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Stage 32 by Laura Hammer Jun 16th

On-Set Etiquette for Actors: How to Work With the Crew, Not Around Them

What is the most valuable thing you have learned from a crew member on set — and how has working closely with the crew changed the way you approach your own performance?The best actors on any set are not just good at their craft — they are good collaborators...
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Stage 32 by Doug Kayne Jun 16th

Did I audition wrong?

I remember many, many moons ago (it was in the 1990s! gasp!), I was interning at a casting director/producer's office with an acting studio associated with it. As such, I had remarkable access to those casting directors who would come in and hold casting...
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Stage 32 by Aaron Marcus Jun 16th

Why Actors Should Never Try to Get Rid of Audition Nerves

Why Actors Should Never Try to Get Rid of Audition Nerveshttps://youtu.be/6rKgCmsFqkELET'S TALK IN THE COMMENTSHave you ever felt completely overwhelmed by nerves before an audition? What did you do? Share your experience below and on the channel. Your story...
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Stage 32 by Neet Patel Jun 13th

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Check out this page!
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Stage 32 by Jason Raymaker Jun 11th

Dream performer.

Who is your dream performer you would like to work with? Living or dead.
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Stage 32 by Mark Winton Jun 11th

Bypassing the Audition Bottleneck: Structuring Talent for Active Corporate Slates

My desk is currently locking in upcoming creative slates and managing portfolio allocations within the TPS corporate network for this quarterly cycle. We are looking for highly disciplined, cross-functional talent who understand how to treat their brand like...
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Stage 32 by Richard Antie Jun 11th

Mastering the art of self-discipline

Martial arts isn't just about fighting—it's about discipline, confidence, and becoming stronger every day. Every training session teaches patience, focus, and resilience. The journey is challenging, but growth comes from pushing beyond limits.
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Stage 32 by Suzanne Bronson Jun 10th

Challenging Role

What has been your most challenging role you have played so far?
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Stage 32 by Catherine James Jun 9th

The California "Work For Hire" Trap: How Production Companies Steal Your IP and Labor (And How to Stop Them)

A quick warning for all the local musicians, designers, models, and gig entertainers in our community.Right now, local companies and agencies are handing out "1099 contracts" that include a sneaky clause called "Work Made for Hire."They are trying to get the...
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Stage 32 by Laura Hammer Jun 9th

Your Voice Is a Passport — Here Is How Actors Learn Accents That Actually Land

Mastering an accent is not about mimicking sounds — it is about rebuilding the physical architecture of how you speak. Professional actors approach dialect work by starting with voice placement and oral posture: where does the voice resonate in the mouth...
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Stage 32 by Doug Kayne Jun 8th

"You know, sometimes I amaze even myself."

The above quote by Han Solo from STAR WARS struck me today, as far as acting goes. And, strangely, it goes hand-in-hand with imposter syndrome (I've named mine "Izzy".) Izzy has led me to look with a highly critical eye at an acting performance I'm in the...
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Stage 32 by John Snell Jun 8th

The Rocberti Writer's Festival

Hi everyone. I wanted to share a link for this years Rocberti Writer's Festival. One writer will also have the opportunity to win a FULL SCHOLARSHIP to attend The Rocaberti Writers' Festival. DEADLINE: Monday, June 15th, 2026, 12 midnight Pacific Time. Good...
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Stage 32 by Jason Raymaker Jun 6th

In person or self tape auditions

Which one do you think is more effective? In my opinion I think in person is more effective because you get to feel the energy of the people in real time.
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Stage 32 by Jaela Miller Jun 6th

I want serious professionals ONLY!

So Sydney Reed is extremely unprofessional and rude. I need someone who's actually serious about their work and won't get rude when they're held liable by producers.I don't feel comfortable working with racist people either, treat me with respect and you'll...
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Stage 32 by కాండూరి వాస్ Jun 6th

Little stars

LITTLE STARS A Heartwarming Emotional OTT Story Featuring Nine ChildrenIn an apartment, four families live together, and among them are nine children. They share a beautiful friendship and deep affection for one another.When two of the families are...
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Stage 32 by Jaela Miller Jun 5th

Ready for new projects!

If anyone has any projects that they need actors for, I'm available for gigs!
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Stage 32 by Allyson Parker Jun 5th

I'm curious

Hey everyone! I’m Allyson from Tulsa, born and raised in the Black Wall Street community. I’m a screenwriter working on a character‑driven series called Fish & Grits, and I’m looking for actors who might be interested in performing a short monologue for me.I...
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Stage 32 by Divyam Jha Jun 3rd

Voiceover - American Accent

Hello Stage32!I'm a writer-director based in Nepal looking for a favor for a small voiceover for my short film that's coming out in a week.It's for the role of a (preferably middle-aged but mid20s works too) American Anxious Cop. I'm having a hard time...
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Stage 32 by Suzanne Bronson Jun 3rd

Vulnerability In Performance

Hey actors! I would like to explore how vulnerability can transform a performance. What's a moment from your acting journey when you felt truly vulnerable on stage? (or in front of the camera or in rehearsal or in a class)Share your story, or tell us what...
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Stage 32 by Macorey Trotter Jun 2nd

What makes an actor stand out in subtle, understated roles?

I’m a writer, but I’m also serious about acting—especially in my own projects. I’m currently developing a series called Arcadia Hill, and there’s a character in it named Nas that I fully intend to play.He’s quiet, observant, creative—a filmmaker/music...
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