I tried online but its just not worth the money and I really struggle to take much from the classes. Right now, the only thing I can really do is look for short/student/independant films on Backstage, Castcaller, Facebook groups, etc but the opportunities are limited. I am also a writer, working on a short script that I would act in, but I want to build my skills as an actor a little more. If Im putting time and money into making a short, I want to be a good enough actor to do it justice and I worry that I’m not. I’m not sure how much of that fear is realistic and how much is just self doubt. One of my main goals is to build a strong reel. I don’t really have any scenes from previous acting classes or shorts that I’m super happy with, that I think are a good enough representation of my skills. I have one self tape that I think is good. Should I add another self taped monologue or does that look too unprofessional? I am also currently looking at PA jobs—I know its not acting, but I want to be more immersed in the industry and I felt like it would be a good way to make connections and have some experience working on a set. I also thought working a job, any job, in the industry with help me stay motivated and excited to keep acting and writing. Is this a bad idea? I’m just really lost right now. I am 23 so going back to school is a possibility, although it would be difficult. I have a lot of admiration for trained actors, I know the best way to learn is just to act, but I worry that I’ll miss out on valuable/essential skills and/or knowledge that could be gained through classical training. What was your path to becoming an actor like? Am I taking the right steps? Where else can I look for acting and training opportunities? What else can I do to build my reel? Should I look for an agent to help me find jobs or is it too early? Workshops? I know this is a tough industry but Im a very driven person, I love film, and honestly, I don’t think I could do anything else. Any advice, knowledge, whatever you have to offer is appreciated. Thanks.
Was thinking of signing up for the online class, it's twice a week for 2 hours, and supposedly actors work for majority of the class. Has anyone taken their scene study class? If so, anyone know how it is? I couldn't really find much info about this place.
Recently, our original server was expanded to become the Creatives Community. We have since branched off everything acting and recreated the Actors Network. Come and join us in the new server! https://www.discord.gg/YFtpZtzaCc
Hey all. Just wondering which actors now a days you all are inspired by and who by watching or following makes you a better or more in tune actor? For this, I must go with Jeremy Strong who plays Kendall on Succession. I feel confident in saying he is the best actor on TV right now. He is also a very interesting and smart person and actor as seen and heard in his interviews. I really like him and he inspires me. I hope to work w him some day. Who working now gives you positive acting feelings?
Ever since Idris Elba got casted as knuckles I've seen people have a pretty mix reaction to it, some saying he'll be great and other saying he only got casted because of his celebrity status. Personally I never really cared along as the actor in question does the job well and who's to say they weren't casted because they did the job well? Only have a problem when a preexisting cast is replaced with celebrities (ie the Lego Ninjago movie and scoob) for the sake of money or when the VA is exploited (the Robin Williams genie situation). And I've noticed that after the scoob, space jam 2, VA race debate of summer 2020 that alot of consumers, voice actors, and what have you are tired of this practice and that they should move away from (slowly seemingly they are) from this practice since apparently the age of celebrities is over. But what are your guys thoughts on this?
There is a list of agencies for Chicago talent agencies. I’ve had a fair amount of experience working on set. Most of the time as a background extra, I know that doesn’t always translate to acting experience, but I have to imagine that the jump would involve signing up with one of the agencies. I’m not with SAG, but if I get enough regular work I would be willing to join. Anyway there are a bunch of agencies in Chicago listed that do film/tv, I just want to know if anyone know which one is best, or if I should just apply for all of them. I don’t mind admitting that I’m new to this, so I’m willing to learn all I can. Also what kind of things should I expect to have for applying to an agency, apart from the headshot and work experience?