We have found 18,885 posts across 4 actor forums:
Actors - Add Pantomime to Your Skill Set by Tammy Hunt • last post Apr 15th
“The skills that make up a classical mime’s bag of tricks can be of tremendous use to any actor who may be called upon in a play to tell a story through gestures, to trick an audience into “seeing” something that isn’t there.
Imagine you are in a play, and your character has to come onstage as if walking in from a rainstorm. Even though you and your costume are completely dry, you can shrug out of your coat, shake imaginary water droplets from it, “dry” your face with a handkerchief and then use it to “mop up” the puddle by the door. All this is done “in mime,” because there never was any real water. But if done well, the audience would swear that there was.
Onstage, I’ve opened doors that weren’t really there, “flipped” a light switch that was painted onto a flat, been struck by an imaginary bullet, consumed non-existent coffee from imaginary cups and eaten an “air steak,” all in plays that are considered representational or realistic. In Pioneer Drama Service’s hit comedy Twinderella, a baseball game is enacted on stage without a ball! These are all examples of using the skills of pantomime within a regular play.
Keep it simple. Don’t “muddy the air” with meaningless movements. Finish one movement before going on to the next. Then be consistent. Once an imaginary object is established, make sure that it remains there until moved. If you set a “cup” down in one place, be sure to pick it up again in the same spot. Otherwise the audience will think there are two cups on the table. I’ve seen shows using imaginary doors where the doorknob magically moves up and down, depending on the height of the actors. Finally, there’s “the bump.” When you pick up a real cup, your fingers simply wrap around it. But with a mimed cup, you have to very slightly exaggerate the grasp, the lift, the setting down and the release. Don’t overdo the exaggeration, but think of it as a series of visual punctuation marks. This helps the audience recognize the moment of contact, the beginning of movement, the end of movement and the letting go.
Every actor can benefit from some training in pantomime.”
- Patrick Dorn, Acting Coach
#mime
Ask Me Anything (AMA) Wednesday 4/17 to Thursday 4/18- What Should Performers Look For In A Publicist? by Laura Ackermann • last post Apr 15th
My name is Laura Ackermann, the CEO/Founder of Advantage PR, and I'm thrilled to dive into the dynamic world of PR with you. With two incredible, experience-rich decades of navigating the PR landscape under my belt, I've crafted compelling campaigns for a diverse array of clients – from budding actors and authors to visionary CEOs and influencers.
At Advantage PR, we're all about securing standout, momentum-building "WINS" for our clients. Whether propelling a breakout talent into the limelight or conceptualizing and executing a strategic campaign for a seasoned CEO, our passion always lies in delivering results that not only meet but exceed expectations.
Public relations isn't solely a profession for me; it's a strategic endeavor that constantly evolves and adapts to the ever-shifting media landscape. Staying ahead of the curve is key, and that's where Advantage PR excels.
For those curious about the ins and outs of PR, here are just a few questions I'm looking forward to tackling for you!:
• When's the perfect time to enlist PR support?
• What can I be doing when I am not yet ready for a publicist?
• How long should your partnership with a publicist last?
• Who comprises the dedicated team managing your account day-to-day?
• How do we leverage our media connections on your behalf?
• What differentiates your PR firm from others?
• Who will use their relationships with the media on my behalf?
The Decline of the Superhero Movie: Why It's Great News for Digital Entrepreneurship and Personal Branding by Joseph Ghae • last post Apr 15th
Superhero films, especially those from the Marvel Cinematic Universe, have dominated the box office for years. However, the tide is turning...
Bob Iger's return to Disney in a shifting landscape where Disney+ lost $1.1 billion in 2022 and faced disappointments like Ant-Man 3 signals a significant decline.
But this isn't just about Hollywood—it reflects a shift in how we consume content and connect with stories.
Could the rise of "wokeness" be influencing this?
Add to that the surge of streaming platforms like Netflix and the short attention spans of Generation Z (and even older generations), who prefer engaging with TikTok and YouTube, and you get a fragmented audience with evolving preferences!
What does this mean for you, the entrepreneur, leader, or content creator?
It’s a call to action!
The era of big-budget productions monopolizing attention is ending.
Platforms like LinkedIn, Instagram, and Twitter allow you to build engaged communities and become "influencers."
People are seeking stories they can relate to and authentic connections. Make storytelling your superpower.
Deadpool X Wolverine releases in July:
I bet with a friend that it will be Marvel's last big hit—why?
It brings humor and personality!
This superhero has been highly anticipated for years.
What makes him unique is that he's the only Marvel character who knows he's in the Marvel universe and was created by comic artists.
Isn’t that wonderfully quirky and authentic?
Personal Branding, Your New Superhero Cape:
In a world saturated with content, strong personal branding is essential to stand out.
Position yourself as the go-to expert in your field.
Provide valuable insights, showcase your expertise, and earn your audience's trust.
Just as Disney must navigate the challenges of ESPN (facing declining TV subscriptions) and changing viewing habits, you need to adapt to the evolving landscape.
Experiment with different formats, explore new platforms, and refine your strategy based on data.
