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‘Red One’ Down: How Dwayne Johnson’s Tardiness Led to a $250 Million Runaway Production | Exclusive by Pat Alexander  •  last post May 1st

Wild hit piece about the Rock's latest movie 


(https://www.thewrap.com/dwayne-johnson-red-one-late-budget-problems/)

The Dumbest Comment I Ever Heard From An Agent - Unbelievable by Aaron Marcus  •  last post Apr 30th

The Dumbest Comment I Ever Heard From An Agent - Unbelievable

https://youtu.be/L01r7nnYEcM


Have you ever gotten a crazy comment from an agent? If so,
share it here and on the channel

youtube.com/c/aaronmarcusactingandmodelingquicktips

 Subscribe and click the notification bell on the
channel so you always know when a new video has been uploaded.

How many of you actresses ...(sorry, I'm old school...lol)...change your hair color with every role, like I do? by Niki Galiano  •  last post Apr 28th

Here's my latest color...got tired of the gray.....I'm ready for something fun again!



Actors: Learn what a Costumer wishes you knew! by Matthew Cornwell  •  last post Apr 27th

This is our 5th interview in the "I Wish Actors Knew..." series. This time I sat down with Miracole Burns, an experienced Costumer (and cosplayer). She's done no-budget projects all the way up to the upcoming Red One (starring Chris Evans and Dwayne Johnson). She's done super suits on Doom Patrol and period costumes as well. She's also a friend!


https://youtu.be/R_gydGnzDlg

Actors Acess Hit With a Class Action Suit by Tom Lapke  •  last post Apr 26th

https://deadline.com/2024/04/casting-networks-targeted-in-class-action-lawsuit-over-its-bait-switch-subscription-based-service-1235886049/

Breakdown Service/Actors Access has been the 800lb gorilla in the audition submission space for decades. What do you all think about the merits of the claims made against them? I don't think the claim that they are blocking actors from applying for a job will stand up. There are plenty of job boards that sit behind a paywall. The casting directors might end up catching strays in the crossfire here since they are the ones only posting the job to a service that sits behind a paywall, but I don't think Breakdown Services can be blamed because the CD doesn't also post it on a public-facing forum. And let's be honest, the casting process would grind to a halt if every breakdown for major film or TV roles were open to anyone. A CD friend once told me how they had posted a supporting role for a film with a name attached and made it public-facing. They got 19,000 submissions in less than a week. Now imagine that was the case for every role being cast. I don't know what the answer is here, but I do know there have to be some guardrails for the industry to function.
As to the complaint that they are boosting submissions to the top of the list that have paid for additional products, that seems very dicey and could land them in hot water. Would love to know everyone's thoughts!

We're On NASA's Artemis Lunar Mission! by Matthew Gross  •  last post Apr 25th

Twenty-five years ago, I met my best friend on the Santa Monica Boardwalk. We were hired as extras in Madonna's film "The Next Best Thing." Dan (see photo), like myself, was fresh off the boat, and Hollywood presented a strange new world for both of us. In the acting realm, whether one holds a principal role or is a background performer, friendships often sprout when a casting director and production team decide to bring you on board. Through the course of fulfilling that role, you encounter like-minded individuals who may evolve into lifelong companions.

To commemorate our 25th anniversary, coinciding with the year we filmed in 1999 and the subsequent release of the movie, we've decided to take an extraordinary journey—to the moon. NASA will be launching our names, among 700,000 others, aboard the Griffin Astrobotic Probe this November. It's rather remarkable to contemplate that our names will forever reside on the lunar surface. Upon signing up for the mission, NASA graciously provided us with boarding passes granting special access to the endeavor.

Dan and I have engaged in humorous banter, debating who will secure the coveted window seat. Ultimately, we reached a compromise: Dan will have the window seat for the launch and the first half of the journey, while I will claim it for the latter half, encompassing lunar insertion and landing.

VIPER marks NASA's inaugural robotic Moon rover, embarking on a mission to explore the lunar South Pole region, delving into perpetually shadowed areas to uncover the secrets of the Moon's water. Serving as the premier rover to measure the location and concentration of water ice and other vital resources, VIPER holds promise for sustaining human exploration not only on the Moon but also on Mars and beyond.

And to my fellow Stage32 members, I'd love to hear about your best friend from acting and how you celebrate your friendships. What memorable experiences have you shared with your acting pals? Feel free to share your stories!

Getting Into Voiceover Acting by Tammy Hunt  •  last post Apr 24th



Becoming a voice actor is similar to pursuing a career as a film, TV or stage actor (or most other performing arts careers, really). You start with nothing, train yourself and look for voice acting jobs you can book. You’ll need just two things: 1-Your voice demo reel; 2-Membership on a casting website like Actors Access and LA Casting It’s really that simple, but let’s break it down a little. 

