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Welcome everyone to come to China to perform and share if you have stage works by Polo Zheng  •  last post May 17th

Welcome dramas from all over the world to come to China for a tour and exchange ideas.

Pitching throgh Stage 32 by Dan Armstrong  •  last post May 14th

Hey I just got feedback from "Andy Richley" on a reality show pitch I sent to him for a project I created entitled "Trailer Park Girls".  Hi feedback was excellent. I am not saying that he loved eveything about my project, LOL, but what he did say was really invaluable to me and the project. He gave me some really actionable advice on the project, and it is clear to me he really knows what he is talking about and has a lot of experience in the industry. So, if you are planning to use the "Script Services" "Pitch" function through the Stage32 dashboard, I would highly recommend sending your pitch to Andy Richley he is really good, and you will not be disappointed.


Dan Armstrong

You Got a Self-Tape Request... Now What? by Stephen Folker  •  last post May 14th

You submitted for a role and got asked to send in a self-tape. The due date is a week from now. Now what?!

As an independent filmmaker/producer who casts his own projects — here’s what I look for:

Be prompt. Don’t wait until the last day. And please don’t email the casting director to say you’re busy and might be late.  If you booked another project after submitting, just don’t submit. 

Get a solid reader. Don’t have your friend or partner who’s not an actor feed you lines. It’s often so distracting it takes away from your performance. If you’re stuck, pre-record the lines yourself and play them back — or leave space and react naturally.

Keep it simple. Don’t add music, effects, or flashy editing. It’s usually just distracting. We’re here to watch you, not your editing reel.

No need for pro gear. You don’t need a blue backdrop, studio lighting, or professional audio. A phone works just fine. What matters most is your performance.

Skip the agency tag. Unless your agent or manager is submitting for you, don’t mention them in your slate. If you’re submitting directly, we assume you’re independent.

Keep it private. Don’t post your self-tape or use it in your demo reel. These are copyrighted scripts, and using them without permission is unprofessional.

Be professional. Casting is complicated. Sometimes things fall through or shift. As an actor friend once told me, until there’s a signed contract, anything can change.

If you want to stand out — just be prepared, be respectful, and deliver a great performance. That’s it.

How Has Acting Transformed How You Show Up In LIfe Off-Stage? by Alexandra Stevens  •  last post May 13th

Hi. I have recently returned to my acting training and have been reflecting on my journey. In particular how acting has transformed me off-stage. I feel more connected to my body and my instincts. I'm more trusting of them and bolder about going for what I want in terms of professional goals (to act, to coach actors and eventually to produce). I'm curious about what you feel are the benefits of acting to how you show up in your life off-stage? 

What are you thoughts? by Suzanne Bronson  •  last post May 12th

As an actor, or a singer what are your thoughts on this? How would you handle it if it happened to you? Is it a violation of SAG AFTRA agreement? 

https://variety.com/2025/tv/news/the-rehearsal-nathan-fielder-fake-singing-show-contestant-1236393533/

FIND FREE Self-Tape Readers For Actors: The Method Nobody Discusses by Aaron Marcus  •  last post May 12th

FIND FREE Self-Tape Readers For Actors: The Method Nobody Discusses

https://www.youtube.com/watch?v=f3ed3pJXirE

Are you struggling to find quality readers for your self-tapes?

I'll show you my simple approach that's helped hundreds of actors create professional-quality self-tapes from anywhere, anytime and costs NOTHING.

Do you have any suggestions for finding self-tape readers? If so, share them on my channel so we can learn from you.

Let's storm the skies! by Alexander Detkov  •  last post May 12th

Hi! I worked as a screenwriter in Russia for many years and now live in Israel where I became a director. (https://filmfreeway.com/AlexanderDetkov) My short film "BEFORE THE BARMITSVA" has won several international awards. I am currently developing new projects for cinema and streaming platforms and am looking for a co-author who also has experience in cinema.

Buried in Silence by Eric Rasmussen  •  last post May 11th


true crime story of my father murder 

Introduce yourself lounge by Kaoutar Chekri  •  last post May 9th

Hi everyone,


My name is Kaoutar, I’m a 19-year-old aspiring actress from France.
I’m currently learning English intensively and training daily to improve my acting skills, as I plan to start my international acting career next year, especially in North America.

Even though I’m just starting out, I’m passionate, determined, and open to connecting with professionals from all areas of the industry ,directors, casting agents, actors, and more.

If you have any advice, projects, or would like to connect, I’d be happy to chat!
Thank you and I look forward to learning and growing here with you all.

Reflection of an actor on the fear of AI in cinema by Juanma Mallen  •  last post May 8th

As an actor, the arrival of artificial intelligence in the film industry stirs a mix of emotions in me, but more than fear, it serves as a reminder of how the industry has always evolved with technology. Every major breakthrough in cinema has initially been met with fear, but over time, we've adapted, gotten used to it, and in many cases, we've embraced these innovations to tell stories in new ways.


