We have found 19,457 posts across 4 actor forums:
Y’all share your auditions with your buddies in your acting class? by AdEffective8646 • last post Oct 14th
Just wondering. I’ve shared some tapes with a few actors and have gotten 100% love from them
Will my voice keep me from getting work? by Dazzling_Noises • last post Oct 14th
So, I’m currently a BFA Acting student at a school I will not specify in NYC. I’ve been acting since the age of 6 in largely school/community theater productions with the occasional callback from my many film/TV/commercial auditions that never went anywhere. Now, I know I’m a pretty decent actress. I’ve won a few awards for my lead acting roles in dramatic one acts I had the fortune of being in, and they’ve almost all been darker, edgier, morally ambiguous characters because that’s my type based off how I look lol. I got into a pretty prestigious acting program and I’m doing pretty well in it. My dream is to be more of a TV/Film actress rather than a theater one. Now, my problem is that my voice is high. Like, not only pitch wise, but I legitimately sound like a 12 year old girl unless it’s right when I wake up in the morning. It was never an issue when I was younger, obviously, but as I got older, most of my notes have consisted of lowering my pitch/tone of voice. And I have tried. So hard. My mother (god bless her) even said i could try to smoke as a half-joke, but I would never do that to my health nor my voice since I also sing. I’ve tried YouTube videos, google searches, the lot. But nothing has worked. I hate that I sound like a child and it’s my number one insecurity, especially since my type requires almost the opposite. What should I do????? I’m genuinely pretty desperate at this point.
S-Corp actors: have you ever been denied being paid via a w9 form? by CanineAnaconda • last post Oct 14th
With the probable IATSE strike looming, I took on a background job this week that was out of town that required use of my car, figuring that it would contribute to P&H a little before the possibility of a drawn out halt in most SAG-AFTRA work. I haven't done BG in several years, and have since created an S-corp to be able to avoid taxes on income that goes to commissions, dues and other acting expenses after the Republican tax plan eliminated many of these deductions for independent actors paid with W2's. According to the payroll company (one of the large entertainment ones), for background work they will not pay a check to an S-corp with no taxes taken out, only to an individual with payroll taken out. I've been paid as a theatrical and commercial principal and a commercial extra as an S-corp and never had any problems. The income is relatively small, so I didn't fight it, but do they have a right to actually do this? I figured if you're being paid for work that you've done, you're entitled to be paid however you want as long as it has the IRS's approval. Can employers deny the option to pay an S-corp? Or is it just a payroll company being uncooperative because of the general disrespect towards background work?
Manger recommendations? by LordJanitor • last post Oct 14th
Very specific question, but does anyone on here know of managers in the LA area that have experience cultivating Voice Over/Youtube talent? I've been browsing IMDB pro and found a smaller company who has a client that fits that career description, but was curious if there were any others people could think of. For context I'm an actor based out of LA. I've been primarily focusing on voice over, but I have a degree in theatre and on camera credits I've accumulated since moving out here. I also launched a youtube channel exactly a month ago today that is doing well. I'm hoping to find a manager that will work with me to leverage the audience I gain as a youtuber into acting opportunities (and have those opportunities feed traffic back into my channel). Maybe they can help me finally secure representation as well!
Baltimore actors, how we doing? by greatgreengoblins • last post Oct 14th
I've been having a hard time finding gigs these days. Backstage seems full of garbage and I haven't had a booking in a while. What have y'all been up to?
I want an actor's perspective on how I [a director] should handle this situation. by TimPrice2 • last post Oct 14th
Short version: I have a brand new actor cast for a role next week. Most of the cast is seasoned professionals, but I decided to take a chance on this person. She has no experience and isn't even in the union. This job is going to be her Taft-Hartley. I'm regretting it. She's seeming less and less professional as time goes by. I'd say there's about a 30-40% chance that she's going to no show for her shoot. If she does, I'll be paying everyone else, as well as paying for the rented set, with nothing to show for it. I'm fine with her shooting if she actually shows up. What do you think I should do? 1. Cross my fingers and hope for the best. Do a better casting job in the future. 2. Hire an understudy. Basically, find someone willing to show up knowing they will get the job if the first actress no-shows or get paid a nice sized fee (probably $200) and get to go home if the actress does show up? 3. Replace the actress. Pay her a cancellation fee equal to what she was promised for the shoot and tell her she's not needed. 4. Replace the actress. If she doesn't show up, don't pay her. If she does show up, pay her for the full day and send her home. 5. Something else I didn't think of? If I left out any details you think are relevant, just ask.
I am a foreign actor in UK. by Last_Refrigerator731 • last post Oct 14th
Do you think foreign actors in UK have to live in London or not? Or any thoughts?
Any young male actors, who would like to be a part of a playful research? (2 hours roleplaying and improvisation only) ; for people who born after 1995? by Real_Anime_Girl_X • last post Oct 13th
Only mass born in and after 1995. Compensation: £25 Amazon Voucher Amateur actors, studentactors, newly grads will be considered as well.
Best place to look at full-length pictures of actors? by nacho__mama • last post Oct 13th
I have a photoshoot coming up and while I have some good headshots, I need more full length pictures of myself. I plan to pose with a stool. But I'm looking for other ideas for inspiration.
Studying Acting by ThouWontThrowaway • last post Oct 13th
I'm considering studying acting. What kind of things do actors learn in college?