The decline of superhero movies is an evolution, an opportunity for enthusiasts.
Embrace the power of your story and become the hero of your own entrepreneurial journey.
Final Word:
I've met several brilliant people on LinkedIn who hesitate to post too much.
TO YOU: Don’t let your talent and knowledge become someone else’s retirement!
48 Hour Film Project! by Lee Kim • last post Apr 15th
Any views of my recent audition for the 48 Hour Film Project would be greatly appreciated! Thank you. https://www.youtube.com/watch?v=GnlSJZgwLVw&list=PLkWh2_fh4UOCFaFAfE2UP_jhUgw-tZ9GR&index=13
5 Warning Signs For Parents Of Child/Young Adult Actors by Maurice Vaughan • last post Apr 13th
In today’s blog, Adam Feinsilver talks about five warning signs that parents of child/young adult actors should be aware of. Very, very, very important blog.
www.stage32.com/blog/5-warning-signs-for-parents-of-childyoung-adult-actors-3699
How to Write a Podcast Script For Your Solo Show by Tammy Hunt • last post Apr 11th
If you host a podcast by yourself, scripts are a great way to prepare your talking points in advance so you don’t have to gather your thoughts mid-episode.
Before you start writing, take a minute to consider: What are the main points I want to convey in this episode? What is currently happening in the world that is directly a part of what your show revolves around? Once you identify those, the smaller details can flow from there.
Let’s say your podcast is about writing or singing, and you’re planning an episode where you talk to listeners about choosing the right steps to outlining a new script for a feature, or what is involved in keeping your vocal chords in top condition. Organize your thoughts in your script document, starting with the main points and progressing to supporting points.
You’d be surprised how quickly the time will pass when you’re talking about a subject you’re passionate about.
#podcast #podcasthost
Italian Actors Body Artisti 7607 Sues Netflix Over Residuals & Lack Of Data Transparency by Richard "RB" Botto • last post Apr 10th
Precedent, precedent, precedent. One worth watching.
https://deadline.com/2024/04/italian-actors-body-artisti-7607-sues-netflix-residual-payments-1235879461/
9 Huge Actors Tax Write-Offs – And Other Tax Tips by Aaron Marcus • last post Apr 9th
9 Huge Actors Tax Write-Offs – And Other Tax Tips
https://youtu.be/y5cNhpFcj2Q
All actors and other artists need to know what can and can't be legitimately deducted from their taxes. In this video, you will learn about 9 huge actors tax write offs and other helpful tax tips.
If you have any tax tip suggestions for fellow artists, please share them here as well as on my channel.
Can't wait to hear your suggestions and advice.
If you haven't done this yet, don't forget to subscribe and click the notification bell on my channel so you always know when a new video has been uploaded.
And, please share the link so we can continue to help and learn from each other.
All actors and other artists need to know what can and can't be legitimately deducted from their taxes. In this video, you will learn about 9 huge actors tax write offs and other helpful tax tips.
If you have any tax tip suggestions for fellow artists, please share them here as well as on my channel.
Can't wait to hear your suggestions and advice.
If you haven't done this yet, don't forget to subscribe and click the notification bell on my channel so you always know when a new video has been uploaded.
And, please share the link so we can continue to help and learn from each other.
S32 April Phoenix In Person Meetup by Suzanne Bronson • last post Apr 8th
https://www.stage32.com/meetups/1970/April-Stage-32-Phoenix-In-Person-Meetup
Oh!.... controversial... Olivia Colman: Asking Actors to Self-Tape Auditions Is ‘Disrespectful’ by Amanda Toney • last post Apr 8th
The "Wicked Little Letters" star explained why she thinks actors need direct interaction with casting directors: "I wouldn't have gotten where I am if I'd had to do self-tapes." https://www.indiewire.com/news/general-news/olivia-colman-self-tape-auditions-disrespectful-to-actors-1234971762/
Actors, would LOVE to hear your opinion on this...
PAUL SCHNEIDER - ACTOR - Team Deakins Podcast by Florin Şumălan • last post Apr 6th
"On this episode of the Team Deakins Podcast, we speak with actor Paul Schneider (BRIGHT STAR, THE ASSASSINATION OF JESSE JAMES, GEORGE WASHINGTON). Growing up in a small town in North Carolina, Paul shares how working in film and television never crossed his mind until a pivotal viewing of Jane Campion’s THE PIANO. Attending film school following the encouragement and support of a high school teacher, Paul studied editing but found himself frequently cast in his friends’ short films, culminating in a performance in GEORGE WASHINGTON, shot entirely by his film school friends. Paul later shares how, to prepare for a role in Jane Campion’s BRIGHT STAR, he practiced his Scottish accent by studying a copy of TRAINSPOTTING. We later discuss the importance of a director having a clear vision for a film and loving a collaborative director who includes their crew and cast in their creative decision making process. Paul also reveals the secret character trait that informed his character in JESSE JAMES, and we discuss the emotional mathematics of the collaboration found in filmmaking that result in a film’s final cut."