When sound cinema arrived, many thought it would mark the end of silent films, that human voices wouldn’t be powerful or expressive enough. But today, sound is the backbone of cinematic storytelling, from dialogue to music that makes us feel.

The same happened with digital cinema. For years, actors and filmmakers resisted the change, fearing that the magic of celluloid would be lost. The texture, the color, the authenticity... But digital cinema not only democratized production but also allowed for stories to be told with stunning visual quality. Today, few question whether it’s better or worse than film.

CGI (computer-generated imagery) was another breakthrough that shook the industry. Purists said CGI would ruin the acting, that the visual effects would take over. However, actors soon learned to coexist with it, interacting with virtual environments and computer-generated creatures, and CGI became a powerful tool to expand our imagination and create worlds otherwise impossible.

Now, artificial intelligence presents itself as the next big challenge. And yes, it provokes a legitimate concern: to what extent will algorithms be able to replicate the human emotion in acting? Will it be possible for AI to replace the vulnerability, depth, or authentic connection an actor has with their character and the audience? Initially, the idea that AI could generate faces, voices, or even facial and body movements creates an understandable fear: the fear of being replaced, of losing our essence as artists.

However, I believe that the history of cinema shows us that technological advances never replace art, they transform it. The tools change, but the human being remains the creator, the one who interprets, the one who connects. Actors have learned to embrace new technologies to enrich their performances and make them more complex. Why couldn’t the same happen with AI?

Instead of fearing it, we should ask ourselves how AI can expand our artistic capacity. Could it help us create more complex characters, explore unknown facets of acting? Or perhaps, over time, we’ll learn to collaborate with these technologies, rather than be replaced by them? At the end of the day, the true magic of cinema remains the ability to tell human stories, a power that, no matter how advanced technology becomes, will always be in our hands.

The initial fear of AI is understandable, but as has happened many times before, I believe that adaptation will be inevitable. If there’s one thing we actors know, it’s that the fear of the unknown is just another step on the path to discovery. And as it has always been, art and technology will continue to walk together, changing cinema forever.

Self-tape Auditions by Matthew Gross  •  last post May 8th

Last month, I took the leap and committed to my acting career full-time. I quickly discovered that marketing yourself for day player roles is a different process compared to submitting for supporting or lead roles. In fact, day player casting is quite similar to extras casting when it comes to how actors present their headshots. After making a few subtle adjustments to my photos, I started receiving more CMail audition invitations.

One of the biggest challenges I’m currently navigating is self-taping auditions. It’s been tough. Instead of focusing solely on my performance, I often find myself distracted by technical concerns: Is the lighting good? Am I framed properly? And because I use a prerecorded audio track as my scene partner, I have to time my line delivery carefully. To make things even more complicated, I’m using an old cassette recorder as my reader.

That said, I’m starting to get the hang of it. I now begin every audition with a test shot to ensure the lighting is right, I’m fully in frame, and the audio playback is low enough that the tape hiss doesn’t detract from the performance.

Despite all the challenges, I’m happy. My career goals are realistic, and I’m beginning to build momentum.

My fathers True crime murder story by Eric Rasmussen  •  last post May 8th

BURIED IN SILENCE
A True Story of Murder, Deceit, and a Fight for Justice

I stayed in my father's house… while his killers slept just rooms away.
They told me he was missing.
But he wasn’t.
He was buried — in a shallow grave under a shed they just bought — just feet from where I stood.

I slept in that house while they lied to my face.
I cried in that house while they pretended to care.
At night, my wife stayed on speakerphone to protect me. One night, she heard footsteps near me. She screamed into the phone, waking me just in time to see my father's wife walking silently back to her room…   Was she going to put me with my father ? 

She knew.
They all knew.

They let me mourn in the home where they hid his body.
And no one stopped them.
That’s why I’m telling this story — because Jerry Rasmussen deserves justice.

Watch the trailer:
https://youtu.be/b59WqUllyck?si=h-eMdcMTBz3DpSOy

See the case file and documents:
https://drive.google.com/file/d/15JDfd1-1l0eVCtbzyrvhn91SJBSH_mCU/view?usp=drivesdk

https://drive.google.com/file/d/1lPhNOjR2m16mBtWancg2zY51JYPYOBiE/view?usp=drivesdk

Most Challenging Role? by Suzanne Bronson  •  last post May 8th

What role has been your most challenging to take on? One that you thought you had in the bag, but really struggled to connect with? For me, Laura in THE GLASS MENAGARIE was more difficult than I thought. I had no trouble with the lines, but my acting teacher kept telling me I was missing the essence of Laura. It wasn't until I put on a dress that I was really able to capture her disability and fully understand the insensitivity of the people around her. What about you? Is there an AHA MOMENT connecting with a character you would like to share?