Here’s the secret: the easiest way to get into voice acting is to just start. Begin with anything. Just put together a simple voice over reel with whatever you have and start submitting. Stop preparing yourself, stop trying to find the best way, stop “figuring things out.” Simply submit yourself for voice jobs and see what happens. It’s true, you will suck at this in the beginning. You won’t book most of the stuff you go for. And you will most likely fail, many times. But failure is the best experience you can have, and that’s how you learn quickest. You have to step beyond your comfort zone. With that out of the way, there are things you can (and should) do to improve your chances of booking voice acting jobs. 

This is what you do on the side as you continue to audition and look through voice acting casting calls every day: 
-Get some voice over training under your belt 
-Put together a voice over demo reel 
-Market yourself and your voice within the industry 
-Start networking and making connections 
-Get a VO agent 

#acting #voice #demo #reel #casting #audition #manager #agent 

Actors Absolutely Need This In All Emails by Aaron Marcus  •  last post Apr 24th

Actors Absolutely Need This In All Emails

https://youtu.be/Gr1uRbISrjc

Do you have any suggestions or information
that needs to be in the signature of an actor’s
email?

If so, share them here and on the channel so we can learn from each other.


Original "Blair Witch" Actors want a cut of franchise -- fair game or too far? by Pat Alexander  •  last post Apr 22nd

https://variety.com/2024/film/news/blair-witch-project-cast-lionsgate-heather-donahue-joshua-leonard-michael-williams-1235977543/

Looking for Unpaid Short Voiceovers by McKenna Bintz  •  last post Apr 19th

Hello, I am looking for people to help me an ongoing Youtube Channel. Unpaid, but should only take a few minutes. Please email at macysmannequins@gmail.com if you would like additional information.

Looking for headshot photographer by Claudio Laniado  •  last post Apr 18th

Looking for Headshot Photographer.


Hi everyone! I got a new look since I shaved my head last year.

I am looking for headshot photographer in NYC who is highly quality oriented and very experienced to help me get high end auditions and top agency/manager. 

 Any recommendations from agents or casting directors or producers or directors for a headshot photographer? 

Claudio Laniado, actor, producer, screenwriter of Forbidden Tango(formerly Tango Shalom),
Convivencia Forever Films

How have auditions changed post-strike? by Amanda Toney  •  last post Apr 18th

I'm curious to learn if anyone has noticed any changes to acting auditions post strike? 

Self Care When Developing an Emotionally Challenging Character by Alan Powell  •  last post Apr 18th

I've been working in this area for past 3 years and I realize there isn't a whole lot of opportunity to reflect/discuss issues that actors have when building a character that may be particularly challenging for them emotionally/psychologically.

Unless you have a therapist, or a really great friend who will listen to you about the impact your character is having on you, or you excel at journaling and it's benefits - it can be a fairly lonely creative space - at times scary and other times overwhelming too. So I decided to create this post as a space for those actors who want to share their experiences of developing a character and then having a hard time 'shaking it off'. Or are about to embark on a character journey and could use a word or two of advice/support along the way - not just from me but from others who wish to share what's worked for them.
Please do share

Why Your Reputation Is More Important Than Your Talent by Ashley Renee Smith  •  last post Apr 17th

It's never been more important to prioritize your reputation when launching yourself as a creative. Find out why in today's blog!


https://www.stage32.com/blog/why-your-reputation-is-more-important-than-your-talent-3704

How Hollywood's Most Successful Actors Analyze A Screenplay by Ashley Renee Smith  •  last post Apr 16th

In the below video, internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique, Jean-Louis Rodrigue discusses how actors can encompass the physical movement of their character in a film or stage play, including studying the screenplay and writing character backstory. 


I'd love to hear from the community, do these techniques ring true to you or are there others that you feel work better? 

https://www.youtube.com/watch?v=JvjbX-6iCgg

Wednesday's Ask Me Anything HERE in the Acting Lounge! by Ashley Renee Smith  •  last post Apr 16th

Hey, All!


Don't miss out on tomorrow's fantastic AMA with Laura Ackermann, Founder of Advantage PR, Publicist, & Branding Expert (Charisma Carpenter, Anna Lamb, Rushi Kota) in the Acting Lounge! Laura is sharing her time with us to answer YOUR questions about "What Should Performers Look For In A Publicist?"

It's a great opportunity to learn more about the perfect time to enlist PR support, what you can be doing when you're not yet ready for a publicist, how long your partnership with a publicist should last, who comprises the dedicated team managing your account day-to-day, how they leverage their media connections on your behalf, what differentiates your PR firm from others, etc. Don't miss out on a chance to ask your questions!