https://teamdeakins.libsyn.com/paul-schneider-actor
FLOW: MEMORIZING EASY by Mary Tennant • last post Apr 6th
Hey all, Check this out and please continue to come to my youtube because I am going to be adding more great stuff like this not ONLY for actors but for people trying to get ahead of AI please share to those NON-ACTING friends. https://youtu.be/WEKyUEd6s5c?si=JwbPqFwv0hGtw67L
The State of Things by Matthew Gross • last post Apr 5th
The past 18-months were brutal. Finding acting employment in Los Angeles is exceedingly challenging, and now I'm beginning to see the really big picture. I found this video on YouTube that reveals once prosperous Beverly Hills as a dying town. I believe this to be emblematic of the existential crisis Hollywood now finds itself in.
https://www.youtube.com/watch?v=3O15wiCWz60
A Stunt By Any Other Name Is Still A Stunt by Maurice Vaughan • last post Apr 5th
Stephanie Moore discusses stunts and talks about how filmmakers can approach stunts responsibly in today’s blog.
www.stage32.com/blog/a-stunt-by-any-other-name-is-still-a-stunt-3690
George Carlin’s Daughter Calls For AI “Safeguards” As Suit Settled Over Computer-Generated Special by Richard "RB" Botto • last post Apr 3rd
Small, albeit quick, victory on the AI front
https://deadline.com/2024/04/george-carlins-ai-suit-settled-1235874564
Happy Tuesday Stage 32 Tribe! by Angela Lawrence • last post Apr 2nd
Who's The Next Comedy Duo? Since this is the last season of Curb Your Enthusiasm, one of the best comedy duo's in my opinion is the relationship between Larry David and J.B. Smoove. What two actors would you team up to be the next Great Comedy Duo?
I'm going with Pamela Adlon and Leslie Fu***** Jones!!!
Sometimes 1 Word Auditions Can Be Very Difficult - Try This Idea by Aaron Marcus • last post Apr 2nd
Sometimes 1 Word Auditions Can Be Very Difficult - Try This Idea
https://youtu.be/jRA5Qz6siWM
Have you ever had a 1 word audition and thought that the casting director has no respect for your acting skills? Or, do you think this is a complete waste of your time?
You really need to watch the video and learn how a 1 word scene can actually be extremely powerful. Watch the video and learn how.
If you ever had a 1 word audition, let us know how you
You really need to watch the video and learn how a 1 word scene can actually be extremely powerful. Watch the video and learn how.
If you ever had a 1 word audition, let us know how you
prepared for the read.
Tips for Submitting for a Casting Call/Audition by Tammy Hunt • last post Apr 1st
Before you submit your resume and headshot, read the breakdown thoroughly. Make sure you are the perfect fit. Most breakdowns will clearly describe the type of person they are looking for as well as the filming dates. Make sure you fit that description and that you are available for those shoot dates. Follow the instructions in the breakdown.
Unless stated otherwise, address the subject line with the name of the character or position you are applying for, along with your name (i.e. Submission for the role of Andrew by John Doe).
When the casting call includes a contact name, make sure you address that person in your email and use the right gender and correct spelling.
In the body of the email, state the role(s) you are applying for and give a brief description of why you consider yourself the perfect fit for that role or what makes you eager to join that production. Include any details requested in the breakdown like your weight, height, and size of your shirt, pants, and/or shoes, and where you are based.
Make sure you include an eye-grabbing digital headshot which should be 500kb or less and your resume in PDF. The files should simply be your name (john_doe.jpg, john_doe.pdf). You can also provide a link to additional photos, your website, and two to three links of clips of your work.
Keep your email simple. At the end of the email add a short and polite note indicating the materials you are submitting.
Use a professional email address. While this may sound silly many forget this simple rule. Imagine receiving an email from I_am_the_actor_for_you@gmail.com instead of john_doe@gmail.com
When signing off, use your full name. It is best if you create an email signature which links to your website and has your contact details.
#actor #script #audition #casting
A Little Voice Acting Work by Terrence Sellers • last post Mar 31st
While I'm a writer first, I've done a fair amount of commercial acting over the years. Sadly, I hadn't landed anything since Q3 last year. Thankfully, I finally landed a small voice acting job for an advertisement. The pay wasn't anything impressive, but it was nice to get some more acting work for my resume. Less than an hour of recording, so it wasn't too much of a commitment either.
Torn between loglines by Xavion Niles • last post Mar 31st
So for the past few months, I haven't been able to write anything. Had some ideas but when the words don't flow, I just feel the idea isn't right. Though I'm happy to say I've finally been able to start a new rom-script titled, "Do Not Disturb" (think "The Parent Trap" meets "Knocked Up" but w/LGBTQ leads). However, I'm torn between two loglines.
"A pair of recently orphaned twin brothers born to two different men switch places to meet the fathers they never knew but end up trying to reunite their broken family."
"The high profile lives of a rising screenwriter and a former rockstar are upended when they meet the sons they gave up for adoption and are forced to confront their buried past."
Which appears to be more attention grabbing?