Reflection: When Power in the Film Industry Becomes Abuse by Juanma Mallen  •  last post May 8th

For decades, cinema has been portrayed as a world of dreams, fame, and artistic expression. But behind the cameras lies a much darker reality: the systematic abuse of power by producers, directors, and influential figures—especially toward young actors and actresses.


The combination of wealth, prestige, and control over budding careers creates a perfect environment for manipulation. Many young people, full of hope for a chance in the industry, have been emotionally, psychologically, and even sexually exploited by those who used their positions as shields of impunity.

The Harvey Weinstein case was only the tip of the iceberg. What’s truly alarming is how this behavior was—and in some cases still is—built into the system. The promise of fame or the fear of being blacklisted has kept many victims silent, while their abusers thrived.

When it comes to underage actors and actresses, the issue becomes even more serious. The industry has failed to protect them. Many started working without real support networks, exposed to environments where boundaries were blurred and consent was irrelevant.

The stories of figures like Corey Feldman and Jennette McCurdy reveal a repeated pattern: exploitation disguised as mentorship, complicit silences, and a machine willing to sacrifice the most vulnerable to preserve its image and profits.

Talking about this is not an attack on cinema, but a call for transformation. Art can no longer be used as an excuse for abuse. Visibility, accountability, and education within the industry are essential steps toward changing this culture.

Young talent deserves to grow in a safe, ethical, and human environment. We shouldn't wait for someone else to speak up before we take action.

by Juanma Mallen  •  last post May 7th

Not long ago, I had the opportunity to share the stage with an actor who lives with an intellectual disability. It wasn’t a “different” experience in the condescending sense of the word. It was demanding, eye-opening, and deeply human.


Many in the industry still wonder —often silently— whether it’s “worth it” to include people with intellectual or psychosocial disabilities in professional productions. Concerns about workflow, direction, or “production risks” often come up. But these questions reveal more about our limitations than theirs.

Episode 601: State of the Industry - Think Bigger Actors Podcast by Florin Şumălan  •  last post May 7th

"Season 6 kicks off with DaJuan Johnson breaking down the current State of the Industry—what’s shifting, what’s working, and what actors need to know now."

https://thinkbiggerpodcast.libsyn.com/ep-601-state-of-the-industry

Straight Talk for Actors (from a Director Who Casts) by Stephen Folker  •  last post May 5th

I’m not an actor—I'm an independent director/producer who regularly casts for projects.

Here are some tips I think can really help actors, whether you're new or experienced:

1. Use a current headshot.

Avoid sending photos from 10 years ago or ones that are overly retouched. We need to see what you actually look like—wrinkles, blemishes, and all. Authenticity matters.

2. Avoid generic cover letters.

It's obvious when you've copied and pasted a canned response. Take the time to personalize your submission—it shows you're genuinely interested in the role.

3. Read the casting call carefully.

If the listing says "must work as a local," don’t ask for travel or lodging. If it's a non-union project, don’t try to get it flipped to SAG. Just don’t apply if it doesn’t fit.

4. Don’t pass off the job to your manager or agent.

If you're not a name actor and the rate/location are clearly listed, there's nothing to negotiate. Third-party involvement just complicates things.

5. Be on time and bring a good attitude.

No drama. No ego. Be someone people want to work with again.

6. Don’t hound producers for demo clips.

Most films go through a festival run or seek distribution first. Instead, ask before booking when you might receive a clip—then wait patiently.

7. Show gratitude.

A simple thank you to those who gave you a shot goes a long way.

Hope this helps. I’d love to hear from actors—what draws you to a project, and what turns you off?

The Force of Preparation is strong with this one - Sharing This Week's Coffee & Content by Alexandra Stevens  •  last post May 5th

In this week’s Coffee & Content, we’re celebrating 20 years of Lucasfilm Animation and breaking down how you can position your project to stand out in today’s market. What’s your next “And What?” Read it here >> https://www.stage32.com/blog/coffee-and-content-from-the-clone-wars-to-your-script-the-force-of-preparation-4090


May Phoenix AZ in person Meetup by Suzanne Bronson  •  last post May 3rd

Actors in the Phoenix Metro area. In Person Meetup May 15th !


RSVP here:
https://www.stage32.com/meetups/2030

Gamechanger for Casting by Rob Rutledge  •  last post May 2nd

Hey All! Rob Rutledge, Casting Director. Long time Karmalicity Member. We have a created a NEW, FREE NATIONAL ACTORS WEBISTE. We've add almost 600 actors in just a couple weeks https://usactors.com 100% Free You create a profile, and based on your profile and preferences, our AI system auto-submits you for possible roles. All free to you. More time acting, less time submitting. Link you socials as well as your websites, and videos, or even host videos on the site, all 100% free. Check it out!