The post is live for you to comment with your questions NOW!
https://www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-Wednesday-4-17-to-Thursday-4-18-What-Should-Performers-Look-For-In-A-Publicist

"I Wish Actors Knew..." (from a Sound Mixer's POV) by Matthew Cornwell  •  last post Apr 16th

I posted another interview in this series a couple weeks ago. Actors are finding these videos to be invaluable. Walking in a crew member's shoes gives a whole new perspective to being on set, and how we as actors can collaborate in new ways to make EVERYONE's job easier!


Here's our 4th and latest video:

https://youtu.be/08Qk5fT2oq4

We have 2 more coming soon (Costumes and 1st AD). And you can check out the others (Makeup, Basecamp, and DP) on our channel.

Beware Actors Who Think This Will Live A Miserable Life – I Know by Aaron Marcus  •  last post Apr 16th

Beware Actors Who Think This Will Live A Miserable Life – I Know

https://youtu.be/piyefMFr0Dw

For many years, as an actor, I took things very personally. If I didn't get an audition or book a job, I began doubting my acting skills.

It is easy to think that we aren't getting the audition because people don't like us.
What took me years to realize is that there is nothing personal in the acting business.
There are so many factors that go into getting or not getting the audition or job.

Use this link and watch the video to learn how to change your way of thinking and feel much better. https://youtu.be/piyefMFr0Dw

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Actors - Add Pantomime to Your Skill Set by Tammy Hunt  •  last post Apr 15th



“The skills that make up a classical mime’s bag of tricks can be of tremendous use to any actor who may be called upon in a play to tell a story through gestures, to trick an audience into “seeing” something that isn’t there.
Imagine you are in a play, and your character has to come onstage as if walking in from a rainstorm. Even though you and your costume are completely dry, you can shrug out of your coat, shake imaginary water droplets from it, “dry” your face with a handkerchief and then use it to “mop up” the puddle by the door. All this is done “in mime,” because there never was any real water. But if done well, the audience would swear that there was.
Onstage, I’ve opened doors that weren’t really there, “flipped” a light switch that was painted onto a flat, been struck by an imaginary bullet, consumed non-existent coffee from imaginary cups and eaten an “air steak,” all in plays that are considered representational or realistic. In Pioneer Drama Service’s hit comedy Twinderella, a baseball game is enacted on stage without a ball! These are all examples of using the skills of pantomime within a regular play.
Keep it simple. Don’t “muddy the air” with meaningless movements. Finish one movement before going on to the next. Then be consistent. Once an imaginary object is established, make sure that it remains there until moved. If you set a “cup” down in one place, be sure to pick it up again in the same spot. Otherwise the audience will think there are two cups on the table. I’ve seen shows using imaginary doors where the doorknob magically moves up and down, depending on the height of the actors. Finally, there’s “the bump.” When you pick up a real cup, your fingers simply wrap around it. But with a mimed cup, you have to very slightly exaggerate the grasp, the lift, the setting down and the release. Don’t overdo the exaggeration, but think of it as a series of visual punctuation marks. This helps the audience recognize the moment of contact, the beginning of movement, the end of movement and the letting go.
Every actor can benefit from some training in pantomime.”

- Patrick Dorn, Acting Coach

#mime

Ask Me Anything (AMA) Wednesday 4/17 to Thursday 4/18- What Should Performers Look For In A Publicist? by Laura Ackermann  •  last post Apr 15th

My name is Laura Ackermann, the CEO/Founder of Advantage PR, and I'm thrilled to dive into the dynamic world of PR with you. With two incredible, experience-rich decades of navigating the PR landscape under my belt, I've crafted compelling campaigns for a diverse array of clients – from budding actors and authors to visionary CEOs and influencers.


At Advantage PR, we're all about securing standout, momentum-building "WINS" for our clients. Whether propelling a breakout talent into the limelight or conceptualizing and executing a strategic campaign for a seasoned CEO, our passion always lies in delivering results that not only meet but exceed expectations.

Public relations isn't solely a profession for me; it's a strategic endeavor that constantly evolves and adapts to the ever-shifting media landscape. Staying ahead of the curve is key, and that's where Advantage PR excels.

For those curious about the ins and outs of PR, here are just a few questions I'm looking forward to tackling for you!:

• When's the perfect time to enlist PR support?
• What can I be doing when I am not yet ready for a publicist?
• How long should your partnership with a publicist last?
• Who comprises the dedicated team managing your account day-to-day?
• How do we leverage our media connections on your behalf?
• What differentiates your PR firm from others?
• Who will use their relationships with the media on my behalf?