Acting Agencies and Opportunities in Kissimmee, FL by Joyfuljay_394 • last post Oct 13th
Hi everyone, Does anyone know of any trustworthy agencies for actresses in the Kissimmee or Orlando area? Also how is the performance scene in these areas? I know there's a multitude of theme parks, but do they pay enough to sustain a living wage? Any answers would be greatly appreciated! :)
Makeup question for female actors... by TimPrice2 • last post Oct 13th
If you book a role and aren't given any instructions about makeup, how would you show up? No makeup? Foundation only? Something else? In case it matters, suppose it was a one day union role.
How to go from self-represented to having an agent… I already have a lot of work on my own. by FurmidableCat • last post Oct 13th
I have been self-represented for a couple of years, receiving the vast majority of confidential breakdowns and submitting myself on them. I used to get one professional role per month doing that, but haven’t had anything through confidential breakdowns for a year, so I was considering getting an agent instead of paying $500 a year for the actor collective. However, I already work full time on a contract basis as a host/emcee on special events (and sometimes on radio) and I love that job. I can’t cancel those gigs to get an acting gig the same day. I also still find a lot of paid non union work on my own and can easily get union background work from social media. I don’t think a good agent will understand that I am already finding a lot of work on my own so I won’t always be available and she can’t manage those contracts I already have (my clients don’t work with agents). But I see no other way to get access to union roles on professional sets. My other option would be to go with my ex-agent who is not as good, but still allows a lot of freedom and flexibility so I can still manage my own career. In any case, I was thinking of giving my future agent access to a Google calendar so they can automatically see on which day I am already booked so they don’t submit me for something the same day. I have a phone meeting with the good agent tomorrow. How do I talk about the fact that I already get a lot of work on my own and that I don’t want to lose that?
Can you improve physical aspects of acting? by MaxHOJones • last post Oct 13th
I want to direct and, having taken some acting classes, have developed an increasing interest in acting over time. The way I see acting is in two main layers - internal elements like identifying with the character and playing that role and the external aspect of physical communicating that to the audience (voice, expression, etc.) The problem I've had recently is that I am a terrible actor in terms of all the physical/external things. It is simply that I don't have enough range in my voice, control over my face, etc. I mostly wrote this because I was curious on people's thoughts on acting as a talent compared to physical skills associated with it. Can you train yourself to be better at these things or is it mostly natural?
MAYBE Relocating to London, help!! by popfizzberryseed • last post Oct 13th
Hi fam! I am from the US, dual citizen to Australia, my close friend in Australia, also an actress (a dual citizen to Ireland with fantastic British and Irish accents) wants to move to London OR Ireland together. It’s either this or I move to LA. I guess I am wondering if anyone has good information about the film industry in the UK/Europe for Americans. I will certainly prioritize working on my accents, but is there accessible work for Americans, is there any benefit to being someone with an American accent, does this mean a smaller pool of people going for the role or just a smaller number of opportunities? Also, I must do my research on cost of living
any suggestions for decent freelancing agent? by dmeehanjr • last post Oct 13th
I'm looking to get another agent. I took hiatus for few years, and former agent passed. .I wouldnt mind freelancing for a bit, go in for some u5's at least to get back in groove...any ideas out there? (pretty decent reel, like 30-35 credits on imdb, 'mature' equity actor and singer)
What is a good rate of pay? by caligulasArmageddons • last post Oct 13th
What would be a good start for a new voice actor's pay? I'm trying to set up a sort of portfolio or resume, but I'm not sure how to list my rates.
How would you define a known actor? by TimPrice2 • last post Oct 13th
I'm curious what you consider a "known actor". I'm also curious what you DON'T consider to be a known actor, like, what's the cutoff in your opinion? Suppose an actor told you they just worked on a project with three known actors. You then find out the three actors were: * Timothy Rose who played Admiral Ackbar in several Star Wars movies. * Jim Cashman who plays Jamie on the Progressive commercials. * Larry Thomas who played The Soup Nazi on Seinfeld. Would you consider their statement accurate? Are any of those examples not known actors? Where do you think the cutoff is? This seems highly subjective and I'm curious how different people perceive this.
Is it normal to have to provide your social security number to set up a Backstage account? by Fruit_of_Freedom • last post Oct 13th
I used my driver’s license number and images of it in the initial application. The background checking company said my check is on hold until I provide my SSN because they can’t complete the check without it. When you fill out the Backstage application it alleges this is optional information. I’m just super vigilant about handing out my number considering leaks are so common and I know people who have had serious headaches from identity theft. I didn’t even want to give them my drivers license. By the way, I was posting a project to get actors to apply for a role so I suppose this is great news if you are applying for any on Backstage. I can understand the principle.
Is it normal to feel emotional days after scenes? by Movie-Connoisseur • last post Oct 13th
Hi. I am currently a beginner actor, I just finished my third week of Meisner. I had a great scene where my teacher praised my acting, said I did really well, saw me acting truthfully, etc etc I had an improv scene (the knock on the door exercise) where I was supposed to ask a girl I love out. In the seen I got rejected. My teacher told me I’m a very vulnerable person which is supposed to be good. Well after the scene for a couple days, I truly felt like I lost something. The music I would listen to felt as if it would if I was heartbroken. Is this normal? Is it normal for a scene to affect you in your own life? I would highly appreciate some insight because this has interested me greatly. Thanks! Disclaimer, I’m not in love with my scene partner or anything, I don’t even really know them.